Interview With AMW Member Laura Oles

In continuing my series of interviews of fellow members of AMW, I’d like to introduce you to Laura Oles.

Austin Mystery Writer Laura Oles

VPC- Welcome, Laura! Tell us a little about your background.

LO- I grew up in an Air Force family and moved a number of times growing up.   I graduated from Texas State and met my husband while I was in college. His parents were both professional photographers and entrepreneurs who introduced me to the world of photography. At the time, I didn’t know an f/stop from a bus stop, but I loved the industry almost immediately. We were working in the time of early digital photography and had built a business that did some pretty cool things in that space. I also started writing for digital photography magazines—both consumer and trade— and did that for about fifteen years. Some of the most interesting people I’ve ever met work behind the camera. It remains my first love, although I detest having my photo taken. Ask anyone—the camera comes out and I duck behind a tree.   If awkward smiling were an Olympic sport, I would bring home the gold.

LRO-sanfran

Laura hiding from the camera.

VPC- I can vouch for that, readers. It’s true! So you’ve had some success with publishing nonfiction, why are you interested in writing fiction?

LO- Yes, I wrote Digital Photography for Busy Women back in 2005 and was so happy to see the reception it received in the photography field. Technology books become obsolete pretty quickly, so while it served its purpose then, it’s outdated now. Part of the cycle. Still, it came out an important time in the industry when people were leaving film for digital and had no idea what to do with their photos once the image had been taken. I had been covering related technology for industry magazines and the book was an extension of that education.

Nonfiction has its own challenges but I love it as much as I love fiction. I grew up reading fiction at an early age, getting lost in Nancy Drew, Sweet Valley High and Judy Blume, Reading fiction was the perfect escape for a kid that kept relocating to a new school, a new city. While I enjoy many genres, mystery, suspense and thrillers remain my favorites. Not only do I love getting lost in the worlds other people create, I also love creating my own worlds and occupying them with interesting personalities. My husband once told me that I talk about these characters like they’re real people. I guess for me, they are real people. Is that weird?

I also like reading both fiction and nonfiction. I often bounce between reading a business book and a mystery at the same time. So, right now I’ve got Charles Duhigg’s Smarter Faster Better and Mark Pryor’s Hollow Man in progress. I find it hard to commit to reading one book at a time. Both books are excellent. And my TBR list is a little out of hand at the moment.

 

VPC- I know that you also have three kids. Two of them are twins! How do you juggle writing, working and raising a family?

LO- I think one of the challenges of loving your work and loving your family is that you never feel like you’re excelling in either arena at the same time. Other people may have tamed this dragon but I have yet to do so. I try to compartmentalize as much as possible, but it’s difficult. My time is often split into small segments so I work at piecing them together to create something meaningful. For example, I’ve started and stopped answering these questions several times already because of a soccer tournament, Prom, and NHS volunteer projects. Granted, it’s easier than it was when my kids were little, especially when my twins were in the pre-school stages. I don’t think I drank of cup of hot coffee for a couple of years. With three teenagers, it’s a different kind of busy. My job is largely driving, coordinating schedules, counseling and proofreading my kids’ English papers.   I am very fortunate to have an awesome husband who, despite a demanding work and travel schedule, still makes most of the sporting events, concerts and other things that are important. If he has to drive from the airport to a volleyball game, he’s there.

With respect to writing, I think one of the most difficult things is shifting my brain from multi-tasking to creative mode. I have found that it is so important to protect that sacred space of allowing your imagination to roam, to get lost in the ‘what if’s of storytelling so the story has time to grow and take some turns. I really have to work at protecting that space. It’s very easy for real life to intrude and lay claim to it. (Link to Laura’s article about making the most of your time via the Pomodoro Method.) OLYMPUS DIGITAL CAMERA

 

 

 

VPC: What aspect of writing do you enjoy the most?

LO: I have a fond affection for dialogue. I love writing interactions between characters, trying to find the proper beats where the back-and-forth feels authentic. Elmore Leonard remains one of my all time favorite masters of dialogue. He said, “If it sounds like writing, I rewrite it.” I think that’s very good advice. I also enjoy editing, maybe even more than writing the first draft, because it’s my opportunity to shape the story and figure out what works and what is getting in the way of the story moving forward.

 

VPC- How did you come to be a member of AMW?

LO-I met Kathy Waller and Gale Albright through our local Sisters in Crime chapter and was part of the Barbara Burnett Smith Mentor program in 2012. They invited me in and I have enjoyed their company and critiques ever since. Writing is a solitary process, so having like minded writers who want to discuss plot points, character development and setting is a wonderful thing. I would probably bore my non-writer friends out of their minds but the AMW people get me. And I’m grateful for it.

 

VPC- What are you working on now?

LO-I am currently revising my second mystery, Point & Shoot, which was named a finalist in the Writer’s League of Texas manuscript competition. I’m also working on a few short stories, including one for an anthology being put together by AMW for publication next year. I continue to write for the photo industry, although I’m taking a hiatus for a bit to focus on my fiction (no pun intended). I’m leaving for Malice Domestic this week (in Bethesda, MD) and am looking forward to spending time with some of my favorite writers and friends.   I’m also finally making it to Bouchercon this year in New Orleans. Other than that, I’m just trying to find time to write each day so I can keep my imaginary friends alive. They suffer if I’m gone too long. And I do, too.  I’m cranky if I’ve gone a bit without writing.  Even worse than when I skip coffee, and that’s saying something.

 

Hank & Laura

With Hank Phillippi Ryan at MD 2014

Malice laura and kaye

Laura and Kaye George at Malice in 2014

 

 

Article about Malice Domestic 2014

 

 

 

 

Thank you for the interview, Laura Oles! I’ve enjoyed these interviews. I like showing the world how diverse we are in AMW.

D-minus

MOW BOOK LAUNCH 003 (3)
First posted by Kathy Waller
on Writing Wranglers and Warriors
and on Telling the Truth, Mainly

Very long, but sort of necessary

On January 29, I was diagnosed with Stage IV metastatic breast cancer. Two kinds of cancer are present, not a common occurrence. One kind is aggressive but easier to treat than the other, which is slow-growing. There is a lesion in each lung. One was biopsied, so we know which kind it is. My oncologist said there’s no reason to think the lesion in the other lung is the same kind, but since that lesion wasn’t been biopsied, we don’t know. The radiologist preferred not to biopsy it because it’s near the heart. Sticking needles near the heart isn’t a preferred protocol.

Before I go further, I must say this: Please don’t say you’re sorry. I don’t feel ill. I have no symptoms except one lump I can feel. I’m sorry–really, really sorry, big-time sorry–I’m in this fix, but I already know you’re sorry, too, so it’s okay not to say it. Hearing it can be a bit of a downer. 

I announced the diagnosis to a friend over lunch. We discussed the situation from all sides. Before we parted, she said, “You know this is an opportunity to write.” I said, Yes, I’d already thought of that.

Newbie writers repeatedly ask themselves–and each other–When can I call myself a ***writer*** without feeling like a fraud?

Answer: When no matter where you are, or what you’re doing, or what you’re feeling, you think, I can write about this.

From now on, when people ask what I do, or what I am, I shall say, in a firm and forthright manner, as if they’d better believe it or else, I am a writer.

I responded to the diagnosis with a combination of O God and Okaaaayyyyy…. The oncologist spoke of palliative care and statistics. I despise the word palliative, and the statistics were mind-boggling, and not in a good way. But I told David I’m going to fight, and he said he was, too. I said I was going to be happy while I fought. He said, “That’s what fighting is.” I’ve never heard a better definition.

When a navigator (survivor) from the Breast Cancer Resource Center (BCRC) called to introduce herself, I told her I hadn’t read the stack of literature the surgeon had given me–a looseleaf notebook, a spiral notebook, and a passel of booklets–because after glancing over a couple of pages, I decided I didn’t need that much information. I said I guessed I was in denial. She said a little denial can be a good thing.

I dumped the stack of paper in David’s lap and invited him to read it. He did. He’s a good person. A brick, if I may use an old-fashioned word that sounds funny now but in this case isn’t. He takes copious notes, asks questions, knows what meds and chemo drugs I take, records appointments on his calendar, remembers what other questions we need to ask, and and and… He can recite most of the info from memory.

I’ve vowed several times to step up and take more responsibility for the fight. To date, I’ve learned which anti-nausea pill to take first and which to take if the first one hasn’t worked. I know chemo #4 is scheduled for April 15, too, plus a few other random facts.

On the not-denial side–and to date–for a few days after a chemo infusion, I feel kind of meh but generally okay. However, I become fatigued easily. But I forget about the fatigue and do too much and then pay for it. The oncologist said, “Yeah, everybody does that.” The first time, I paid with a day in bed. Then, a couple of weeks ago, I stayed up half the night, three nights in a row, trying to write three hundred words for a guest blog, and paid for over-reach by thinking, What if the chemo doesn’t work?

The good old, What if?

The thought had already crossed my mind, of course, but this time it was accompanied by the line from It’s Always Something, Gilda Radner’s account of  her experience with ovarian cancer:

I had wanted to wrap this book up in a neat little package. I wanted a perfect ending. Now I’ve learned the hard way that some poems don’t rhyme, and some stories don’t have a clear beginning, middle, and end.

I’ve not read the book, but a long time ago, I read that sentence, and it stuck.

The BCRC navigator called again to see how I was getting along. We I met for iced tea and conversation, and I unloaded a couple of million words on her and said I would attend a meeting of a group the oncologist had strongly recommended (twice already). I perked up some more.

But then came the third visit with oncologist. He ordered a CT scan to check progress, as in, Is the chemo working?–and the possibility of No surfaced again. After a while, No morphed from possibility to probability. Then it began to feel like a prediction. More sighing, combined with an undeclared expectation of the worst.

But I knew that surgical oncologist Dr. Bernie Siegal says cancer patients must tell the truth, that if you go around claiming, I’m fine, just fine, your subconscious, which takes words literally, will believe you, and won’t tell your body it must fight. He recommends using a grading system: When you feel like C-minus, admit it. So I told people who asked, and some who didn’t, that I was a D-minus: scared to death.

Anyway. I had the CT scan yesterday (Thursday) afternoon. The oncologist had stressed that he wanted me to have the results by the second day at the latest–I like him a lot–so if we hadn’t heard by then, to call his office.

Later I realized that when you have a scan on Thursday, the second day is Monday, which leaves a weekend of not knowing in the middle.

But. Here’s where things get better.

The oncologist called yesterday afternoon, not two hours after we left the imaging center. One lung lesion has almost “resolved,” the other has reduced in size by nearly half, one lymph node has reduced significantly. However, a lymph node near where the bronchial tubes branch off from the trachea has enlarged significantly. He said it could be just “reactive,” doing what lymph nodes normally do when you have, say, a cold–but not to count on that. We’ll follow it closely, see what it does, and if it doesn’t shrink, figure out what to do next.

In short, this is a mixed result, but the oncologist is pleased. What pleases him pleases me. So I’m pleased.

Backing up a bit, at our second visit, the oncologist asked whether I had more questions. I said, “No.”

He said, “Okay. Well, your next question should be, ‘How will we know the chemo is working?’” I told him I’d assumed he’d get around to that when he was ready.

Now, Dear Reader, your next question should be, Why did it take you so long to write this post?

For a variety of reasons, I suppose. Because I’ve only now decided how to approach the topic. Because I wanted to hear some good news before writing. Because I wanted some grounding–I like certainty; even relative certainty–before writing.

Because I didn’t want to.

Because writing about any subject makes it real.

Years ago, I put off writing a letter because I’d have had to say in it that my father had died. I still haven’t written that letter. Writing it would have made the death real, and I preferred it stay as it was, hovering on the edge of reality.

Writing about Stage IV cancer would have made every detail, every statistic, real. I wasn’t ready for that.  Now it’s okay. It’s real, not like it was yesterday with No in the ascendant, but real with mixed but pleasing results.

Ending tacked on Tuesday night: That’s the post I wrote last Friday, or most of it. I started working on it during chemo infusion #3 and continued that evening and into the night. Chemo drugs seem to invigorate me. Sunday, however, the crash came. The “flu-like” symptoms the oncologist had been asking about finally hit. That lasted only thirty-six hours or so, and it could have been worse. However, it left me in a nasty mood from which I haven’t emerged.

Last Friday, this was a chirpy post about adventures in breast cancer. Tonight–or, as it will probably post tomorrow, the 30th, a day late–it’s a non-chirpy post written by someone who’s in a nasty, nasty mood. Because I took all the chirpy parts out.

I shouldn’t admit that. Even if it’s evident, I shouldn’t admit it. I should pretend to be chirpy. I really, really should. That’s what nice Southern girls are supposed to do. Chirp.

But I remember the name of the English honor society I joined in college: Sigma Tau Delta. Sincerity. Truth. Design.

And I think of Dr. Siegal: If you’re feeling D-minus, say you’re D-minus.

So what this post lacks in Design, it makes up for in Sincerity and Truth. Tonight, I’m D-minus.

Having said that, however, I think tomorrow I’ll be much improved.

###

Oh, all right. As long as I’m already late, I’ll mention one achievement: After watching selected videos on YouTube, I have learned to wrap a scarf into a turban. For one devoid of manual dexterity, that’s big. The first two times we appeared together in public, the turban stayed put, and I received compliments. During Friday’s chemo, filaments of fringe kept popping out. They looked like little bitty antennae.

Obviously, Friday’s edition was poorly engineered from the get-go, because as soon as I got home, one end slipped out and draped down the side of my face. Fringe crawled over in front of my glasses.

©MKW. Any person who even thinks about copying, reproducing, grabbing, stealing, purloining, or otherwise taking and placing, positioning, or using this photograph anywhere else in the Universe should recognize, understand, and know that if he, she, or it does, Something Bad will happen.

©MKW. Any person who even thinks about copying, reproducing, grabbing, stealing, purloining, or otherwise taking and placing, positioning, or using this photograph anywhere else in the Universe should recognize, understand, and know that if he, she, or it does, Something Bad will happen.

I reminded myself of Lord Byron in Albanian dress. Except Byron’s headgear probably isn’t called a turban.

And he’s absolutely gorgeous.

I look like I wrapped a scarf around my head, and shouldn’t have.

 

###

Kathy Waller blogs at Telling the Truth, Mainly and at Writing Wranglers and Warriors.

 

 

The Keep Writing Sign

“One of the pleasant things those of us who write or paint do is to have the daily miracle. It does come.” ~ Gertrude Stein

Portrait of Gertrude Stein, with American flag...

Portrait of Gertrude Stein, with American flag as backdrop (1935 January 4) (Photo credit: Wikipedia)

I’m having a hard time getting this post started. First I wrote a sentence about buying Natalie Goldberg’s The True Secret of Writing but stopped half-way through. Then I began a sentence about the book’s title, finished it, and realized it had nothing to do with my topic. I’m still trying to get it right.

For most of us, the first sentence isn’t easy. Neither is the second. Often, the third is troublesome. Sometimes the process just goes on and on.

Okay, scratch that. There’s nothing new in it. I was trying to avoid using the first opening sentence I thought of, because it might be a little off-putting, and I didn’t want you to stop reading. But it’s only fair to warn you:

The section in italics is boring. 

It’s not necessary to read the whole thing, but at least skim a few paragraphs, because if you don’t, you’ll miss the point I intend to make.

Below is a draft I wrote for another group blog, Writing Wranglers and Warriors:

I’d planned to write about Shakespeare today, but a picture of a dress fellow Writing Wrangler Nancy Jardine shared stopped me in my tracks.

Copyright restrictions don’t allow me to display a photo here, and I could never describe it adequately, so I’ll post the link to Blonde and Wise and to a picture of the Bright Red and Yellow Trench Dress so you can see for yourself.

Now. Isn’t that absolutely track-stopping?

I confess I had to look up trench dress. I’d never heard the term. Imagine my surprise when I realized I’ve had trench dresses of my own. Although I love nice clothes, the technicalities have never interested me.

The feature of this particular dress that caught my eye was the plaid. It reminds me of my childhood. There was never a plaid my mother didn’t love and wouldn’t wrap me up in.

And that brought to mind the annual back-to-school treks to Comal Cottons in New Braunfels, Texas, where we bought patterns, fabric, and all the necessary notions to make back-to-school clothes. Friends from up the street and their mother came, too.

We made the trip in July, and started early, to get a jump on the summer heat. The outlet store, about thirty miles from where we lived, was filled with bolt after bolt of cloth. Mother walked slowly, running her hand across every bolt–it seemed to me she touched every bolt–and saying, “Isn’t that pretty,” or, “That color would look good on you,” or, “That would make a cute…” I followed along. My job was to chime about the colors and patterns I liked, but I trusted my mother to do the right thing, and I was bored stiff. I agreed with everything.

Next step, patterns: Opening long metal file drawers, pulling out packets of patterns… Simplicity and Butterick patterns were the best; but McCall’s instructions were confusing. Then, mentally matching styles with material we’d seen, taking patterns to fabrics to make sure, checking yardage and price, reconsidering… I was sure we re-examined every bolt.

By this time my feet were killing me. (I was born with feet designed for sitting). Comal Cottons had no chairs. Three bored tweens, one with aching feet, needed chairs. With chairs, girls can read books. Without chairs, girls stand around, one of them shuffling from foot to foot.

Then, decisions: making choices, stacking bolts on big tables, watching clerks cut material straight across, perfectly straight. and folded them. Despite its name, Comal Cottons also sold wool.

And then, the notions: buttons, thread, bias tape, zippers, lots more considering.

Clackson-tartan

Clackson-tartan (Photo credit: Wikipedia)

And finally we headed for the car, bearing loads of raw material that over the next six weeks would be made into our fall wardrobes. Which in my case would include a plethora plaids. My mother loved plaids.

By the time I reached high school, plaids had retreated from entire outfits to wool skirts worn with solid color sweaters, and trips to Comal Cottons had ended.

Now, like much else of my childhood, the store is a memory. Today it’s found on postcards.

Thank you, Nancy. With just one picture of a plaid dress, you brought back part of my childhood.

On and on and on. To quote my former high school students, BO-ring.

But as I wrote that last line, the daily miracle arrived: A treasured memory of a different piece of fabric surfaced. And then, another miracle:  I realized the story about the shopping trip was just a warm-up, an introduction, brain rubble that had to be expelled before higher quality thought could emerge.

Acting on the epiphany, I found my bit of fabric, snapped a photograph, and added three short paragraphs to what was already there. Finally, I deleted the boring prelude.

The final version–part of it, anyway–looked like this:

Fellow Writer and Wrangler Nancy Jardine recently shared a picture of a beautiful plaid dress that reminded me of  some fabric I’ve saved for more than fifty years. After residing all that time in my mother’s cedar chest, it’s wrinkled but intact.

The fall I turned eleven, my father’s father, whom we called Dad, gave Mother some money to buy me a birthday present. She purchased the wool shown in the photo and made me a pleated skirt. When I was sixteen, she remade it into an A-line skirt and a weskit.

DSCN1342

Note: That isn’t the end. There’s one more paragraph. Read it, please, at https://writingwranglersandwarriors.wordpress.com/2015/11/09/a-scrap-of-plaid/ It’s important, too.

But back to the topic at hand.

To prevent further strike-throughs, I’ll get to the point promised in the Warning:

A boring (bad, terrible, appalling, disgusting, abhorrent, loathsome, etc.) first (second, third, etc.) draft is not a Stop Writing sign. It’s a Keep Writing sign, signaling that brain rubble is loosening up, that something better is in the offing–that the daily miracle will come. Because the only way to get rid of brain rubble is to write it out.

I wish I had more time to work on this. If I did, the daily miracle would arrive.

And this post might be on an entirely different topic. It would also contain less brain rubble.

My Writing Library: Nancy Peacock’s A Broom of One’s Own

Advice to writers?

There’s a lot out there, some good, some bad.

Back up your computer. Back up all your files. All the time. That’s good advice. It comes from every writer friend I have. Recently I learned what truly excellent advice that is.

A Broom of One's Own - Nancy Peacock - Harper Perennial, 2008 - PB & Kindle

A Broom of One’s Own – Nancy Peacock – Harper Perennial, 2008 – PB & Kindle

Someday I’ll regain enough emotional stability to talk about it without twitching like a frantic Deputy Barney Fife.

Friends sometimes give bad advice, however. The one who told me I had to outline every scene before I began my manuscript had me stalled for months. The method worked for her but tied me up in knots. Don’t worry–he won’t recognize himself.

If you’re interested in writing. you’ve no doubt browsed the section of the bookstore or library for books about how to write. Shelves are packed with them. I’ve bought them for years, compulsively. Some have helped me, but some–not so much.

The least helpful preach rules that must be closely adhered to:

>You must outline before writing.

>You must get up an hour early to write before you go to work.

>You must write for a set time every single day. Even days when you sleep through the alarm, and the boss makes you stay late, and you get home and have to cook dinner, and then your five children tell you they promised you would make homemade brownies for their class Halloween parties, and the sixth says she’s given away her mermaid costume because now she wants to be a duck, and the stores don’t have any duck costumes, and you couldn’t make that child look like a duck if your life depended on it. And your husband is working in the Azores and won’t be home till Thanksgiving.

>And my #1 favorite: You must describe each scene of your projected novel on a 3″ x  5″ note card, and stack the cards in sequence, before you begin the manuscript. At any point, you may stack them in a different order, but you must never jump ahead and write a scene out of sequence, before you’ve written the scenes before it.

That Very Specific Commandment appeared in a book by a prominent author and teacher, so I thought I had to obey. For months I kept the paper companies in business by buying note cards, describing scenes, becoming seasick every time I tried to write, throwing the cards away–and buying new cards. I recently read the author now uses popular software when he composes. He didn’t mention note cards.

***

As I said before, some advice is good, and some isn’t. Each writer gets to decide for himself which is which, to find his own process and establish his own rules. We’re all different.

For that reason, the books I like are primarily descriptive rather than prescriptive, not How to but How I… Books in which authors tell stories about their own experiences, success and failures, methods, and beliefs about the writing life. If they slip in some How to…, it’s usually worth considering.

Perhaps the best-known and -loved of his genre is Anne Lamott’s Bird by Bird, a humorous and heartfelt memoir of her development as a writer and as a human being. Stephen King’s On Writing is another, a story of persistence crowned by his wife’s pulling the manuscript of Carrie out of the wastebasket and insisting he continue trying to get it published.

But there are other fine books that, though not so well known, are worth anyone’s time and attention.

The first came to my notice for a Story Circle challenge: Write and post a four-sentence book review. I chose a review copy of Nancy Peacock’s A Broom of One’s Own: Words on Writing, Housecleaning, & Life. From cleaning the houses of a variety of clients, Peacock extracts truths about about writing. Below is my original review.

English: Broom Suomi: Luuta

English: Broom Suomi: Luuta (Photo credit: Wikipedia). By Pearson Scott Foresman [Public domain], via Wikimedia Commons

“I like Nancy Peacock’s A Broom of One’s Own: Words About Writing, Housecleaning & Life so much that it’s taken me over two months and two missed deadlines to untangle my thoughts and write this four-sentence review, an irony Peacock, author of two critically acclaimed novels, would no doubt address were I in one of her writing classes.

“She would probably tell me there is no perfect writing life; that her job as a part-time house cleaner, begun when full-time writing wouldn’t pay the bills, afforded time, solitude, and the “foundation of regular work” she needed;  that engaging in physical labor allowed her unconscious mind to “kick into gear,” so she became not the writer but the “receiver” of her stories.

“She’d probably say that writing is hard; that sitting at a desk doesn’t automatically bring brilliance; that writers have to work with what they have; that “if I don’t have the pages I hate I will never have the pages I love”; that there are a million “saner” things to do and a “million good reasons to quit” and that the only good reason to continue is, “This is what I want.”

“So, having composed at least two dozen subordinated, coordinated, appositived, participial-phrase-stuffed first sentences and discarded them before completion; having practically memorized the book searching for the perfect quotation to end with; and having once again stayed awake into the night, racing another deadline well past the due date, I am completing this review—because I value Nancy Peacock’s advice; and because I love A Broom of One’s Own; and because I consider it the equal of Anne Lamott’s Bird by Bird; and because I want other readers to know about it; and because this is what I want.”

Since I’m not limited to four sentences, I’ll add that I appreciate Peacock’s integrity. In an afterword, “Writing Advice from the Author,” she rebuts ten pieces of “free advice she’s received about being an author.”

About #10, “You have to network, network, network, and never forget that everyone you meet is a potential source for something besides friendship,” she counters, “People are not commodities. Enough said.”

And under “bonus advice on developing your own writing life,” she says,

“Be kind. Do not write for revenge. Do not vilify. If you are writing a memoir understand that you will have to write about your own role in whatever event you are exploring. Nothing is ever everyone else’s fault. A part of being kind is seeing the complexities of life and people, finding what is human in your story. This does not mean being dishonest.”

In its own way, A Broom of One’s Own is as amusing as Bird by Bird. Much humor comes from Peacock’s description of her relationship with clients and of their idiosyncrasies.

Asked whether she has any housecleaning tips, she says, “My most valuable advice is to never hire a writer to clean your house.”

I planned to review three books readers might like as much as I do, but I’ve run on long enough.

So I’ll wrap this up with a paragraph about the author herself, taken from her website:

“Nancy Peacock does not have enough fingers and toes (it’s the standard issue of ten of each) to count the number of times she’s quit this confounded writing business. Yet somehow she always comes back to it, and has finally come to accept it is not only her lot in life, but a damn good place to be too.”

The authors whose advice I respect most are ones like Peacock: kind, thoughtful, understanding, honest, and generous, willing to share what they know and to admit they don’t know it all.

They also believe the writing life is “…a damn good place to be too.”

***

Kathy

Kathy

Kathy Waller blogs at Kathy Waller–Telling the Truth, Mainly,
and at Writing Wranglers & Warriors.
Years ago she gave several stacks of her books about writing
to the library she directed.
She wishes she had them back.

***

 

Live Without Water - Nancy Peacock - Longstreet, 1996 - HB & PB

Life Without Water
Nancy Peacock
Longstreet, 1996
Hardback & Paperback

 

The Premise of a Mystery

A mystery needs a strong premise to succeed in today’s vast sea of manuscripts and newly published books. But what exactly is a premise? And how can you tell if the premise of your book is a good one?

photo (45)

In Save the Cat, Blake Snyder defines the premise as the idea that promises to be an exciting or interesting story. It’s a short answer to the question, “What’s it about?” Its job is to make you want to read the book. Premise in this sense is similar to the back cover copy (blurb or description) of the book.

What’s a ginthewoodsood premise for a mystery? A child is murdered and the detective has to catch the killer. Not good enough. It’s a murder mystery, but why read this one?

Three children go into the woods. Two are murdered and the third is found covered with blood. He remembers nothing. Better. I might read it.

But that was 20 years ago. Now there’s been a similar murder in the same woods and the detective is the third child who survived the earlier crime and still has no memory of it. I will definitely sample that book.

A twenty-year-old body is found, that of a young woman. Twenty years earlier, a young man and his girlfriend planned to elope. When she failed to show up, he thought she’d jilted him. The young man is now a detective, and the body is that of his girlfriend.

faithfulplace

In the Woods and Faithful Place are excellent examples of one way to build a compelling premise for a mystery: an interesting crime plus a personal connection with the detective. The fundamental conflict of any mystery—murderer versus agent of truth and justice—is amplified by internal conflict.

Moreover, there is a built-in professional conflict for the detective, because he should recuse himself. In ITW, he keeps it a secret that he was the third child. In FP, he defies orders and investigates secretly on his own.

For Snyder, the premise is a what-if containing elements of both character and inciting incident. For John Truby (The Anatomy of Story), the premise is a short synopsis that includes the inciting incident, the main character, and the outcome.

His example, for the Godfather: “The youngest son of a Mafia family takes revenge on the men who shot his father and becomes the new Godfather.” The whole story, in a nutshell.

The two different senses of the term ‘premise’ are both widely used. In Story, Robert McKee discusses both concepts, which he calls, respectively, the inspiring idea and the controlling idea.

The story-in-a-nutshell of a mystery is the solution to the mystery. It is what I have elsewhere called the hidden drama. It’s the truth about the murder that is concealed in the enticing set-up.

A mystery needs a strong premise in both senses. The set-up states the mystery (someone has been murdered—why? By whom?) and the hidden drama, when revealed, must pack some sort of wallop to pay off the promise of a good story.

I cannot give you an example of the latter without spoiling a mystery. So that’s what I’m going to do. If you have not read Rebecca, STOP READING NOW! Read Rebecca and come back.

Joan Fontaine and Judith Anderson as the second Mrs. DeWinter and Mrs. Danvers, respectively, in the 1940 film diected by Alfred Hitchcock

Joan Fontaine and Judith Anderson as the second Mrs. DeWinter and Mrs. Danvers, respectively, in the 1940 film diected by Alfred Hitchcock

A shy, unconfident young woman marries a man whose first wife, Rebecca, has died in an accident. Rebecca was beautiful, talented, seemingly perfect in every way. How can our poor heroine ever compete with the ghost of this paragon?

Not the most powerful set-up (no mention of a crime), but the hidden drama—oh my. It turns out Rebecca was EVIL! Her husband hated her and murdered her! He got away with it—or did he? OMG!!! A witness comes forward! Breathtaking, page-turning suspense ensues. This book delivers on its premise like no other.

Cornwall

On just such a bay in Cornwall, Rebecca De Winter drowned…supposedly.

Call them hook and twist: a compelling crime to be solved and an underlying truth that is both unexpected and confounding. A really good mystery needs both.

Elizabeth Buhmann

————————————————————

A woman who witnessed a murder lied on the stand. Twenty years later, the man who was convicted on her testimony has just been exonerated and released:

Lay Death at Her Door, by Elizabeth Buhmann

Shattering a Vase

…it was like taking a vase and setting it down so hard it shatters…

~  Tracy Chevalier

When I taught secondary English, grading essays was my least favorite task. I was happy to read them, but assigning letter grades? I hated that.

I hated judging. I hated trying to determine the difference between a B and an A, or, worse, between a B-plus and an A-minus.

But the worst–the part that made me want to moan like the Ghost of Hamlet’s father, “Oh, horrible, oh, horrible, most horrible!”–was listening to students who thought their work merited higher grades: “But I worked so harrrrrrrd.“

Some had watched classmates complete an entire assignment during a lull in history class and then score A’s. It wasn’t fair.

“Harrrrrrrrrrd” was my signal to say that no, it didn’t seem fair, but that good writing comes from more than just time sheets and sweat. It’s the words on the page that matter.

Now, to my dismay, I sometimes find myself slipping into student mode. For example, when I submit a chapter to my critique group, or an agent, or a publisher, or a reviewer, or even a family member, and they find fault, or don’t even mention my genius, I have to restrain myself from wailing, But I worked so harrrrrrrd…

Each time it happens, I pull out the old talk about time sheets and sweat. I add that whingeing is the hallmark of the amateur.

And I meditate upon Tracy Chevalier.

Chevalier wrote the critically acclaimed historical novel Girl with a Pearl Earring. Her next (third) novel began as a draft written in third person, with small sections in first-person voices of children. The finished manuscript was a disappointment.

When I reread the first draft, she says,  I cried at the end. It was boring, dead weight, terrible. Then I looked it over and thought, there’s nothing wrong with the story except the way it’s told.

She found the solution in another contemporary novel:

I had the idea when, just as I was finishing the first draft in third person, I read Barbara Kingsolver’s The Poisonwood Bible, which uses five different voices beautifully. It’s a wonderful book, using multiple voices very successfully, and I thought, “Oh, that’s an interesting technique, I wonder if I should take the kids’ voices I’ve already written and have the three of them tell it.” It just felt right.

The revision was published as Falling Angels, an exquisite novel about a young wife and mother struggling to survive in the rigid, but rapidly changing, social structure of Edwardian England. The book is written in first person, from twelve perspectives, in twelve distinctive voices.

I came across Chevalier’s account when I was just beginning to write fiction and became obsessed with the work. Writing an entire manuscript, setting it aside, starting all over—it had to be pure drudgery. I couldn’t imagine putting myself through that. 

Recently, though, I reread the article and a different passage caught my attention—Chevalier’s description of the rewrite:

I took the draft, and it was like taking a vase and setting it down so hard it shatters, then putting the pieces back together in a different way. I rewrote the whole thing in first person with all these different voices.

That passage doesn’t describe drudgery. Shattering a vase, putting the pieces back together to make something new—that’s a picture of creation, of the excitement and the pleasure and the beauty that accompany it.

I love Tracy Chevalier’s novels and admire her talent. But, on a more personal level, I’m grateful to her for sharing publicly how Falling Angels made its way into print, for reminding me that hard work and drudgery aren’t synonymous, for implying it’s okay to cry over a bad draft and that perceived failure can turn into success, and for showing that the act of writing itself affords as much pleasure as the spirit is willing to embrace.

And—for tacitly suggesting that no one really needs to hear me whinge about how harrrrrrrrd I work.

It’s the words on the page that matter.

*****

Note: I do love Chevalier’s novels. In fact, I love Falling Angels so much that during library duty one Saturday morning, I was so intent on finishing the book—just racing toward the climax—that I unlocked the front doors but left the lights in the reading room off, and spent the next ninety minutes parked behind the circulation desk, reading and hoping no one would walk in and want something. I’m not proud of what I did, but patrons didn’t seem to notice anything different, and I finished the book.

Note: The angel pictured above stands in the Oakwood Cemetery in Hendersonville, North Carolina. Carved from Italian marble, she is the angel often referred to in Thomas Wolfe’s Look Homeward, Angel. Wolfe’s childhood home is in Asheville, about twenty miles north of Hendersonville.

*****

Information about Tracy Chevalier comes from Fiction Writers Review.

*****

Posted by Kathy Waller

Kathy

Kathy

Two of Kathy’s stories appear in
Austin Mystery Writers’ crime fiction anthology,
Murder on Wheels.
She blogs at Kathy Waller ~ Telling the Truth, Mainly,
and on the group blog, Writing Wranglers and Warriors.

Join AMW for MURDER ON WHEELS Launch ~ August 11

Please join

Austin Mystery Writers

Gale Albright, Valerie Chandler, Kaye George,
Scott Montgomery, Laura Oles, and Kathy Waller
&
Earl Staggs and Reavis Wortham

as they celebrate the launch of their first crime fiction anthology

MURDER ON WHEELS:
11 Tales of Crime on the Move

“Eleven stories put the pedal to the floor and never let up! Whether by bus, car, tractor, or bike, you’ll be carried along at a breakneck pace by the talented Austin Mystery Writers. These eight authors transport you from an eighteenth-century sailing ship to the open roads of modern Texas, from Alice’s Wonderland to a schoolbus yard in the suburbs of Dallas. Grab your book, hold on to your hat, and come along for the ride!”

Tuesday, August 11, 2015
7:00 p.m.

BookPeople Bookstore
6th Street and Lamar

Austin, Texas

“There is something for everyone…” ~ Amazon Review

“…light-hearted (and occasionally black-hearted) collection of short stories… I thoroughly enjoyed it. … take your choice–historical, humorous, dark and light. Good reading for mystery fans.” ~ Amazon Review

 “… dialog that is realistic and makes the characters believable and three dimensional. There is something for everyone…” ~ Amazon review

“… a diverting read.” ~ Barry Ergang, Kevin’s Corner

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That Would Make a Pretty Good Story

When Howard was four, he and his baby sister were playing in the living room, while his mother and his grandmother sat at the kitchen table just around the corner. A few days before, while staying with his grandmother, Howard had said something cute–he did that a lot–and today, over coffee, his grandmother told her daughter about it.

Immediately after Grandma finished the anecdote, Howard piped up from the other room, “That makes a pretty good story, doesn’t it?”

That’s a four-year-old thinking like a writer. Thinking, in fact, like James Thurber, who filled entire books with cute things. Thurber said this about his works in progress:

“I often tell them at parties and places. And I write them there too….I never quite know when I’m not writing. Sometimes my wife comes up to me at a party and says, ‘Dammit, Thurber, stop writing.’ She usually catches me in the middle of a paragraph. Or my daughter will look up from the dinner table and ask, ‘Is he sick?’ ‘No,’ my wife says, ‘he’s writing something.'”


Writers never stop writing. We may be immersed in experience and emotion, and at the same time be standing outside ourselves, thinking, That would make a pretty good story.

For the purposes of this post, I’m now going to tell a brief story. When you finish reading it, there will be a test:

A couple of weeks ago, I was riding the Washington, D. C. Metro, going from Reagan International Airport to Bethesda, Maryland, for Malice Domestic, a convention at which fans and authors celebrate the traditional mystery.

My plane had arrived late. Darkness had fallen and seeped into the rail tunnels. Signage was… lacking. I couldn’t see names of the stops, nor could I understand the voice announcing them.

I’d already wasted time by taking the YELLOW LINE instead of the BLUE LINE, because, on impulse, I decided my way would get me to the RED LINE just as easily as the BLUE LINE would. And it would have, if the YELLOW LINE I boarded hadn’t been going the wrong way. If I missed my stop now, there was a distinct possibility I would have to sleep on the Metro, which is considered taboo.

Now, each Metro car has one map beside one of the doors. At a stop near mine, I decided to move to the front seat so I could see and count the stops preceding mine. I rose, pushed my humongous suitcase into the aisle, and somehow managed to position it between me and the front of the car. So I pulled up the handle and tried to turn the case so I could roll it behind me. At the same time, I tried to exchange places with it. I think.

That is when the suitcase attacked me. Rocking back and forth, it threw me off balance, and I fell backward, full length, into the aisle. On the way down, I thought, I’ve never fallen this direction before. Then my bottom hit, and after that, my head.

When I realized my head would hit the floor, I had a nanosecond of worry, but I hardly felt the impact. That surprised me, because my head is protected by far less padding than is my bottom. It was such an easy fall, very much like lying down in the aisle, without knowing you’re going to.

End of story, almost.

Here’s test question #1: How does this not-so-pretty-good tale about a train ride relate to thinking like a writer?

Because when no one ran to help me up, and I realized I was alone, surrounded by dark, unfamiliar territory far from home, where anybody and his mean dog could enter the car at any time… I lay in the aisle, smiling, gazing at the ceiling, and thinking, This will make a pretty good story, won’t it?

Unfortunately, this obsession–the word is an exaggeration, but sometimes it feels like obsession–with story isn’t necessarily welcome… because we can’t switch it off. It follows us into the sickroom and stands with us at the graveside and makes us feel ashamed, because one small corner of our minds is nearly always detached, removed from real life, observing, remembering, writing. 

We speak about the subject among ourselves. But when we speak about it to non-writers, we concentrate on the lighter side. The other part we prefer to leave in darkness.

Only the relative anonymity of the blogger allows me to write about it here.

Test question #2: Do you write all the time? Do you know when you’re not writing? Have you had an experience that would make a pretty good story?

 ***

Note: Imagine the child in the portrait above with blond hair… That would be Howard.

Note: Metro riders who knew where they were going were so very helpful in assuring me that, yes, the YELLOW LINE would stop at Gallery Place. I think I asked at least a dozen of them over the course of the evening. A transit worker carrying a broom yelled at me, but I’m sure he was doing the best he could, bless his heart. I am sorry to say I raised my voice a couple of decibels in return (righteous indignation), but, bless my heart, I was doing the best I could, too. It’ll probably make a pretty good story.

***

You can read Kathy Waller’s personal blog here, and once or twice a month she posts at Writing Wranglers and Warriors.

Kathy

Kathy

Two of her stories appear in AMW’s MURDER ON WHEELS, published by Wildside Press and available at Amazon and Barnes & Noble.

Our anthology!

Our anthology!

 

 

 

 

 

 

The Writing Process: The Wisdom of Darrell Royal and Lessons from a Jack Russell Terrier

Most people don’t believe it, but I was almost thirty years old, and had been teaching English for seven years, when I discovered I possessed a writing process. I learned about it in a special summer program for teachers of English at the University of Texas – Austin–the Hill Country Writing Project.

Author Anna Castle addressing SINC ~ Heart of Texas Chapter, March 2015

Author Anna Castle addressing SINC ~ Heart of Texas Chapter, March 2015

A certain writer of fiction for middle grade who spoke at the Texas Library Association’s Bluebonnet luncheon several years ago was even older than I when she found out about hers. I won’t mention her name, although I’ve just discovered she lives in Austin and am wondering whether she might accept an invitation to speak at one of my Sisters in Crime chapter’s meetings–But I digress.

This author said children she met at school visits started asking, “What is your writing process?”  When they explained to her what that was, she thought a while and then described it in roughly the following way:

 

Hit the alarm button, roll out of bed, throw on robe, drag out of bedroom, bang on son’s door in passing, go downstairs, make coffee, pile dirty towels in hall, bang on son’s door and yell “Get up,” dress, put towels in and start washer, go to office, turn on computer, inhale coffee fumes until eyes open, pull up file, stare at monitor, drink coffee, stare some more, check on son . . . 

This author’s process isn’t exactly what the UT scholars meant but it’s worked for her through nearly sixty books (the last time I counted).

About a month ago I reviewed my own writing process–I’d been trying and failing to complete (which means I couldn’t even begin) a 100-word story for Friday Fictioneers, and I believed analyzing my process might offer insight into the source of the problem. I did my best to remember how I had written the first three short-short stories, which had practically composed themselves.

The next three paragraphs provide a rough description of what went through my mind as I wrote those stories, which were based on picture prompts. I’ve included links so you can see the pictures and also, if you wish, read the final versions of the stories.

The second story: “Lovestruck.” Prompt–picture of old boat. Know nothing about boats. Grandfather’s old wooden boat on river. Friend’s husband surprised her with boat; she wasn’t pleased. Husband and wife. He wants boat. She sees flaws, thinks he’s crazy. He sees possibilities. Probably unrealistic. She’s patient. He doesn’t listen? What’s the end? Oh–he loves the boat–a love affair, name boat. No, lust. Ending? ???Too long. Quote Coleridge–develops wife’s character, she reads. Oh–have him intro boat-girlfriend to wife–first line–hook reader. Ending? Cut more. Oh–she wants something, boat is leverage–imply–end? suggest they look at–what?–sewing machine. She wants him happy–but–what’s good for gander. Both smiling. Cut.

The third story: “‘Shrooms.” Prompt–picture of mushrooms. What the heck I do with that? Poisonous. Lord Peter Wimsey–victim killed w/ deadly Amanita. Wife cooks mushroom gravy–End, poisons husband. How trite. Keep them talking about mushrooms. Tease–he won’t eat mushrooms, never does. Afraid of mistake–toadstools. She picked them. Husband–horrified! Create character, aunt–knows mushrooms–helped pick. Okay. Tastes, yum. Aunt pops in–new glasses–poor vision picking mushrooms–imply. End ambiguous. Accident? What did husband eat? Whimsy, understatement–Might want to spit out. Not trite.

First story: “Nothing But Gray.” Prompt: Man looking out window at courtyard? stone walls on all sides, no visible exit–b&w except for pot plants, red flowers. Boxed in, trapped, stone, gray. Start–boy, not man, place him staring out, gray stone, his POV. Easy–put him at window. Consider table, 4 plates, one boy. Guests for dinner? A brother. Mom comes in. Gray. Death. Mom in denial. 4 plates. (Note: Really, I’m not sure how I wrote this. Serendipity. Started writing and tripped over a miracle.)

That isn’t exactly what the scholars meant either–they talked about pre-writing, writing, revising, editing, polishing, nitpicking,** things that can be taught in a formal classroom setting.

English: A whole and split Cadbury Creme Egg.

English: A whole and split Cadbury Creme Egg. (Photo credit: Wikipedia). By Evan-Amos (Own work) [CC0], via Wikimedia Commons

I’m talking about the process unique to the individual, the brain state during which neurons explode at the mere thought of outlining before you do anything else or outlining at all, the state during which you either eat five pounds of Cadbury eggs or handcuff yourself to the birdbath so you can’t reach the box. Or, the state in which you’re relaxed, productive, focused, enjoying the act of creation despite the confusion and uncertainty creation entails.

To be continued…

Join me for Part 2 to discover
the Five Truths of the Writing Process,
how to make your writing practice more effective, and
What Darrell Royal and a Jack Russell Terrier Have to Do With Anything

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  • Nitpicking isn’t an official part of the writing process, but some people throw it in anyway.
  • To become a Friday Fictioneer, read instructions here: https://rochellewisofffields.wordpress.com/friday-fictioneers-2/. Then check Rochelle’s main page for the photo prompt, here: https://rochellewisofffields.wordpress.com/ You’ll probably have to scroll down to locate the correct picture. The projected date of publication will be the title. The official publication date is the Friday after the Wednesday prompt announcement. However, as I understand it, that’s a Friday-ish deadline. If Friday is impossible, just put it online before the next prompt comes out. Any Fictioneers out there, please correct me if I’m wrong.

*

Kathy

Kathy

Kathy Waller blogs at To Write Is to Write Is to Write, and once or twice a month at Writing Wranglers and Warriors. Two of her stories will appear in AMW’s MURDER ON WHEELS, available soon from Wildside Press. Years ago, Kathy’s tongue got lodged in her cheek and she’s never managed to get it unstuck, so you can’t believe everything she says. Except about the writing process.

My Valentine to Writing

Five members of Austin Mystery Writers post here regularly, and I sometimes wonder whether you readers know which of us is which. So I’m going to clear up any questions  concerning my identity.

I’m Kathy. I write about angst. Any time you arrive here to find weeping and wailing and gnashing of teeth over the writing life, it’s my teeth you hear gnashing.

Kathy

Kathy

I’m writing this at home, but home isn’t the only place I gnash. I do it at my office, AKA bookstore coffee shop, in full view of the public. I try to emote quietly, but muttering carries. People around me, many of them equipped with laptops and writing assignments of their own, receive full benefit of my outbursts: “Stupid, stupid, stupid!” “Noooo.” “What’s the word? What’s the word?” “^!*%&@% network.”

(I don’t really say ^!*%&@% , but that’s what I mean.)

I suspect other writers gnash, too.

Consider American poet William Cullen Bryant, author of “Thanatopsis.” I can’t imagine his interrupting himself with undignified emotional outbursts, but no one who holds his forehead like that is easy in his mind.

Today, though, there will be no gnashing. Today I depart from the usual tales of woe to say, I love writing.

I love the exhilaration I experience when words flow onto the page.

I love finding just the right word to express my meaning.

I love revising, moving sentences and paragraphs around, cutting excess–words, paragraphs, whole pages.

I love writing an entire blog post and then scrapping it and writing something different. (As I did for this post.)

I love filling holes to add clarity.

I love watching a story develop: beginning, middle, and end.

I love–oh, how I love–line editing, slashing words and phrases, discovering the one word whose omission makes the piece smoother, tighter.

I love the joy I feel on reading the finished product–and finding one more word to cut.

I love the satisfaction and the surprise of completing a task I didn’t think I could do.

I love making something out of nothing.

I love making art.

I love creating.

I love saying, “I write.”

I love loving writing.

*****

Lagniappe, Freebie, Pilon

William Cullen Bryant wrote “Thanatopsis” when he was seventeen years old. The title comes from the Greek thanatos (“death”) and opsis (“sight”), and has been translated “Meditation upon Death.” He initially hid the poem from his father because it expressed ideas not found in traditional Christine doctrine. In the concluding lines, which my mother memorized in high school and sixty years later could recite from memory, the poet instructs how to “join the innumerable caravan” of those who have gone before.

*

So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.

Imagine Bryant reading those lines. He must have loved writing.

See the entire poem here.

*****

029

To Write Is to Write Is to Write

Kathy Waller blogs at To Write Is to Write Is to Write,which she plans to rename, and, every thirty days or so, with friends at Writing Wranglers and Warriors. She blogged at Whiskertips until cats took it over.