Pieces of Time

“After you learn – and if you’re good and Gawd helps ya and you’re lucky to have a personality that comes across – then what you’re doing is, you’re giving people… little, tiny pieces of time… that they never forget.”- James Stewart, explaining to Peter Bogdanovich what actors do

Three paragraphs into a post about the importance of motivation in character and plot development–working title: “What Do You Want?”–I remembered hearing that As Good As It Gets would be on television. I’d like to see it again, so I checked the schedule for the network that airs oldies.

As Good As It Gets wasn’t running, nor was anything else I wanted to see, but while I was there, I went on to see what’s playing today, and tomorrow, and the next day, until nearly two weeks were planned out. Because it’s so easy to forget these things, I prepared a schedule:

Cropped screenshot of Claudette Colbert and Cl...

Cropped screenshot of Claudette Colbert and Clark Gable from the trailer for the film It Happened One Night. (Photo credit: Wikipedia). By Trailer screenshot, from DVD It Happened One Night, Columbia, 1999 (It Happened One Night trailer) [Public domain], via Wikimedia Commons

Tuesday, December 15
5:45a It Happened One Night
8:00p The Desperate Hours (I love Frederic March and Humphrey Bogart)
10:30p Compulsion (based on the Leopold and Loeb case; Orson Welles as the DA)

Wednesday, December 16
3:40p Come Back, Little Sheba (always wanted to see it, never have)
5:45p Let No Man Write My Epitaph (Burl Ives, always wonderful, and Jean Seberg, ditto)

Thursday, December 17
6:20a Blueprint for Murder (don’t get to see Joseph Cotton much any more)
5:25p Stalag 17 (William Holden and Gary Merrill; what’s not to like?)
8:00p Twelve O’Clock High (Gregory Peck and Gary Merrill; see above)

Friday, December 18
8:00a The Bells of St. Mary’s (Ingrid Bergman; her smile in that last scene makes me reach for a second crying towel; worth getting up early for)

Saturday, December 19
5:15p The Rainmaker (Katharine Hepburn; no comment needed)
8:00p Roman Holiday (Audrey Hepburn; two Hepburns in rapid succession–modified rapture!)
10:40p Father Goose (Cary Grant; well, d’oh)

Sunday, December 20
11:00a The Cheap Detective (Neil Simon’s script, Sid Caesar, Dom DeLuise, John Houseman, Madeline Kahn, Fernando Llamas, Phil Silvers, and on and on…)
8:00p Cheaper by the Dozen (seen it several times, but I love Clifton Webb and Myrna Loy)

And during the rest of the week, there will be opportunities to see Tootsie, Bye Bye Birdie, The Keys of the Kingdom, Oliver Twist (1933 version, with Dickie Moore), Let’s Make it Legal (Claudette Colbert and Marilyn Monroe), That Touch of Mink, and Barefoot in the Park.

And the Shirley Temple Christmas Day marathon, or at least Captain January, might be fun…

I’d be happy to watch nearly everything that network has to offer, one after the other.

(Except The Man Who Shot Liberty Valance. After seeing that one a half-dozen times, I know who shot him and don’t need a review.)

But now, a reality check. The movies are uncut, and they’re interrupted by numerous commercials, so each runs about three hours. Watching the ones named above, minus Captain January because it’s a maybe–would take sixty-three hours. If I watched for sixteen hours straight–nothing else, just sat there and watched–the film binge would take four days. Watching eight hours a day would use up eight days. I hate to admit it, but lying on the couch all day, eating Hershey’s Kisses, watching old films… I could do that. But I won’t.

Because how much time have I spent over my lifetime lost in the fantasy on a small screen? How many hours have I sat and watched instead of taking up pen and paper–or laptop–and writing?

Too many.

James Stewart didn’t make all those marvelous little pieces of time by lying on his couch, watching Charlie Chaplin on TV.

Stories are pieces of time, too, and I want to make more of them. But it’s not going to happen while I’m mesmerized by Hollywood. I have to turn off that television and write.

***

 

Kathy Waller blogs at Telling the Truth, Mainly12376007_1178023688877814_9154670791884953413_n (3)
and at Writing Wranglers and Warriors.
Two of her stories appear in the anthology
MURDER ON WHEELS (Wildside, 2015).
She’s now working on short stories
and on a mystery novel set in a town
very like the one she grew up in.

 

Welcome Patric Sanders Back to AMW!

V.P. Chandler here. In continuing my interview series with AMW members, I’d like to introduce you to Patric Sanders. Patric was a previous member who has recently rejoined our group. 

VPC- Welcome back to the group! Why don’t you tell us a little something about yourself, like where did you grow up?

 I was born in Berlin, one month before Hitler invaded Poland, which started WW 2. When the Allied air raids increased in 1942, my mother and I, together with other mothers and children, were evacuated from Berlin, first to rural Silesia, then to Pomerania – now Western Poland. At the end of the war, when the Russians had overrun Berlin, we trekked from close to Prague with a hand-drawn cart back to Berlin. We found our apartment was burned out, and most of our furniture and belongings were destroyed.

I grew up in the Russian sector of the divided city of Berlin. My early play-ground were ruins, discarded trucks and tanks. Even at a young age, the finding of food (berries, fruit, grain), fixing appliances and collecting firewood were important tasks to help my mother.

East Germany was plundered by the Soviets. Rails, machinery, any steel products were taken to Russia. Later, they were returned as Soviet tanks and artillery pieces. German scientists and engineers disappeared from the streets, abducted to Russian research facilities and factories.

But the Western part of Berlin and West Germany received generous assistance from the United States through the Marshall Plan, and many personal gifts by American families through CARE packages and donations. West Germany and West Berlin were rebuilt and quickly became prosperous.

When my mother and I visited our relatives in West Berlin, we enjoyed rarities like oranges, bananas, chocolate, and I loved Wrigley’s chewing gum.

At school, I was taught the superiority of Communism, and that our ‘great friend and brother’ the Soviet Union would bury the capitalist West and defeat America. Despite Communist indoctrination, I received a good education, especially in math, physics, chemistry and geography. I loved reading German and English literature and adventure and mystery tales by Stevenson, Defoe and Edgar Allen Poe. In high school we had two languages – Russian and Latin. From a retired teacher I took private lessons in English. I learned more by listening to the ‘forbidden’ American Forces Network (AFN Berlin) – I loved Glen Miller, Benny Goodman, Louis ‘Satchmo’ Armstrong, and rock’n’roll by Bill Haley, Fats Domino, Louis Prima, Chuck Berry and Elvis. I imitated the way the announcers talked. That’s why later when I worked and met the first British engineers, they said, “Manfred, how come you sound like a Yank?”

I studied electrical engineering & marine electronics at the University of Rostock, which incidentally was founded in 1419 – 73 yrs. before Columbus ‘discovered’ America.

The border in Berlin was open and I often took the commuter train/S-Bahn to West Berlin. I enjoyed Western movies with Gary Cooper, John Wayne and Burt Lancaster – one of my favorites was ‘The Magnificent Seven’ with Yul Brynner and Steve McQueen. Reading the German author Karl May, I was fascinated by the American West, by trappers and Native Americans. As so many Germans, I had ‘Fernweh’ – the urge to travel, the longing to see distant places.

I often went to the Amerika-Haus in West Berlin, a place forbidden to visit by the communists, where one could watch American news reels and movies, listen to jazz, or read American magazines and books.

I dreamt about this far-away land America – this perceived bastion of power, wealth, ingenuity and freedom.

On that fateful day of August 13th 1961, when the Berlin Wall went up, I was visiting my mother in East Berlin. On that day everything changed – the only window to the free West was now closed. Nobody was allowed anymore to cross the Wall. Many people tried and got shot, some bled to death in the ‘no-man’s land’, the death strip.

After university I worked as a test engineer for navigation systems at a shipyard in Stralsund. Six months later, I was drafted into the National People’s Army – NVA. Because of my electronic knowledge, I soon was put in charge of a secret Russian radar unit. After serving 18 months in the army, I worked as an engineer for the State marine electronic company. Now I was hounded by the East German secret police Stasi to join them, to spy on foreigners – but I resisted. I feverishly looked for a way to get out, to cross the border. Finally, in the summer of 1966, I escaped to West Germany in an adventurous way – I describe all this, the Stasi harassment and my escape in detail in my book ‘Chasing The Sun’.

 

VPC- Where else have you lived?

After my escape to the West, I found a job as electronics officer on a German cable ship In Hamburg. Nobody onboard, except for the captain, knew its mission. We sailed across the Atlantic to Portsmouth, NH and loaded cable. American immigration officials denied my entry permit. Then I discovered the power of the American free press. A young reporter wrote a three-part story about my life under Communism, my escape and the denial of entry into the US. Shortly thereafter, politicians up to the NH governor intervened on my behalf, and I could finally set foot on American soil. I explored New Hampshire, Maine, Boston and even visited the ‘Big Apple’.

Screen Shot 2015-12-07 at 9.35.45 AM

Electronics officer onboard cable ship ‘Neptun’ in Subic Bay Philippines, June 1967

In early 1967, we headed across the Atlantic for the Suez Canal and on to Singapore. After steaming into the South China Sea, our captain announced ‘Your pay will now double. We’re entering a war zone.’ For several months, we laid communication cable for the US Air Force around South Vietnam, from Da Nang to Nha Trang, Camh Ran Bay and Vung Tau, all the way to Thailand. From the ship we saw quite a bit of fighting, once we were almost blown up by Viet Cong swimmers, but they attached their limpet mines to a British tanker which was anchored close-by and blew it to pieces.

After completing my contract, I went to London and worked for the Decca radar and navigation company – the same company which under the Decca record label had rejected the Beatles, but signed on the Rolling Stones. I studied English and English literature at a Cambridge university extension and at school met my future wife.

In 1968, I decided to go after my old dream – America. I got married in London, and I found a job in San Francisco. The year was 1968 – hippies, drugs, protests, racial unrest and crime (we were burglarized & completely cleaned out!) were unfamiliar experiences for us. Future jobs took us to Orange County, Southern California, then to Houston. Through my jobs, I was transferred back and forth between Houston and Seattle several times.

With my electronic background, I worked in the marine industry, in merchant shipping, the offshore oil industry, in commercial fishing on the Pacific coast and Alaska, and in the defense industry for the US Navy and the German Navy. During my professional career I saw many interesting places and met great people, and I took notes.

 VPC- How did you come to live in Texas? Do you like it?

After living in the Seattle area for 25 years, in 2005 we had enough of grey skies, drizzle and rain and we retired to Texas sunshine. We love the Austin area and like to hike in the abundant nature parks together with our rescue dog Max, a Blue Lacy, the Texas State dog.

Screen Shot 2015-12-07 at 9.36.09 AM

With Max at Tejas Camp nature park

 

VPC- I know that you like American music, like Jazz. What is your favorite music? Did it influence your life? Is it mentioned in your stories?

I like music in many varieties, from rock’n’roll to Blues, Jazz to classical music and opera. When I write, I like to listen to Mozart and Vivaldi. I include music, classical pieces and hit tunes in my writing. In the mid-nineties, I even made a career change and ended up in the Music industry. I directed international marketing for a Seattle-based manufacturing company (audio mixers, amplifiers and studio speakers), traveling all over the world.

VPC- What other types of life experiences do you use in your stories?

During an adventurous vacation in Australia, while diving at the Great Barrier Reef, hiking through the croc-infested swamps of Kakadu National Park and exploring the wild shores of Tasmania, I decided to write an adventure story. I got my first novel published through Random House Germany in Muenchen – ‘Der Schatz vom Barrier Reef’ – The Treasure of the Barrier Reef, under my pen name Patric Sanders.

Barrier Reef cover

 

VPC- Tell us a little about your books?

My wife urged me to write in English about my life in East Germany and my escape. Based on facts and experiences during that time – life under a communist dictatorship, the far-reaching power of the secret police Stasi and how people coped – I wrote two fiction novels, the cold-war thrillers “Chasing The Sun” and “Singed By The Sun” – both are self-published under Patric Sanders, and available on Amazon Kindle. A third book in the series is in the works – “Hostile Harbors”.

Chasing the Sun cover

Singed By the Sun

 

VPC- What are you working on currently?

As a follow-up to my German adventure novel (set in Australia), I’m writing an adventure thriller ‘Lethal Encounters’, set in Europe, the Pacific Northwest and Hawaii. It’s an international intrigue, where Russian criminals, German combat swimmers, Navy Seals and an adventurer and his Hawaiian friend, who look for the remains of a Spanish gold galleon, collide on a remote Hawaiian island.

VPC- It sounds exciting! (And to the readers our there, I’ve read a few chapters and it’s very good.)

Thanks, Patric, for the interview. I’m happy for this opportunity to share your story.

patric sanders

For more information about his books, here’s the link to his Amazon Author page. 

 

 

The Case of the Naked Picture

"A dazzling, richly textured YA debut." KIRKUS REVIEW

“A dazzling, richly textured YA debut.” KIRKUS REVIEW

A small town in Colorado was recently shocked by a “sexting” scandal involving 100 high school and middle school students sharing nude photographs of themselves and other students.  School officials, parents and police are at a loss to understand and respond–as I can well imagine!

I immediately thought about Brenda Vicars, an Austin area author who wrote Polarity in Motion, a YA mystery that revolves around the issue of sexting. Brenda is an experienced educator, a former teacher and school administrator. She gave me the following interesting interview.

EB: Brenda! Thanks for agreeing to answer some questions. First of all, I guess I thought sexting was a passing fad, and assumed most teenagers would not be involved in this kind of thing. But I just read that more than half of all college students report that they sexted before the age of 18. Does that surprise you?

BV: Yes–that number is way larger than I expected, which may be partially attributed to the loose interpretations of what “sexting” actually means. I still believe that lots of teens don’t want their nude pictures shared–especially with more than the one person who was the intended recipient.

EB: How long has sexting been around? When did you first become aware of it?

BV: I first became aware of it about ten years ago when guidance for parents and educators started being published.

Brenda Vicars has worked in Texas public education for many years. Her jobs have included teaching, serving as a principal, and directing student support programs. For three years, she also taught college English to prison inmates.

Brenda Vicars has worked in Texas public education for many years. Her jobs have included teaching, serving as a principal, and directing student support programs. For three years, she also taught college English to prison inmates.

EB: What do you think is an appropriate response to a discovery like the one in Colorado, where such a large sexting ring has been uncovered?

BV: There should definitely be consequences, but I think felony charges are too extreme when students are voluntarily sharing their pictures with other minors. The felony level category was probably established to apply to adults who deal in child porn.

EB: How serious is this issue? Is it harmful? Is it risky? How concerned should parents of teenagers be?

BV: It might not be any more serious than streaking of the 60s or flashing of the 90s if the pictures were seen only by the intended recipients.  However, once a picture is out there, it can literally go anywhere–including onto child porn sites.  The potential for harm is unlimited both in scope and time.

EB: The legal response to sexting can be quite severe, since having and sharing nude pictures of minors qualifies as possessing and distributing child pornography. is this right? is sexting tantamount to dealing in child pornography?

BV: That’s a great question–and there is no easy answer because the degree of lewdness and the quantity of distribution are different in every instance.  In Texas when sexting first reared its head, it fell into the felony level offenses. But several years ago, Texas statute changed so that minor sexting, first offense, can be a misdemeanor. But even with this reduction of severity, sexting incidents still keep schools, the legal system, and parents challenged.

And, in addition to legal consequences, there can be repercussions at school ranging from community service, suspension, or even expulsion. Sometimes students believe that since their phone is their private property, it is immune from school regulations.  But, when sexting interferes with activities at school, even if the sexting happened at night, Texas schools can take action.

EB: What a nightmare for parents! I suppose one reason we never sexted in my day was that we didn’t have camera phones, smartphones, or digital photography. We had to take film in to be developed–and who is going to do that with a nude picture?

In your book, Polarity in Motion, a teenage girl is horrified to learn that a nude picture of her is circulating throughout her school. It’s a tantalizing mystery, since she has no idea when or how the picture was taken, and you use it to explore a lot of complex issues involving teenagers. Can you discuss some of the issues you find most compelling?

BV: I’ve always been hung up on the numbers of innocent people who, in spite of our well-planned legal system, get incarcerated for crimes they didn’t commit.  News stories about cases being reopened and the innocent being released always strike a note of fear in my heart.  What if these same mistakes happen to students?  Are there cases of high school students being suspended or expelled when they are actually innocent? I hope none of the students I worked with were unjustly punished, but Polarity in Motion is a story of how it could happen.

It’s a thought-provoking book and a great read–146 reviews, of which two-thirds are 5-stars and more than 90% are fours or fives! If you have teenagers on your Christmas list, consider giving them Polarity in Motion, by Brenda Vicars.

Elizabeth BuhmannElizabeth Buhmann is the author of Lay Death at Her Door.

“…blood is shed along the way to a jaw-dropping, but logical, climax that will make veteran mystery readers eager for more…” – Publishers Weekly (starred review)

The Keep Writing Sign

“One of the pleasant things those of us who write or paint do is to have the daily miracle. It does come.” Gertrude Stein

Portrait of Gertrude Stein, with American flag...

Portrait of Gertrude Stein, with American flag as backdrop (1935 January 4) (Photo credit: Wikipedia)

I’m having a hard time getting this post started. First I wrote a sentence about buying Natalie Goldberg’s The True Secret of Writing but stopped half-way through. Then I began a sentence about the book’s title, finished it, and realized it had nothing to do with my topic. I’m still trying to get it right.

For most of us, the first sentence isn’t easy. Neither is the second. Often, the third is troublesome. Sometimes the process just goes on and on.

Okay, scratch that. There’s nothing new in it. I was trying to avoid using the first opening sentence I thought of, because it might be a little off-putting, and I didn’t want you to stop reading. But it’s only fair to warn you:

The section in italics is boring. 

It’s not necessary to read the whole thing, but at least skim a few paragraphs, because if you don’t, you’ll miss the point I intend to make.

Below is a draft I wrote for another group blog, Writing Wranglers and Warriors:

I’d planned to write about Shakespeare today, but a picture of a dress fellow Writing Wrangler Nancy Jardine shared stopped me in my tracks.

Copyright restrictions don’t allow me to display a photo here, and I could never describe it adequately, so I’ll post the link to Blonde and Wise and to a picture of the Bright Red and Yellow Trench Dress so you can see for yourself.

Now. Isn’t that absolutely track-stopping?

I confess I had to look up trench dress. I’d never heard the term. Imagine my surprise when I realized I’ve had trench dresses of my own. Although I love nice clothes, the technicalities have never interested me.

The feature of this particular dress that caught my eye was the plaid. It reminds me of my childhood. There was never a plaid my mother didn’t love and wouldn’t wrap me up in.

And that brought to mind the annual back-to-school treks to Comal Cottons in New Braunfels, Texas, where we bought patterns, fabric, and all the necessary notions to make back-to-school clothes. Friends from up the street and their mother came, too.

We made the trip in July, and started early, to get a jump on the summer heat. The outlet store, about thirty miles from where we lived, was filled with bolt after bolt of cloth. Mother walked slowly, running her hand across every bolt–it seemed to me she touched every bolt–and saying, “Isn’t that pretty,” or, “That color would look good on you,” or, “That would make a cute…” I followed along. My job was to chime about the colors and patterns I liked, but I trusted my mother to do the right thing, and I was bored stiff. I agreed with everything.

Next step, patterns: Opening long metal file drawers, pulling out packets of patterns… Simplicity and Butterick patterns were the best; but McCall’s instructions were confusing. Then, mentally matching styles with material we’d seen, taking patterns to fabrics to make sure, checking yardage and price, reconsidering… I was sure we re-examined every bolt.

By this time my feet were killing me. (I was born with feet designed for sitting). Comal Cottons had no chairs. Three bored tweens, one with aching feet, needed chairs. With chairs, girls can read books. Without chairs, girls stand around, one of them shuffling from foot to foot.

Then, decisions: making choices, stacking bolts on big tables, watching clerks cut material straight across, perfectly straight. and folded them. Despite its name, Comal Cottons also sold wool.

And then, the notions: buttons, thread, bias tape, zippers, lots more considering.

Clackson-tartan

Clackson-tartan (Photo credit: Wikipedia)

And finally we headed for the car, bearing loads of raw material that over the next six weeks would be made into our fall wardrobes. Which in my case would include a plethora plaids. My mother loved plaids.

By the time I reached high school, plaids had retreated from entire outfits to wool skirts worn with solid color sweaters, and trips to Comal Cottons had ended.

Now, like much else of my childhood, the store is a memory. Today it’s found on postcards.

Thank you, Nancy. With just one picture of a plaid dress, you brought back part of my childhood.

On and on and on. To quote my former high school students, BO-ring.

But as I wrote that last line, the daily miracle arrived: A treasured memory of a different piece of fabric surfaced. And then, another miracle:  I realized the story about the shopping trip was just a warm-up, an introduction, brain rubble that had to be expelled before higher quality thought could emerge.

Acting on the epiphany, I found my bit of fabric, snapped a photograph, and added three short paragraphs to what was already there. Finally, I deleted the boring prelude.

The final version–part of it, anyway–looked like this:

Fellow Writer and Wrangler Nancy Jardine recently shared a picture of a beautiful plaid dress that reminded me of  some fabric I’ve saved for more than fifty years. After residing all that time in my mother’s cedar chest, it’s wrinkled but intact.

The fall I turned eleven, my father’s father, whom we called Dad, gave Mother some money to buy me a birthday present. She purchased the wool shown in the photo and made me a pleated skirt. When I was sixteen, she remade it into an A-line skirt and a weskit.

DSCN1342

Note: That isn’t the end. There’s one more paragraph. Read it, please, at https://writingwranglersandwarriors.wordpress.com/2015/11/09/a-scrap-of-plaid/ It’s important, too.

But back to the topic at hand.

To prevent further strike-throughs, I’ll get to the point promised in the Warning:

A boring (bad, terrible, appalling, disgusting, abhorrent, loathsome, etc.) first (second, third, etc.) draft is not a Stop Writing sign. It’s a Keep Writing sign, signaling that brain rubble is loosening up, that something better is in the offing–that the daily miracle will come. Because the only way to get rid of brain rubble is to write it out.

I wish I had more time to work on this. If I did, the daily miracle would arrive.

And this post might be on an entirely different topic. It would also contain less brain rubble.

The Ghosts of Murder

When I hear the word mysterious I think of the supernatural—and ghosts. The word mystery brings to mind murder. Kim Giarratano writes mysteries about the ghosts of people who’ve been murdered. I thought she’d be a good person to interview right before Halloween.

EB: Kim, tell me about ghosts! What are they? Does everyone who dies become a ghost? To whom do they appear, and what do they want?

The Lady in Blue helps solve her own murder.

The Lady in Blue helps solve her own murder.

KGG: For the record, this is ghost mythology according to Kimberly Giarratano. I’m sure experts in the paranormal have other theories.

Ghosts are the soul’s imprint left in the physical world and they can’t let go. Not everyone who dies becomes a ghost (Earth would be overrun if they did). I’d like to think ghosts appear to people who they think can help them or because they think the person will understand them. Ghosts have a story to tell and it’s up to the living to figure it out what that story is.

 

EB: Are they dangerous? Should we be afraid of them? What can they or can they not do in the world we know?

KGG: I’m not gonna put on a false bravado– I’d be freaked out if I saw a ghost. I’m a huge scaredy cat. Ghosts can wreak havoc on the human psyche and mess with our feelings of security, and I’m not sold that they wouldn’t purposefully hurt us. Perhaps some ghosts are out for revenge against the person responsible for their death. And if that person is not around, another living soul will become the focus of the ghost’s revenge.

I think ghosts can affect objects indirectly and directly, ie move things. I think people can feel a ghost’s touch as well, but you might be more susceptible to sensing ghosts if you’re not in such an alert state of consciousness. I bet many people have ghost encounters at night, when they’re drifting in and out sleep.

EB: Do you believe in ghosts? Have you ever seen one?

Dead and Breakfast will be released in early 2016.

Dead and Breakfast will be released in early 2016.

KGG: I’ve never seen a ghost, but I believe in them enough. So many people have recalled experiences with ghosts that I can’t believe they’re all lying.

EB: Both One Night is All You Need and Dead and Breakfast are set in Key West, Florida, which is apparently a hotbed of ghostly activity. I didn’t know this! For real?

KGG: I went to Key West on vacation four years ago and took a haunted ghost walk. According to the tour guide, Key West is one of the ten most haunted cities in America. There are some crazy ghost stories. Look up Robert the Doll online and try not to get freaked out. Also, apparently the ladies bathroom in the Hard Rock Café is haunted.

Kimberly G. Giarratano

Kim Giarratano

EB: I loved the setting in those stories—really got the feel of the place. You must have spent some time there. What is your connection with Key West?

KGG: I was only there for five days, but Key West is an amazing place. I fell in love with the island and I’m dying to go back (just not as a ghost). I made sure to take notes as we walked around. I told my husband, “I’m totally setting a novel here.”

EB: You are working in an interesting niche: would you call it YA paranormal mystery? I would not have thought to combine YA and murder, but you do it with great charm. Are there other books in this genre that inspired you?

cristinasghost

KGG: First, thanks! I guess I would call it YA paranormal mystery with a nice side of romance. My favorite YA authors are Holly Black and Maggie Stiefvater. Their writing is unsurpassed and they really push the boundaries of their genres. Maggie Stiefvater really knows how to create a cast of intriguing characters and Holly Black has a way with words that I have yet to see duplicated in another author. She’s also a Jersey girl (like me), so bonus points for that.

EB: My favorite ghost story is The Turn of the Screw. What’s yours?

KGG: One of my favorite ghost movies is The Others. When I was a kid, I loved the book Christina’s Ghost by Betty Ren Wright (shudder).

Thanks, Kim! Kim is a forever Jersey girl who lives in the woods of northeastern Pennsylvania with her husband and small children. A former teacher and YA librarian, she is the author of Grunge Gods and Graveyards, The Lady in Blue, One Night is All You Need, and the upcoming Dead and Breakfast.

Elizabeth BuhmannHappy Halloween, everybody! Do you believe in ghosts? Ever seen one? What’s your favorite ghost story? Have you ever written a ghost story?

Elizabeth Buhmann is the author of Lay Death at Her Door.

 

Turn Off Your Internal Editor and Do The NaNo

NaNo-2015-Participant-Banner Gale AlbrightBy Gale Albright

On November 1, 2015, the NaNo will begin.

Sharpen your pencils (really?), sharpen your quills, get out your parchment paper, turn on your computers, laptops, notebooks (both electronic and paper)—and do the NaNo.

No, it is not like the TanGo.

National Novel Writing Month (NaNoWriMo) was started in 1999 by Chris Baty, who thought of a novel (get it?) idea that people could write a 50,000-word novel in 30 days. The NaNo took off and is now a world-wide phenomenon. Chris also wrote No Plot? No Problem in 2004, which is a well-thumbed holy book for NaNoers across the globe. Every November, people who live in Kansas and Saskatoon and New Zealand and Austin listen for the imaginary pistol shot that signals the start of the race to complete 50,000 words of writing in 30 days.NANO BLOG OCT. 19 005

It doesn’t matter what the words are. They don’t have to be good, bad, or indifferent. They don’t have to make any sense. Your ego is not on the line. It’s just words.

The most important thing is—don’t give up. Persevere. Every single day for 30 days you must produce 1667 words. If you produce 1667 words every day for 30 days, you will have 50,010 words.

You will be a winner. You will have done the NaNo. You are a champion.

What have you won?

You have won the sure and certain knowledge that you can write a 50,000-word novel in 30 days. The excuses such as, “I don’t have time to write,” “I just can’t write a novel,” “I can’t think of a plot,” “I don’t think I have any talent,” don’t matter. If you produce 1667 words times 30 and enter it before midnight on Nov. 30, you can call yourself a novelist.

Chris Baty didn’t pretend that everyone would write a masterpiece or a best seller or even something coherent. That’s not the point. The point of NaNoWriMo is to show self-doubting writers and wannabe writers that they can complete a novel. It can be done. After weeping and gnashing your teeth and tearing your hair out for 30 days and a thousand nights, you can stand proud and tall and say “I wrote a %%$#^% novel in 30 days. I finished a project.”

Many writers start novels, but have trouble finishing them. They start thinking maybe the writing isn’t very good, the plot is stupid, the characters are boring, or the dialog is stilted. Then they quit the sad, unfinished baby novel and tell themselves maybe they really aren’t writers anyway.

Congratulations. You have discovered your Internal Editor.

It criticizes everything you do. It says you aren’t good enough. You’ll never be good enough. Why even try? Just go eat a quart of ice cream in the corner and shut up.

But, if you glom onto NaNo with a death grip for 30 days, you can thumb your nose at Internal Editor and say “Nya, Nya, Nya. I wrote a %$#$%^^ novel in 30 days, you miserable *%^%^&.”

NANO BLOG OCT. 19 003Fun Fact: Did you know that over 250 published novels started out as NaNoWriMo projects? Among them are Sara Gruen’s Water for Elephants and Marissa Meyer’s Cinder.

Now that we’ve explored what NaNoWriMo is and what it can do for you, let’s talk about actually doing it this November.

My friend Kayla Marnach, whom I met in 2009 at a Writers’ League class at Sul Ross University in Alpine, is a five-time winner of NaNoWriMo. She will teach “Tips and Tricks are NaNo Bricks: Building Your Novel in 30 Days” at the San Gabriel Writers’ League meeting at 7 p.m. on Nov. 5 at the Georgetown Public Library. Kayla has also published a children’s book called My Body’s Mine. I will be in Georgetown to cheer her on and learn more about those tips and tricks.KAYLA HEAD SHOT

I am hosting two write-ins at the Hutto Public Library on Saturdays, Nov. 7 and Nov. 14 from 10 a.m. to 1:30 p.m. Write-ins occur when lonely NaNoers congregate with their laptops and snacks and coffee cups at a book store, library, coffee shop, restaurant, or any place that is having a write-in. People go there to work, to pound out words, to absorb caffeine and to ingest calories. They are seeking group warmth and solace, as, like herd animals, they stick together to ward off the terrors of novel writing.

So if you want to be a Penguin (in the Austin region, we are the Penguins, as opposed to the Maryland Crabs, for instance) and write to glorify yourself and your NaNo regional group, look up http://nanowrimo.org/ After you sign up, find your region. You’ll find friends and forums. The folks on the website are very welcoming. It’s all free. You get pep talks and your own NaNo e-mail box and writing buddies and tips and encouragement. They are great cheerleaders. They are the antithesis of the Internal Editor.

AUNOWRIMO PENGUINIf you’re looking for tips on doing the NaNo, go hear Kayla at the San Gabriel Writers’ League on Nov. 5 at the Georgetown Library. If you happen to be passing by Hutto Public Library on Nov. 7 and 14, bring your laptop and come on in. We will give you big smiles and snacks. And it’s all free.

To learn more about the local NaNo scene in Central Texas, go to AuNoWriMos on Facebook. To reiterate, get a free account at NaNoWriMo at http://nanowrimo.org/ and find your local region, find out who your Municipal Liaisons (ML) are, and look at the write-in calendar for November.

Let the NaNo begin!

Hutto Nano

There is No Ideal Time To Write Your Novel

words_page7XSmallMany writers suffer from this affliction–myself included–surrounding the idea that we could make monumental progress on our short story/novel/non-fiction project if only we could have some long uninterrupted days. My perfect day involves a cabin in the woods with an incredible mountain view, something I am unlikely to experience since I live in Texas. It includes meals magically appearing without cooking, coffee all day long, and, and at the end of the day, a review of several thousand words, all perfectly placed and paced.

My reality is, like many others, one that is full and fragmented. Yes, I work from home, which allows me to handle client projects with some flexibility. I also have three children who play year-round sports, a husband with a demanding career (read: no schedule flexibility), and it seems most evenings are spent at the soccer field or volleyball games. A night at home after 6:30pm feels luxurious. And I know I’m not alone. Most people who strive to make fiction a priority have lives bursting with responsibilities and commitments. So, how do we finish our fiction in the midst of this realization?

I still struggle with this issue, and at times, catch myself lamenting the idea that I would get more done if only I had more uninterrupted time. While that’s true, it’s also completely unhelpful. Some days I have several hours in a row and other days I’m running from morning until night. I’ve decided that I need to make the most of what I’ve got, which means letting go of the idea of the ‘perfect writing day.’

This one decision has proved to be quite freeing because there is no one perfect writing day. Each one of us has to figure out how to fit our fiction into the demands of daily life. I am by no means an expert here but here are a few tips that have helped me make the most of the time available:

Track Your Schedule: Let the eye-rolling commence, but I promise this works. If you can track your day (or a few days) in 30-minute increments, small pockets of time will reveal themselves. Granted, these times may not be ideal but they are available, so if you can seize even one or two blocks per week, you now have momentum on your book. It’s also important to make peace with whether you are an early bird or a night owl. Don’t force yourself to write early if you prefer to start your day late. Find your flow and grab a small slot of time when you feel you’re most likely to take advantage of it. Early morning, after midnight, whatever works best for you.

Touch Your Project Every Day: I’m not suggesting you need to write 1,000 words per day. I do believe, however, that spending even 15 minutes at a time reviewing your outline, reading a scene or pondering a plot problem helps you remain connected to your work in progress. And this connection stays with you, rolls around in your brain, helps keep your head in the story. I don’t follow this advice as often as I should, but when I do, I notice a huge leap in weekly word count and productivity.

Stay Connected to the Creative Life: Writing is often a solitary endeavor, so it’s important to find ways to stay connected to other writers and the writing life. For me, listening to writing podcasts and, when I am surfing online, I’m directing my attention to sites related to reading and writing. An evening at the soccer fields allows me to walk a few miles while listening to a writing podcast, an activity that has helped me transform unproductive time into something that helps me both physically and mentally. TedTalks remain my favorite source for writing-related podcasts: https://www.ted.com/topics/writing

Take Note (cards): A confession first–I have an office supply addiction. Apparently, it runs in my family and there is no cure. I’m fine with that. In fact, I’ve found that notecards and a pen are my best friends when it comes to working on a project when I only have a small snippet of time to spare. I use them to write down issues with my book such as understanding a character’s motivation. Sometimes I use cards to outline scenes and sometimes I write down research topics. The most important thing is that notecards help me capture issues related to my novel, and the fact that the notecard is only 4×6 in size helps keep the intimidation factor down.

Thumb Up SignFill Your Feed: This is a strategy for those who run to social media as the perfect temporary distraction. My twitter and Facebook feeds are filled largely with posts from writers and people in the storytelling space. This is intentional because, if I’m compelled to kill a few minutes while standing in line, I’m still staying connected to the creative life I wish to live.

Being Prepared Helps You Be Flexible: Consistency is key when it comes to writing, but let’s face it, kids get sick, you end up driving a last minute field trip, or your work day ends up longer than you expected. Even in these circumstances, you may find yourself with small fragments of time you can use. Having notecards or a journal with ideas to explore can help you make the most of whatever minutes present themselves. These stray moments can add up, like pennies in your pocket. You collect enough words, and soon enough, you’ve got a finished novel.

Start Saying No: This is a tough one for me. I’ve been accused of having lousy boundaries when it comes to volunteering or taking on local projects. I would have to confess that to be true, but this year, I decided to severely limit how much time I would spend on other people’s priorities. I still help with school dances and other volunteer activities but I am far more selective because, by saying ‘yes’ to others’ requests, I’m saying ‘no’ to my own projects. There are times when we can’t simply steal time or find time. We only have so much, which means we sometimes have to put our own priorities first. And that’s okay. In fact, it’s even better than okay.

Take (or Leave) Any or All Writing Advice: How many times have you tried to follow some specific writing advice from a best-selling author only to have it become more hindrance than help? If that’s the case, let it go. Take what you want and leave the rest. You get to stock your own writing toolbox with the tips that help you move forward. I’m including all the tips I just listed in this post. Helpful? Awesome. Not Helpful? No problem. Skip them and find something else. You know what works best for you, so let that be your guide.

My contention is that there is no perfect day to write, no perfect hour, no perfect moment. We only have today, which may or may not look anything like tomorrow. Letting go of the belief that we need four hours per day to write means that, instead of being imprisoned by an unrealistic idea, we are now free to pursue our projects, even if it’s only a half hour at a time.

–Laura OlesLRO-sanfran

My Writing Library: Nancy Peacock’s A Broom of One’s Own

Advice to writers?

There’s a lot out there, some good, some bad.

Back up your computer. Back up all your files. All the time. That’s good advice. It comes from every writer friend I have. Recently I learned what truly excellent advice that is.

A Broom of One's Own - Nancy Peacock - Harper Perennial, 2008 - PB & Kindle

A Broom of One’s Own – Nancy Peacock – Harper Perennial, 2008 – PB & Kindle

Someday I’ll regain enough emotional stability to talk about it without twitching like a frantic Deputy Barney Fife.

Friends sometimes give bad advice, however. The one who told me I had to outline every scene before I began my manuscript had me stalled for months. The method worked for her but tied me up in knots. Don’t worry–he won’t recognize himself.

If you’re interested in writing. you’ve no doubt browsed the section of the bookstore or library for books about how to write. Shelves are packed with them. I’ve bought them for years, compulsively. Some have helped me, but some–not so much.

The least helpful preach rules that must be closely adhered to:

>You must outline before writing.

>You must get up an hour early to write before you go to work.

>You must write for a set time every single day. Even days when you sleep through the alarm, and the boss makes you stay late, and you get home and have to cook dinner, and then your five children tell you they promised you would make homemade brownies for their class Halloween parties, and the sixth says she’s given away her mermaid costume because now she wants to be a duck, and the stores don’t have any duck costumes, and you couldn’t make that child look like a duck if your life depended on it. And your husband is working in the Azores and won’t be home till Thanksgiving.

>And my #1 favorite: You must describe each scene of your projected novel on a 3″ x  5″ note card, and stack the cards in sequence, before you begin the manuscript. At any point, you may stack them in a different order, but you must never jump ahead and write a scene out of sequence, before you’ve written the scenes before it.

That Very Specific Commandment appeared in a book by a prominent author and teacher, so I thought I had to obey. For months I kept the paper companies in business by buying note cards, describing scenes, becoming seasick every time I tried to write, throwing the cards away–and buying new cards. I recently read the author now uses popular software when he composes. He didn’t mention note cards.

***

As I said before, some advice is good, and some isn’t. Each writer gets to decide for himself which is which, to find his own process and establish his own rules. We’re all different.

For that reason, the books I like are primarily descriptive rather than prescriptive, not How to but How I… Books in which authors tell stories about their own experiences, success and failures, methods, and beliefs about the writing life. If they slip in some How to…, it’s usually worth considering.

Perhaps the best-known and -loved of his genre is Anne Lamott’s Bird by Bird, a humorous and heartfelt memoir of her development as a writer and as a human being. Stephen King’s On Writing is another, a story of persistence crowned by his wife’s pulling the manuscript of Carrie out of the wastebasket and insisting he continue trying to get it published.

But there are other fine books that, though not so well known, are worth anyone’s time and attention.

The first came to my notice for a Story Circle challenge: Write and post a four-sentence book review. I chose a review copy of Nancy Peacock’s A Broom of One’s Own: Words on Writing, Housecleaning, & Life. From cleaning the houses of a variety of clients, Peacock extracts truths about about writing. Below is my original review.

English: Broom Suomi: Luuta

English: Broom Suomi: Luuta (Photo credit: Wikipedia). By Pearson Scott Foresman [Public domain], via Wikimedia Commons

“I like Nancy Peacock’s A Broom of One’s Own: Words About Writing, Housecleaning & Life so much that it’s taken me over two months and two missed deadlines to untangle my thoughts and write this four-sentence review, an irony Peacock, author of two critically acclaimed novels, would no doubt address were I in one of her writing classes.

“She would probably tell me there is no perfect writing life; that her job as a part-time house cleaner, begun when full-time writing wouldn’t pay the bills, afforded time, solitude, and the “foundation of regular work” she needed;  that engaging in physical labor allowed her unconscious mind to “kick into gear,” so she became not the writer but the “receiver” of her stories.

“She’d probably say that writing is hard; that sitting at a desk doesn’t automatically bring brilliance; that writers have to work with what they have; that “if I don’t have the pages I hate I will never have the pages I love”; that there are a million “saner” things to do and a “million good reasons to quit” and that the only good reason to continue is, “This is what I want.”

“So, having composed at least two dozen subordinated, coordinated, appositived, participial-phrase-stuffed first sentences and discarded them before completion; having practically memorized the book searching for the perfect quotation to end with; and having once again stayed awake into the night, racing another deadline well past the due date, I am completing this review—because I value Nancy Peacock’s advice; and because I love A Broom of One’s Own; and because I consider it the equal of Anne Lamott’s Bird by Bird; and because I want other readers to know about it; and because this is what I want.”

Since I’m not limited to four sentences, I’ll add that I appreciate Peacock’s integrity. In an afterword, “Writing Advice from the Author,” she rebuts ten pieces of “free advice she’s received about being an author.”

About #10, “You have to network, network, network, and never forget that everyone you meet is a potential source for something besides friendship,” she counters, “People are not commodities. Enough said.”

And under “bonus advice on developing your own writing life,” she says,

“Be kind. Do not write for revenge. Do not vilify. If you are writing a memoir understand that you will have to write about your own role in whatever event you are exploring. Nothing is ever everyone else’s fault. A part of being kind is seeing the complexities of life and people, finding what is human in your story. This does not mean being dishonest.”

In its own way, A Broom of One’s Own is as amusing as Bird by Bird. Much humor comes from Peacock’s description of her relationship with clients and of their idiosyncrasies.

Asked whether she has any housecleaning tips, she says, “My most valuable advice is to never hire a writer to clean your house.”

I planned to review three books readers might like as much as I do, but I’ve run on long enough.

So I’ll wrap this up with a paragraph about the author herself, taken from her website:

“Nancy Peacock does not have enough fingers and toes (it’s the standard issue of ten of each) to count the number of times she’s quit this confounded writing business. Yet somehow she always comes back to it, and has finally come to accept it is not only her lot in life, but a damn good place to be too.”

The authors whose advice I respect most are ones like Peacock: kind, thoughtful, understanding, honest, and generous, willing to share what they know and to admit they don’t know it all.

They also believe the writing life is “…a damn good place to be too.”

***

Kathy

Kathy

Kathy Waller blogs at Kathy Waller–Telling the Truth, Mainly,
and at Writing Wranglers & Warriors.
Years ago she gave several stacks of her books about writing
to the library she directed.
She wishes she had them back.

***

 

Live Without Water - Nancy Peacock - Longstreet, 1996 - HB & PB

Life Without Water
Nancy Peacock
Longstreet, 1996
Hardback & Paperback

 

Author Highlight: Kaye George

For today’s interview I’m talking to former AMW member, Kaye George who is a national-bestselling and multiple-award-winning author. Kaye George

Welcome to the interview couch, Kaye! Tell us, how did you find Austin Mystery Writers?

 I was at an Austin Sisters in Crime Holiday party at someone’s home, and I mentioned wanting a writing group. Someone led me to Karen MacInerney, who was still in the AMW group then. She invited me to a meeting, and I came back time after time. I attended through all kinds of membership changes until we moved out of Austin.

How did the group help you?

 We were all mystery writers, but we all wrote very different kinds of mysteries. I liked getting different feedback from the viewpoints of all the other writers. I liked it when we had guys in the group, too, because that’s another perspective. Having at least several members was always good, because you don’t want to take all the feedback you get. If two or more readers complain about the same passage or plot point, though, you know you have to change it.

When did you first know you wanted to be a writer?

 Probably in junior high school, when I started to think it might be possible. We had an assignment to write a page of description without telling the reader what we were describing. I wrote about Cocker Spaniel, not telling the reader it was a dog, but saying he ran up the hill on four paws and enjoyed the breeze blowing through his long silky ears–or something like that. The teacher loved it! In fact, she read it to the class as an example of how the assignment should be done. My face was bright red! But I loved that she loved it. Throughout high school and college I submitted short stories to impossible markets, Atlantic Monthly (as it was then called) and New Yorker magazines. I collected piles of rejection slips.

What was the first thing of yours that was published?

 It was a short story in Web Mystery Magazine. I’ve lost track of Rosalie Stafford, who accepted my piece, but still keep up with Earl Staggs, who edited for them. The story was called “Flash Mob” and was published in April 2006. I even got paid for it! I remember being so anxious to get it published before flash mobs fell out of fashion. They’re still around, so I wasted that anxiety. I thought I was on my way and it wouldn’t be long before I got the novel published that I’d been working on. Ha! My first novel, CHOKE, was published in 2011, but THAT novel was published in April 2013 as EINE KLEINE MURDER. April seems to be a good month for me.

Tell us about some of your hobbies.

 I play the violin and love to compose when I have the time. In the past, I’ve had fun arranging things for the string quartet I had in Dallas. Reading, of course, and walking. Hiking in the mountains, but not long, overnight treks, just half-day or shorter.

Tell us an unusual fact about you.

After having been on several panels at mystery conferences, I’m not longer all that terrified of speaking in front of people, and I can play in a string quartet or even duet without the shakes, but I’m paralyzed when I play an audition or a violin solo. I can’t do it without a little “helper.”

I know that you have more than one series. Briefly tell us what those are and what’s new.

As Kaye George, I’m doing 3 series (I know, I’m nuts).

Cressa Carraway Musical Mysteries: Eine Kleine MurderEINE KLEINE MURDER, REQUIEM IN RED (coming out in April 2016)

Imogene Duckworthy humorous Texas series: CHOKE, SMOKE, BROKE          Choke by Kaye George

 

People of the Wind Neanderthal Mysteries:

Death in the Time of IceDEATH IN THE TIME OF ICE, DEATH ON THE TREK (coming out June 2016)

 

 

As Janet Cantrell, just one series.

FCSO cover smallFat Cat: FAT CAT AT LARGE, FAT CAT SPREADS OUT, FAT CAT TAKES THE CAKE (coming out in April) April is a good month for me, but it’s getting a little crowded for 2016.

My first love, though, is short stories. With the other members of this group, we had a lot of fun putting out MURDER ON WHEELS with Wildside Press this year. 71QiKRIkj+L

My next short story will be “Heartbreak in Graceland” in MEMPHIS NOIR, memphis noircoming out by Akashic in November. I have some more in the works, but not definite dates. I try to keep my web page updated, so everything should be there soon after I know it.

Do you have any insights into the publishing industry?

Um, no. I’ve always said that if anyone tells you what publishing will look like in ten years, or even next year, they’re full of baloney. No one knows. But that’s what makes this field so interesting. You gotta be on your toes and keep up!

Thanks for the interview!

Thanks so much for having me here today!

A side note: Hurry up and get the hardcover for Death in the Time of Ice at Untreed Reads. It’s available only through Septemeber!

http://www.untreedreads.com/store/index.php?main_page=product_info&cPath=873&products_id=1709

And if you’re interested in her Fat Cat series: http://www.barnesandnoble.com/w/fat-cat-takes-the-cake-janet-cantrell/1122291999

http://www.amazon.com/Fat-Cat-Takes-Cake-Mystery/dp/042526744X/

Here are the links to her novel page and short stories page:

http://kayegeorge.wix.com/kaye-george#!novels/c1qrd

http://kayegeorge.wix.com/kaye-george#!short-stories/c1bfa

The Premise of a Mystery

A mystery needs a strong premise to succeed in today’s vast sea of manuscripts and newly published books. But what exactly is a premise? And how can you tell if the premise of your book is a good one?

photo (45)

In Save the Cat, Blake Snyder defines the premise as the idea that promises to be an exciting or interesting story. It’s a short answer to the question, “What’s it about?” Its job is to make you want to read the book. Premise in this sense is similar to the back cover copy (blurb or description) of the book.

What’s a ginthewoodsood premise for a mystery? A child is murdered and the detective has to catch the killer. Not good enough. It’s a murder mystery, but why read this one?

Three children go into the woods. Two are murdered and the third is found covered with blood. He remembers nothing. Better. I might read it.

But that was 20 years ago. Now there’s been a similar murder in the same woods and the detective is the third child who survived the earlier crime and still has no memory of it. I will definitely sample that book.

A twenty-year-old body is found, that of a young woman. Twenty years earlier, a young man and his girlfriend planned to elope. When she failed to show up, he thought she’d jilted him. The young man is now a detective, and the body is that of his girlfriend.

faithfulplace

In the Woods and Faithful Place are excellent examples of one way to build a compelling premise for a mystery: an interesting crime plus a personal connection with the detective. The fundamental conflict of any mystery—murderer versus agent of truth and justice—is amplified by internal conflict.

Moreover, there is a built-in professional conflict for the detective, because he should recuse himself. In ITW, he keeps it a secret that he was the third child. In FP, he defies orders and investigates secretly on his own.

For Snyder, the premise is a what-if containing elements of both character and inciting incident. For John Truby (The Anatomy of Story), the premise is a short synopsis that includes the inciting incident, the main character, and the outcome.

His example, for the Godfather: “The youngest son of a Mafia family takes revenge on the men who shot his father and becomes the new Godfather.” The whole story, in a nutshell.

The two different senses of the term ‘premise’ are both widely used. In Story, Robert McKee discusses both concepts, which he calls, respectively, the inspiring idea and the controlling idea.

The story-in-a-nutshell of a mystery is the solution to the mystery. It is what I have elsewhere called the hidden drama. It’s the truth about the murder that is concealed in the enticing set-up.

A mystery needs a strong premise in both senses. The set-up states the mystery (someone has been murdered—why? By whom?) and the hidden drama, when revealed, must pack some sort of wallop to pay off the promise of a good story.

I cannot give you an example of the latter without spoiling a mystery. So that’s what I’m going to do. If you have not read Rebecca, STOP READING NOW! Read Rebecca and come back.

Joan Fontaine and Judith Anderson as the second Mrs. DeWinter and Mrs. Danvers, respectively, in the 1940 film diected by Alfred Hitchcock

Joan Fontaine and Judith Anderson as the second Mrs. DeWinter and Mrs. Danvers, respectively, in the 1940 film diected by Alfred Hitchcock

A shy, unconfident young woman marries a man whose first wife, Rebecca, has died in an accident. Rebecca was beautiful, talented, seemingly perfect in every way. How can our poor heroine ever compete with the ghost of this paragon?

Not the most powerful set-up (no mention of a crime), but the hidden drama—oh my. It turns out Rebecca was EVIL! Her husband hated her and murdered her! He got away with it—or did he? OMG!!! A witness comes forward! Breathtaking, page-turning suspense ensues. This book delivers on its premise like no other.

Cornwall

On just such a bay in Cornwall, Rebecca De Winter drowned…supposedly.

Call them hook and twist: a compelling crime to be solved and an underlying truth that is both unexpected and confounding. A really good mystery needs both.

Elizabeth Buhmann

————————————————————

A woman who witnessed a murder lied on the stand. Twenty years later, the man who was convicted on her testimony has just been exonerated and released:

Lay Death at Her Door, by Elizabeth Buhmann