THE ARTS AND OUR SOCIETY

by Francine Paino

 Day after day, whether we want to or not, we hear nothing but murder, mayhem, the politics of personal destruction, and a new insistence on rigid lines of political correctness. Somehow we put one foot in front of the other and march on – sometimes wondering to what end. On November 16, I had an experience that washed all of that away, even if just for a little while.

I attended a special concert by the Austin Symphony Orchestra at the Lake Travis Performing Arts Center. As expected, Maestro Peter Bay and his orchestra were superb in their renditions of Holst, Mozart, and Musorgsky. But Mr. Bay went beyond. To provide another level of inspiration to young musicians in training, he reached out and arranged for sixteen music students from Lake Travis High School to join the orchestra, some even given the honor of sitting in the first chairs.     

For this brief moment, all the tensions of daily life melted away, and I felt a surge of renewed hope for the future, for in the arts lies the unity of humankind. At the concert, I cannot tell you if I saw people of color, blonds, brunettes, or greying heads on the stage.

I only saw musicians making sounds that swelled my soul and transcended the noise of our daily lives. 

Artists in all disciplines must reach for more, whether conceiving an architectural masterpiece, a painting, an opera, a ballet, or a symphony. In their quest for excellence, their creations help erase the boundaries that separate us as people. Those who create must look beyond the narrow limits of mob-think; they must see in vivid colors, hear in vivid sounds, and often take the roads less traveled. They may be reclusive in the process of creating, but they do not function in isolation. Individuals who dedicate themselves to artistic development have a strong sense of self, driven to self-actualization. Their visions give to society while they draw from their cultures and many academic disciplines. 

Painters see in colors, form, and proportions. Composers and musicians operate within mathematical formulas: divisions of time; use of fractions to indicate the length of notes. Dancers operate within the structures of Physical Science and the theories of motion and gravity. Actors must empty themselves to absorb the characters they play on stage – This requires looking beyond their own perceptions and truths.

 The arts are vital to humanity. They give flight to imagination and creativity and should be an essential part of academic education. Albert Einstein, perhaps one of the most highly self-actualized human beings, once said, “Creativity is intelligence at play.”

The Austin Symphony Orchestra and Lake Travis High School showed us a model for Einstein’s playful quote. We watched and listened to the young, who are still fresh and full of hope, join the seasoned professionals, and reach for excellence. They expanded their horizons and brought a diverse audience together in admiration. 

You may be thinking, lovely sentiment, but how do we do it? 

Many believe that the government should become the primary support for everything – including the arts. That road too quickly leads to a government having the power to define and control creativity. Study the long list of artists who defected from socialist/oppressive nations where the State defines what art is and how it’s to be expressed. The government can, however, have a constructive place in nurturing our children’s individual creative development.

Block grants to school districts, earmarked explicitly for promoting artistic growth, might be of great value in helping our young reach for their stars, and in the process, build bridges between people and help elevate humanity to higher levels of well-being. That requires recognition and respect for the fact that people are different, and the differences go deeper than  color or ethnicity.   

The arts ensure that diverse identities and cultures are recognized and given a voice in the world. The arts of every culture reach back in time, relying on those who came before. Present-day artists build on the past and expand their disciplines, reflecting today’s world. Our art not only leaves a record of who we are, but also the growth we’ve contributed to the future.

THE WRITING LIFE – For the Sandwich Generation

Image by Jan Vašek from Pixabay
Image by Jan Vašek from Pixabay

By Francine Paino

I’m a morning writer, and it’s morning.  Filled with energy, and inspiration, I grab the notes I’d scribbled on the post-it when ideas woke me during the night. Sharpen those pencils and dust off the keyboard. Coffee’s brewing, toast pops up. Ready, set, go.

Not   So   Fast

The phone rings. “Mom. Emergency. The sitter is sick. Can you take the baby for a few hours?”  I, the devoted grandmother, agree to help. When the baby naps, I’ll write.

The phone rings again. The nonagenarian is desperate to get to the supermarket.

Welcome to life in the sandwich generation. 

Here I am a piece of Swiss cheese firmly pressed between two slices of hearty Italian bread. On one side is my nonagenarian mother, a feisty old lady, who doesn’t look or act her age.  She is in great physical shape other than the fact that she can’t hear very well, can’t smell very well, and claims not to be able to walk very well. As for the walking, just give her a shopping cart in the supermarket and try to keep up with her. I’ve lost several pounds chasing her up and down the aisles.

On the other side are my grandchildren, normal little people going through the different stages of emotional, physical and intellectual growth. They provide the expected tests for the adult nervous system: conflict, espionage, and subterfuge. Put any one of them together with the nonagenarian who wishes to be a revered elder and a naughty child at the same time, and it’s like herding cats.  

And so, I pick up the 24-month-old and then the 95-year-old, and off to the supermarket we go!

The young one sits in the basket in front of me, and the old one is behind me zipping around with her cart and getting into as much mischief as possible, picking up candies and treats  she knows the 24 month-old is not allowed to eat.

The child’s radar, of course, locks onto the junk food. She tries to elongate her little arm to reach over me and receive the treat from her great-grandmother.

The powers of observation in both the toddler and the nonagenarian are impeccable; their timing the envy of any dance team. If I turned to a shelf on my left, the nonagenarian reaches over my right shoulder to give the toddler some forbidden sweet. Once that sweet is in the 24-month-old’s chubby little fist, I must employ all my powers of persuasion to get it away. After I succeed, I turn to scold the nonagenarian but she’s disappeared. I find myself talking to thin air. 

This continues up and down each aisle as the elder rises to the challenges of flexible movement and rapid deployment, accumulating as many different snacks as possible and passing them to her beloved great-grandchild before I can stop her.

The woman who cannot walk so well is able to dodge, feint and sidestep with incredible speed. She appears and disappears at key times while I actually try to gather items on the list.

At last, I make it to the check-out line where the naughty old child hands a candy bar to the determined young child. “Here, sweetie, take this,” but my antennae are up and my intercept quick.

I snatch the bar away before the little one captures it in her vice-like grip. Both the old and the young cry out in dismay. Finally, I have no choice but to appropriately discipline both, which nearly creates a riot at the register. It is my good fortune that no do-gooders are there to insist that I be reprimanded for reprimanding those in my charge. 

Bags packed, groceries paid for, I swiftly maneuver the nonagenarian and the toddler to the car and get them safely strapped into their seats, after which I load the shopping.

I drop the nonagenarian at home with her purchases. And now there is one. This is manageable.

As soon as I reach the safety of my home, I promptly put the toddler down for a nap. Ahh. Blessed relief. It’s quiet at last, and time to write. I smile and close my eyes for a moment of peace to gather my thoughts.

 The next time I open them, a little voice is calling, “Nonna.”  

###

The original version of this, Supermarket Nightmare, appeared in the March 2015 edition of Funny Times.

On Podcasts and the Creative Process

By Laura Oles

As writers, we often contend with voices inside our heads. It’s not just me, is it?  As much as I love these characters who demand to be heard, there are moments when I need a break.  I need someone else’s voice inside my head. Someone to inspire me or to teach me something interesting that could also prove useful in a future scene or novel. 

That’s where podcasts come in.  I’ve long been a fan of podcasts, and the quality of what’s currently available is a true treasure trove for those tuning in. There’s something for every interest, and almost any topic can be found by doing a simple search in your podcast app. 

Here are a few of my favorites:

Reply All:  This podcast explores how technology and culture collide, often in interesting or unexpected ways.  Want to learn how someone can steal your Instagram account? And why would they want it? Or maybe a profile about how a software designer turned his skills to building an illegal empire online?  The quality of the reporting and narration are top notch, and this is the one podcast I anxiously wait for each time a new episode drops.  

Murder Book with Michael Connelly:  This passion project created by powerhouse author Michael Connelly is a new release and one that quickly captured my attention.  Connelly explores an unsolved thirty-year-old homicide case that “tests the limits of the American criminal justice system.” 

Hidden Brain:  “Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.”  Vedantam is a skilled narrator and the topics are fascinating, ranging from how to move past a life-altering injury to the psychology of surprise endings (an excellent episode for writers).  

This American Life:  Produced by NPR, this podcast never disappoints (me).  Each week involves a certain theme, and the reporting ties several stories to that theme.  The storytelling focuses on compelling people, difficult dynamics and big questions that don’t always have an answer.  Thought-provoking and beautifully produced, this one is worth a listen.

Here’s The Thing with Alec Baldwin: Alex Baldwin’s personal antics can be up for debate, but you can’t argue with the man’s interviewing skills.  This one surprised me in all the best ways.  He’s interviewed everyone from Billy Joel and Carly Simon to Cameron Crowe and Kyle MacLachlan.  Alec’s questions dig down deep into the topic of the creation of art of all kinds and how those pursuits impact personal relationships.  The episode with Jerry Seinfeld is one of my favorites because he shares how to make time to write–and how he did it during the Seinfeld years. His answers may surprise you. For those curious about the inside-baseball elements of writing, acting, and other creative endeavors, this public radio podcast pulls strong. 

Wait, Wait, Don’t Tell Me:  Sometimes, after a long writing session,  I need a good laugh. A quiz program with a rotating panel including  comedic talents Mo Rocca, Paula Poundstone, Alonzo Bodden and several others, this show blends current events with fake news stories in an effort to discern what’s true and what’s not.  Sometimes truth really is stranger than fiction on this show.  

When compiling this list, I realized that most of my recommendations came from podcasts created by public radio.  Just one more reason to support your local public radio station!

Do you listen to podcasts?  If so, which ones are your favorites?

Sit Down, Shut Up, and . . . You’re Invited

Reblogged from Ink-Stained Wretches

 

 

 

by M. K. Waller

 

Friday evening David said, “Should I wake you at nine tomorrow?” and I said, “Why?” because I never know what day it is, and he said, “You’re going to Saturday writing practice at the Yarborough library,” and I said, “At the Yarborough,” and he said, “Yes, the Yarborough,” and I said, “The Yarborough, the Yarborough.

So the next morning I sat in the parking lot of the Twin Oaks library for nine minutes, until I knew it was open, because I didn’t want to wait outside and freeze, and at one minute after ten, I went inside and found the meeting rooms dimly lit and empty, and I said to myself, “The Yarborough.” . . .

There’s more! Click HERE to read the original post.

Bad Men, Lawless, and BSP

Laura Oles celebrates doubly this month–today her debut novel, DAUGHTERS OF BAD MEN, was released by Red Adept Publishing, just a week after Austin Mystery Writers’ LONE STAR LAWLESS, in which Laura’s story “Carry On Only” appears, was released by Wildside Press. Here’s what I posted about these publications at Writing Wranglers and Warriors. Laura will be along presently to tell you more.

***

I turned on my Kindle today to find Laura Oles’ Daughters of Bad Men, had appeared in its library, overnight, as if by magic. That’s a perk of pre-ordering. Laura is one of my critique partners in Austin Mystery Writers, and Daughters of Bad Men is her first novel.

I’ve been in AMW for six or seven years–can’t remember exactly–but membership is one of the best things that’s happened since I began writing for publication.  Examining others’ work and hearing their comments on mine has made me a better writer. Members have become my friends. Together we’ve enjoyed workshops and lunches and weekend retreats.

And I’ve acquired a new virtue: I’m genuinely happy when other members get their work published.

My skin turns Shrek green, but I’m happy.

Offsetting today’s greenish tinge over Laura’s debut, I’m also happy to announce . . .

Read the rest of the post here.

LONE STAR LAWLESS Is Here!

LONE STAR LAWLESS:
14 Texas Tales of Crime

by

Austin Mystery Writers and Friends

Paperback and Kindle formats  available from Amazon.com 

Proceeds to be donated to Ellis Memorial Library in Aransas Pass, Texas
to help replace collections destroyed in Hurricane Harvey

Wildside Press, 2017

***

 And watch for Laura Oles’ first mystery novel 

DAUGHTERS OF BAD MEN

November 14, 2017

 

 

Morning Pages: Don’t Speak. Don’t Judge. Don’t Fall Asleep.

Browsing through the AMW blog, I came across the title, “Morning Pages: Don’t Speak. Don’t Judge. Don’t Fall Asleep.” And I thought, What a cute title. I wonder who the author is. A couple of clicks later I discovered the author was moi. I wrote it in 2014. Quelle surprise, as those of us who took one summer class in French just for fun say but can’t remember how to spell. (I looked it up.) I also found I kind of liked it,* and since it’s mine, I’m giving myself permission to re-post. 

***

Karleen Koen

The first day of last summer’s Writer’s League of Texas retreat, author-instructor Karleen Koen told students that every morning before class, we must do Morning Pages: Wake up, don’t speak, take pen and paper–not computer–and, while still drowsy, write “three pages of anything.” Don’t judge. Keep the pen moving. In her course notebook, Karleen listed the following:

Stream of consciousness, complain, whine, just move your hand across the page writing whatever crosses your mind until you get to the end of page three.

Karleen stressed that she didn’t invent Morning Pages. The technique, minus the name, came from the book Becoming a Writer by teacher Dorothea Brande, published in 1934 and reissued in 1981. Author John Gardner, in his foreword to the reprinted edition, states it was “astonishing” that the book had ever gone out of print.

Becoming a Writer by Dorothea Brande

Ms Brande advises aspiring writers to “rise half an hour, or a full hour, before you customarily rise.” She continues,

Write anything that comes into your head: last night’s dream, if you are able to remember it; the activities of the day before; a conversation, real or imaginary; an examination of conscience. Write any sort of early morning reverie, rapidly and uncritically. (Brande, p. 72)

Julia Cameron, in her bestselling The Artist’s Way, published in 1992, named the process Morning Pages and made them the cornerstone of her Artist’s Way program. Cameron considers them a form of meditation.

Why we do Morning Pages? To quiet the internal critic; to tap into the subconscious; to discover what you know; to remember and to capture the present; to build fluency, the ability to “write smoothly and easily when the unconscious is in the ascendant.” (Brande, p. 72) And, as Koen notes, to whine and complain.

When I do Morning Pages, I like to focus on whining and complaining. Words of discontent virtually flow from my pen when I follow Brande’s instruction to rise early. To wit:

The morning after Karleen assigned Morning Pages, my roommate and I woke to my cell phone alarm at seven rather than the previous day’s eight. (I think that was the morning the phone flew from the nightstand and landed on the concrete floor.) I propped myself up on a couple of pillows, gathered the pen and the notebook I’d placed on the nightstand before retiring the night before, and started to write.

While I wrote, my roommate sat on the side of her bed. Instead of picking up her notebook, she spoke. I reminded her we weren’t supposed to talk. She told me she didn’t care what we weren’t supposed to do. After violating the rules once or twice more, she started on her Morning Pages.

Roommate Gale Albright drinking tea and smiling

In my usual all-or-nothing fashion (a tiny bit of OCD), I wrote through hand cramp and shifting pillows. Halfway through, I fell asleep. When I woke about a half-hour later, I resumed scribbling.

My roommate had already finished her Pages. She had dressed. She had sat on the porch and drunk a cup of hot tea. She was smiling.

Sometimes it is better to bend the rules.

At break time, I quoted to Karleen the first sentence of my Morning Pages: I don’t like Karleen any more. (I said it in bold font.) She laughed and asked if I knew how funny I was. I didn’t tell her I was dead serious. I knew that before the end of the day I would like her again, and if I told the truth now, I would have to apologize later, and I just didn’t have the energy.

Since I’m confessing, I might as well admit that, while I was scribbling, I figured out a fool-proof way to make Morning Pages a positive experience: Use a notebook with little tiny pages. They fill up faster.

Looking back, I’m ashamed of the thought, but at the time it seemed a darned good idea. Sometimes it still does.

Anyway. Having griped about that miserable experience, I’ll also admit that Morning Pages work. I’ve done them off and on since 1998, when I heard Julia Cameron speak at the Austin Whole Life Festival. A small group of young men stood outside Palmer Auditorium holding placards and begging attendees to abandon chakras and crystals and choose reason instead, while inside, Cameron shared the most reasonable ideas on stimulating creativity.

So I read The Artist’s Way and, although a 17-cent spiral notebook would have sufficed, I bought a copy of The Artist’s Way Journal. (The Journal had enormous, narrow-ruled pages that took forever to cover, but having the proper tools is important to us obsessive types.)

Then I wrote. And whined. And complained. As I did, the garbage in my head oozed down my arm, through my hand, and onto the page. By the time I got to page three, my mood had lightened. When I turned to other writing, the garbage stayed trapped inside the Journal.

Once the brain has been cleared of debris, words can flow.

That’s my experience. Others have their own reasons for writing those three pages per day. But those who engage in the practice swear by it.

Adequate sleep

As I said, I’m not consistent. I’ve done Morning Pages for months at a time, then skipped one day and failed to resume the habit.** Nearly every time I’ve given up,  fatigue has been the cause. A long commute before and after an extra-long day makes early rising unpleasant if not impossible. The same thing goes for getting to bed too late. Morning Pages require adequate sleep. But so does good health. So does good writing of any kind.***

Before leaving the retreat, I bought a special notebook for my return to Morning Pages. The signature on the cover looked like Dickens but turned out to be Darwin. No matter. Darwin and I are friends, too, and I wanted the green one. I’ve not yet made peace with going to bed at a decent hour. I’m trying. But when I stay up into the wee hours working on a blog post, my morning edges toward afternoon.

Oh–I’ve just remembered: A situation unrelated to fatigue once interfered with Morning Pages. It involved the repaving of twenty miles of FM20, a wintry-cold house, and a new box of cat litter.

But that’s a story for another post.

###

Charles Darwin’s signature on elegant green notebook

* Re-reading old work and liking old work don’t always occur together.

** Morning Pages is about the only habit I’ve ever managed to break.

*** I’m not sure about sleep being necessary for good writing of all kinds. I suspect Hemingway, Faulkner, and Fitzgerald might have stayed up past bedtime. But I bet Willa Cather kept regular hours. And, as people with any discernment at all recognize, Cather is at the very top of the American novelist pecking order.

***

 

M. K. Waller

M. K. Waller (aka Kathy) blogs at  Telling the Truth, Mainly Write (http://kathywaller1.com) and at the group blog Writing Wranglers and Warriors. She has set aside her novel manuscript for a while to concentrate on writing short stories. She likes writing short stories so much, she may declare the novel officially defunct.

Her stories appear in Mysterical-E; AMW’s first crime fiction anthology, MURDER ON WHEELS;

DAY OF THE DARK (Wildside, July 2017)

and in the brand new DAY OF THE DARK: Stories of the Eclipse, edited by Kaye George and released by Wildside Press on July 21, 2017.

A second AMW anthology is with the publisher and will be out shortly.

Writing as Business: An Epiphany

Please join us at the DAY OF THE DARK launch party Friday, July 21, on Facebook: https://www.facebook.com/events/199463997250907/

The following post first appeared on Writing Wranglers and Warriors. 

*****

Writing is a business.

That’s what experienced writers tell the wannabes.

For a long time, I thought business applied to action alone: Write every day, attend classes, network, become familiar with various routes to publication, learn the market, read submission guidelines, stay in good physical shape, and on and on… Items on a list, they could be checked off at the end of each day.

Recently, I discovered another aspect of writing as business that I can’t quite fit onto a list.

Last winter, Kaye George put out a call for submissions of stories for DAY OF THE DARK, an anthology to celebrate the total solar eclipse that will be visible from parts of the United States this summer. Each story would contain an element of mystery and would be related to an eclipse. Kaye would edit, and Wildside Press would have the book out before the August 21 eclipse.

I’ve known Kaye for a number of years, ever since I joined Austin Mystery Writers, which she was facilitating. I watched as her career took off–a contract for one mystery series soon turned into contracts for three more series. At the same time, she wrote and published short stories and articles, and appeared on panels, and made it look easy.

Periodically, I said, “I don’t know how she gets it all done.”

And someone would respond, “Now, you mustn’t compare yourself to Kaye.”

And I would say, “I’m not comparing myself to her. I just don’t know how she gets it all done.”

I knew, of course, that she did it by checking tasks off that list. What I wanted to know was–where did she get the energy? (I still want to know.)

When I read her call for submissions, I didn’t consider sending a story. As usual, my mind was blank. My mind is always blank–what could I write about an eclipse?–until the last minute. As usual, at the last minute, I came up with an idea for a story.

But.

I don’t like to work for friends. I don’t mix the personal and the professional. If I sent Kaye a story and she rejected it, I wouldn’t be hurt, I wouldn’t be angry, I wouldn’t be devastated–but I would be embarrassed, not by rejection, but by the knowledge that I’d had the audacity to submit an inferior product, a story I should have known wasn’t worthy–

Here’s where the epiphany comes in:

It dawned on me that–what a concept!–Kaye is a businesswoman. She intended to put out the best book possible. She would choose only stories that fit her purpose.

And epiphany, part 2:

I was a businesswoman. I would submit a story. It it was accepted, I would be pleased. If it was rejected, I would accept that as part of doing business, set the story aside, tweak it, submit it elsewhere. Or, if I discovered it wasn’t tweakable, I would set it aside and leave it there.

Write, submit, be accepted/rejected, get on with life.

So I wrote a story titled “I’ll Be a Sunbeam,” submitted, was accepted, and, after dancing

around the room for a while–dancing is also part of the writing business–I saw another call for submissions, wrote, submitted…

Today, July 21, a month before the coming eclipse,  DAY OF THE DARK is being released. It will be available in print and for Kindle.

I’m thrilled my story was accepted for DAY OF THE DARK. I’m thrilled to be in the company of the twenty-three other writers whose stories appear there.

And I’m thrilled to finally understand that the writing business is really a state of mind.

*****

To read more about stories in DAY OF THE DARK, see Debra Goldstein’s Day of the Dark Anthology!!!! – Part I . Part II will appear on July 31.

M. K. Waller, aka Kathy, 
has published stories 
in Austin Mystery Writers’ 
MURDER ON WHEELS
and in Mysterical-E.
She blogs at
Telling the Truth, Mainly.

Sneak Peek: DAY OF THE DARK

Today we get a look at the cover of DAY OF THE DARK, a crime fiction anthology edited by Kaye George and due out from Wildside Press on July 21.

Laura Oles’ “Oceans Fifty” and M. K. Waller’s “I’ll Be a Sunbeam” are two of the twenty-four stories appearing there.

 

Posted by M. K. Waller

What’s Happening?

Posted by M. K. Waller

The Austin Mystery Writers blog has been quiet for several months, but we’re still living the Writing Life. Here’s what’s been going on.

V. P. Chandler and Laura Oles at the AMW panel discussion, Wimberley Village Library, November 2016

In November, AMW members, along with Scott MontgomeryCrime Fiction Coordinator at MysteryPeople in Austin, appeared on a panel discussing AMW’s crime fiction anthology, MURDER ON WHEELS (Wildside, 2015), at the Wimberley Village Library in Wimberley, TX.

Laura Oles is editing her novel, DAUGHTERS OF BAD MEN, to be published by Red Adept in winter of 2017. Her story “Ocean’s Fifty” will appear in DAY OF THE DARK, an anthology compiled and edited by Kaye George. DAY OF THE DARK will be released by Wildside Press on July 21, 2017, exactly one month before the total solar eclipse that will occur on August 21. Kaye describes the anthology in “More Eclipse Glimpses “ on her blog, Travels with Kaye. Laura also attended the mystery conference Malice Domestic 29 in Bethesda, MD on April 28-30.

In November, V. P. Chandler’s story “Kay Chart” appeared on the MysteryPeople blog. V. P. categorizes “Kay Chart” as historical suspense and says it’s “creepy.” (It is.) She’s now revising GILT RIDDEN, a historical mystery set in the Texas Hill Country. She details more of her activities on her blog.

@ the Writer Unboxed UnCon, Salem, MA, November 2016

V. P. also attended the second Writer Unboxed UnConference in Salem, MA in November. She’s a moderator of the Writer Unboxed website and a contributor to WU’s Author In Progress: A No-Holds-Barred Guide to What It Really Takes to Get Published (Nov. 2017). The book comprises over 50 essays by professionals in all areas of the industry and covers the writing process from pre-writing to post-publication.

 

Patric Sanders

Patric Sanders is working on HOSTILE HARBORS, the third book in the Wolf Richter series, set in New England and New York City, and on a thriller, LETHAL ENCOUNTERS, set in Germany, the Pacific Northwest, Italy and Hawaii. Patric’s first novel, THE TREASURE OF THE BARRIER REEF, an adventure story set in Australia, was published by Random House-Germany. Inspired by events of his life in East Germany during the Cold War era–he witnessed the construction of the deadly Berlin Wall, served as a draftee at a secret radar station in the People’s Army, was harassed by the secret police Stasi, was fired because he ‘fraternized’ with British engineers, and planned an adventurous escape to breach the Wall–he wrote the first two volumes of the Wolf Richter-series: Chasing the Sun: Action-Packed Cold War Thriller and  Singed By The Sun. To learn more about Patric, read V. P. Chandler’s interview with him here.

The House of the Seven Gables, Salem, Massachusetts, November 2016

Kathy Waller’s story “I’ll Be a Sunbeam” will be included in DAY OF THE DARK, along with Laura’s. Kathy’s “The Snake” won the Knife Story Challenge presented to members of Sisters in Crime Heart of Texas chapter by member author Eugenia Parrish. Kathy also attended the Writer Unboxed Unconference in Salem, where she attended a session at the House of the Seven Gables, the inspiration for Nathaniel Hawthorne’s novel. After some online confusion with another author writing under the same name, Kathy now writes under the name M. K. Waller.

And–[drum roll!]–the publication of MURDER ON WHEELS (Wildside, 2015), winner of the Killer Nashville 2016 Silver Falchion Award, was such an exhilarating experience that Austin Mystery Writers are now putting the finishing touches on a second manuscript: an anthology comprising stories by four AMW members and eight of their writer friends, tentatively titled TEXAS TOUGH.

So watch this space! When TEXAS TOUGH is ready for reading, you’ll be the first to know.