Characters We’re Drawn To

by Helen Currie Foster

Originally posted on Ink-Stained Wretches

Last week Big D hosted the Bouchercon book conference. Two sessions made me wonder why we’re drawn to particular book characters, and how key they are to readers.

At the Bouchercon “Success in Publishing” panel, a speaker said, “People read for character. Conflict turns pages.” A second speaker said she’ll re-read a writer’s submittal if, the next day, she remembers the characters.

Best-selling author Elizabeth George (Inspector Lynley series) told a spellbound audience (me too) that for a new book, before she starts writing anything else, she creates her characters and settings.

George designs her characters to “reflect the human heart in conflict.” Sometimes she’ll have as many as six characters telling the story from their point of view. She creates a character prompt sheet, deciding, for each, what is this character’s real need? She considers the character’s psychopathology: what would the character do under stress? If the character appears only once, what is the character’s agenda in
that scene?

George then decides, where does this novel begin? Only then does she start to outline the first ten scenes. Each must be causally related to another scene. She then writes a rough draft of those first ten scenes, and repeats the process for the next ten scenes. Nothing is set in concrete.

In the tug-of-war for primacy between plot and character, what gives a character “pull”? If we “read for character,” which characters really attract us––perhaps even more than a forceful plot? What does Elizabeth George mean––the human heart in conflict?

Each of you has your own list of favorite characters, some from favorite childhood books. Take Charlotte’s Web. I’m fond of the pig Wilbur, and the child Fern. I empathize with Wilbur’s terror when he’s being chased for the slaughter. But Charlotte…isn’t she the magnet? Aren’t we as fixated on her as Wilbur is? Using Elizabeth George’s approach, how is Charlotte’s spiderly heart in conflict? We know she’s determined to teach Wilbur how to survive. We know that a spider has no duty to befriend an orphan pig. Conflict? We know by the end that Charlotte has spent her last days using her remaining energy to teach Wilbur what he needs to know, while fully aware that her own end is nigh. We’re drawn to Charlotte’s generosity, her clever planning, her foresight, her perseverance: we admire her. Like Wilbur we hope for her approval. Do we empathize with her? Yes, when she’s working so hard on those webs. We feel her exhaustion! We too are swinging from one side of the web to the other! Wilbur has learned from Charlotte’s work, too. Perhaps he has learned gratitude? Awe? Aw.

We’re also drawn to childhood characters who learn. Think of that little sourpuss Mary in The Secret Garden. Readers can empathize with her lonely railroad journey to a place where she knows no one, but honestly, she is essentially unlikable: rude, willful, suspicious, unkind. Her heart distrusts the world. As the gorse bushes blossom and the downs bloom, as the children find their way to each other and into the secret garden, Mary slowly changes, slowly learns friendship, slowly learns generosity. We see from her eyes, hear with her ears, and experience her transformation ourselves.

What about Kim? This little orphan, footloose in the Raj, asks himself the great question: “Who is Kim?” Is he English? Hindu? Pathan? Who deserves his loyalty? I love Kim’s rapid costume changes, his effortless switches of vernacular as he deals with beggars, farmers with sick children, high-born old ladies in their palanquins. I itch for him in the woolen school uniform he must wear when sent off to a miserable English school, separated from the beloved Tibetan lama he has adopted. Kipling’s rich plot takes Kim (and us) across India and up into the high cool hills of the Himalayas, as Kim is initiated into the perilous Great Game of spying between the British and the Russians. Such a rich plot––secret messages, invisible ink, spies dressed as beggars, hypnotic jewel games––could dominate the characters. I don’t think it does. On one long day of healing after Kim finishes his exhausting trip from the high hills down to the plains, carrying the sick lama, we experience Kim’s discovery. The lama finds his long-sought river, and Kim begins to know who he is.

Okay, one last favorite character from that grand tale, Lonesome Dove. The question “which is your favorite character…?” occasioned great debate at our house. I opt for Gus. We meet him at the beginning, we see what he sees, hear what he thinks, we know just how he feels as the sun slowly––finally––sinks low enough in the first chapter that he can stalk out to the adobe springhouse to get his jug and have a swig in the dab of shade on the porch. We see other characters through his eyes. But I also admire Gus: I admire his taking care to help Lorena survive, his concern for Newt. I hate that Deets dies, that the little Irish boys die, but I can ascribe that to fate (as wielded by Larry McMurtry). Gus is different. Oh, yes, the author made me care for other characters on that long drive to Montana. But I personally experienced most of the book from Gus’s saddle, as if I were perched right behind him. I don’t want McMurtry to let Gus ride over that hill.… Gus, don’t go over that hill!

Oh, and let’s add A Gentleman in Moscow. Mmm, that tenacious Count Rostov.

My favorites share some qualities: generosity, intelligence, some humor. But in addition, despite their human hearts in conflict, they choose to take action, action potentially at odds with their own interests, despite personal danger and fear of loss. So, throw determination in there too.

Bullet Books Launch at the Texas Book Festival

No matter what they tell you, Texas isn’t all cowboys and cactus and bullets and brush.

Texas is also BOOKS, and this weekend there’s proof: Today, the Texas Book Festival  opened on the grounds of the State Capitol in Austin.  Exhibitor tents and food trucks line N. Congress Avenue from Colorado Street, on the west side of the Capitol, clear down to 8th Street. An international slate of authors—John Grisham, Malcolm Gladwell, Sarah Bird, Elizabeth Crook, Alexander McCall Smith, and Terry Tempest Williams among them— are speaking, signing books, and appearing on panels. There are books for display and  for sale.

And in Exhibitor Tent #4, a new mystery series is being launched: BULLET BOOKS SPEED READS.

BULLET BOOKS is the brainchild of Manning Wolfe, author of the Merrit Bridges, Lady Lawyer series. Each Bullet Book is co-authored by Manning and another writer of crime fiction. The books are short, designed to be read in two to three hours—the length of a plane or train ride, or an afternoon spent lying under an umbrella on the beach.

Twelve Bullet Books are being introduced. They range from mystery to suspense to thriller. Among the characters are spies, lawyers, terrorists, gun runners, trash collectors, and teachers. Settings range from courtrooms, to classrooms, to comedy clubs, to embassies. There’s something for mystery lover.

A trailer for each book appears on the website. Here’s a look at the trailer for Bullet Book #1, Bill Rogers’ KILLER SET DROP THE MIC:

Trailers for the other books can be viewed on the Bullet Books website (links below). Follow the link to Youtube if you’d rather watch there.

Bill Rogers – KILLER SET DROP THE MIC
Billy Kring – IRON 13
Helen Currie Foster – BLOODY BEAD
Mark Pryor – THE HOT SEAT
Kathy Waller – STABBED
Jay Brandon – MAN IN THE CLIENT CHAIR
Kay Kendall – ONLY A PAWN IN THEIR GAME
Suzanne Waltz – DANGEROUS PRACTICE
Scott Montgomery – TWO BODIES, ONE GRAVE
Laura Oles – LAST CALL
V.P. Chandler – THE LAST STRAW
Elizabeth Garcia – THE NEON PALM

The first twelve Bullet Books are available from Amazon in both paper and ebook formats.  Another thirteen volumes will be released in 2020.

Authors will sign their books at the Starpath Books booth, # 405 in exhibitor tent #4, this Saturday and Sunday, October 26-27.

By the way, Bullet Books Speed Reads will meet an even wider audience next weekend at Bouchercon, the largest annual international convention of mystery readers and writers, which will take place in Dallas, October 31-November 3. Billy Kring, Laura Oles, Kay Kendall, Jay Brandon, Bill Rodgers, Manning Wolfe  will participate in a Co-Authoring Panel, October 31 at 2:30 p.m.

Eleven Bullet Books authors will attend the convention. They’ll sign on November 2 at 3:30 p.m

If you’re anywhere near Austin this weekend, stop by the Capitol and see a side of Texas that doesn’t get nearly enough press.

And be sure to visit the Starpath booth and let Manning Wolfe and the other authors introduce you to Bullet Books Speed Reads.