Where small-timers are concerned, the rule seems to have fallen by the wayside, and that’s a shame. It stimulated creativity.
***
The backstory:
I wrote the following review to answer a “challenge.” I intended to post it at the end of September 2009. But in the process of writing, I got all tangled up in words and couldn’t finish even the first sentence.
I intended to post it at the end of October. I still couldn’t write it.
Finally, after telling myself I didn’t care, I managed to write it after the October deadline.*
In the middle of the “process,” I considered posting the following review: “I like Nancy Peacock’s A Broom of One’s Own very very very very very much.”
But the challenge specified a four-sentence review, and that was only one, and I didn’t want to repeat it three times.
So there’s the background.
I must also add this disclaimer: I bought my copy of A Broom of One’s Own myself, with my own money. No one told, asked, or paid me to write this review. No one told, asked, or paid me to say I like the book. No one told, asked, or paid me to like it. No one offered me tickets to Rio or a week’s lodging in Venice, more’s the pity. I decided to read the book, to like it, and to write this review all by myself, at the invitation of Story Circle Book Review Challenge. Nobody paid them either. Amen.
*********************************************
The review:
I like Nancy Peacock’s A Broom of One’s Own: Words About Writing, Housecleaning & Life so much that it’s taken me over two months and two missed deadlines to untangle my thoughts and write this four-sentence review, an irony Peacock, author of two critically acclaimed novels, would no doubt address were I in one of her writing classes.
She would probably tell me that there is no perfect writing life; that her job as a part-time house cleaner, begun when full-time writing wouldn’t pay the bills, afforded time, solitude, and the “foundation of regular work” she needed; that engaging in physical labor allowed her unconscious mind to “kick into gear,” so she became not the writer but the “receiver” of her stories.
She’d probably say that writing is hard; that sitting at a desk doesn’t automatically bring brilliance; that writers have to work with what they have; that “if I don’t have the pages I hate I will never have the pages I love”; that there are a million “saner” things to do and a “million good reasons to quit” and that the only good reason to continue is, “This is what I want.”
So, having composed at least two dozen subordinated, coordinated, appositived, participial-phrase-stuffed first sentences and discarding them before completion; having practically memorized the text searching for the perfect quotation to end with; and having once again stayed awake into the night, racing another deadline well past the due date, I am completing this review—because I value Nancy Peacock’s advice; and because I love A Broom of One’s Own; and because I consider it the equal of Anne Lamott’s Bird by Bird; and because I want other readers to know about it; and because this is what I want.
*Not caring is often the key to cracking writer’s block. Nancy Peacock probably would say that, too.
If your idea of the perfect vacation getaway includes time on the beach, a bookstore visit and a coffee shop stop, then I have the perfect place for you. Coffee Waves is one of my regular stops when visiting the island, and on a recent weekend trip, I pulled into the parking lot and found my dream come true—a new bookstore!
I’ve long believed that Coffee Waves was the perfect place to host a bookstore. The shop has a substantial nook with welcoming open arches and enough room to browse, sip and read. This area is now home to Sea Shelves by the Seashore. As I took time to scan the shelves, I was impressed with the varied selection and thoughtful choices offered. I felt the selection reflected a love of books and a mission to offer a wide range of options to readers of all ages. It was also a lovely surprise to find my Jamie Rush novels on the shelf!
I had the good fortune to meet the owner, Myra Barreiro, on a recent visit and enjoyed getting to know her. I wanted to learn more about her background and her journey in bringing Sea Shelves to life. When I invited her to share her story with Austin Mystery Writers, she was gracious with her time. Below is our conversation:
LO: Hi Myra! Thank you so much for speaking with us. Please share a bit about yourself.
MB: Hi! My name is Myra. I have lived in Port Aransas for four years but have been visiting for 13. I grew up in Mineral Wells, Texas. In the time between graduating high school and opening my own bookstore, I have served 4 years in the United States Army as an Intelligence Analyst, worked for Lockheed Martin for 7 years (also as an Intelligence Analyst), graduated from Sam Houston State University with a Bachelor’s degree of Science in Public Health, and–most recently–helped manage and run two local shops for several years in Port Aransas. I have two extremely smart and handsome boys, a dog named Kahlua, and a black cat named Michael B. Kitty… that’s what I call him, but he has several names.
LO: Many people dream of one day opening a bookstore. What made you decide to bring this idea to reality?
MB: It’s funny how opening a bookstore seems to be a dream for many. I am very happy to have had the chance to turn my dream into a reality. So, as mentioned before, I was helping to manage two local shops, and had been doing so for a while, but it was time for me to move on and create something for myself, something I thought this community desperately needed. I had been dreaming about opening a bookstore on the island for several years, and stepping away from my previous position allowed me to move forward with that dream.
LO: I’ve always thought the back lounge area of Coffee Waves was the perfect location for a bookstore or reading area. How did this relationship come about and how long did it take?
MB: When I decided I was going to make this bookstore dream happen, finding the perfect location was pretty high up on my list of priorities. I drove all around the island looking for properties or buildings, units with potential. I asked realtor friends if they had any info on empty commercial spaces, but nothing piqued my interest. There were spaces, but they were either already under contract or not in the right location, weren’t the right size, and out of my price range. I started to think my dream would remain just that, a dream. I almost gave up until I started thinking on a smaller scale. I had a crazy idea to maybe ask other businesses if they wouldn’t mind letting me take up a bit of their space. Set up shop in an existing shop. I wondered if that was a thing, so I did a search on the internet and sure enough, it was something that was happening all over. I took some notes. Wrote out pros and cons and key things to bring up while talking to businesses to get them onboard with the idea. After researching a bit more, I started a list of potential businesses that might be willing to let me move forward with the idea of putting a bookstore inside of their existing shop.
Naturally, Coffee Waves was at the top of my list. Who doesn’t love a good book with a cup of coffee? And they have that overflow seating area?? It seemed like the perfect place to make it happen. I came in and asked if I could schedule a meeting with someone to discuss the idea. We scheduled a meeting, met up, and I pitched my idea. I said, “I don’t want to take away from your seating, I just want to occupy your wall space.” They mulled it over for about a week and decided to give me the green light! I was so unbelievably elated until I realized I had about 2 weeks to get this dream up and running before the chaos of Spring Break! I immediately placed an order for shelving and my first book order and haven’t stopped since.
LO: You’ve done a wonderful job of curating both titles and genres. Can you share a bit more about how you choose what to carry?
MB: I receive recommendations every now and then of specific titles or authors, but the curation of titles has been mostly research. When I initially thought of opening a bookstore, I wanted to focus solely on beach, island, small fishing town, and vacation themed reads, but not everyone is into that and I wanted to give people options, so I started researching. What were people reading in 2024? What are they looking forward to reading in 2025? Best-selling genres? What are the top favorites and must-read titles of all time? Favorite classics? What’s trending on BookTok? I took my findings and curated what you’ve seen in the bookstore and continue to add to it every week.
LO: What do you love to read? And has opening Sea Shelves impacted your reading in any way?
MB: My favorite genres are psychological thrillers, mystery, and horror. I’m drawn to scary stories with twist endings and stories that make you think.
If opening the store has had any impact on my reading, I would have to say that I am now more willing to read and am interested in reading genres outside of my favorites. Thrillers will probably always be my favorite, but I’ve come to appreciate and enjoy reading other genres as well. I have over 1200 titles on the sea shelves and would love to get through them all. Maybe one day I will(:
LO: I met Beatrice when purchasing a book during my last visit. Please tell us about her.
Meet Beatrice!
MB: I’m jealous she had the chance to meet you before I did.
Beatrice is amazing. Hardest working employee I have. She’s great. Since not taking away from the coffee shop’s seating was a big selling point in setting up the bookstore here, the books are out and exposed during the coffee shop’s business hours, 7 a.m. to 9 p.m. As much as I’d love to be at the bookstore all day, I have other responsibilities outside of the shop that need my attention, and sometimes I just need to step away for a quick lunch or to run a quick errand. That’s where Beatrice comes in. She holds it down while I’m away. It was an easy decision to set up a self-checkout option, giving customers the ability to make a purchase even if I was not physically present. Customers seem to love having the option to checkout with Beatrice, and I think giving her a name makes the experience a little more personable for them. Definitely a great addition to the bookstore.
LO: Anything else you’d like to share?
MB: I would just like to say that this entire experience of opening a bookstore has been a roller coaster ride and a dream come true. I encourage anyone who has the same dream to go for it if they are ever presented with the opportunity. Taking the first step will be scary but definitely worth it.
I would also like to thank Coffee Waves Port Aransas for giving me a chance to live out my dream in their space, and Laura Oles for this interview and giving me the opportunity to share my story.
LO: Thanks so much, Myra, for sharing how Sea Shelves started as a dream and became a reality. I know Sea Shelves is quickly becoming a favorite of locals and visitors.
***
Some readers may know that my mystery series is set in a fictional version of Port Aransas. Maybe Jamie and Cookie will make a stop into Sea Shelves one day? Jamie’s always on the lookout for an Elmore Leonard novel, and I know she’d love this place.
Laura Oles is the award-winning author of the Jamie Rush mystery series. Her work has appeared in crime fiction anthologies, consumer magazines and business publications. Her debut mystery, Daughters of Bad Men, was an Agatha nominee, a Claymore Award finalist, and a Writers’ League of Texas Award finalist. Depths of Deceit, her second novel, was named Best Mystery by Indies Today. She loves road trips, bookstores and any outdoor activity that doesn’t involve running.She lives in the Texas Hill Country with her family. (https://lauraoles.com)
Have you ever researched something—like a purse, a computer, or even a car—only to suddenly notice it everywhere, even though you hadn’t before? Inspiration for stories works the same way.
One of the most common questions authors hear is: “Where do you get your ideas?” The answer: pretty much everywhere—news articles, books, movies, history, snippets of conversation, personal experiences… inspiration can spark from the smallest detail.
I’m currently writing a historical novella, and inspiration is coming from all directions. I feel like a goalie in a soccer match—I’m fully immersed.
Story Settings and Characters
My protagonist is a young woman named Martha. She’s married to Tom, who has moved her far from home—and life isn’t unfolding as she expected. (Isn’t that always the case? But is it simply the way things are, or is something nefarious at work?) They’re building a cabin in the East Texas woods around 1830. I imagined they’d arrived at the tail end of the Old 300, grabbing land wherever they could. (Although the story could take place anywhere from 1820 to 1880, west of Virginia in pine country, I discovered that pines aren’t as widespread as I once thought—which is why research matters.)
As I write, Martha is revealing herself to me—like she exists on another plane and there’s a conduit between us through something I call “the ether,” a metaphysical space. (Is that a real thing? I don’t know—dammit, Jim, I’m a writer, not a metaphysicist!) Her voice is growing stronger. Her past and current life are becoming clearer. When she speaks, it feels like she’s speaking directly at me. I think most writers go through this—and when it happens, it’s exhilarating. To me, it means the character will have depth and feel real.
And, as in the past, there have been “signs” that I’m on the right track with characters and story. Sometimes these signs are even eerie. In the first chapter, when it was new and amorphous, I was writing a dream sequence to explain her inner thoughts, worries, and where she’s from. I imagined she came from a large family, and she had had a brown and white dog named “Peaches”.
A few days later I was on Facebook and came across this picture. It caught my attention because a cabin is a major feature of the story, and I took a screenshot for inspiration to look at details. Later I read the description. Look at what I circled. That’s right! I wasn’t too surprised by the date. But the dog in the picture was name “Peaches”! And it looks brown and white to me. It gave me inspiration that I’m on the right track with the story and characters.
Another time, while writing my (currently unpublished) novel Gilt Ridden, I created a character in West Texas, educated and obsessed with gold, known locally as “The Professor,” living in a dugout. Years later, I came across a local-history book about Stonewall County describing a man known as “The Professor” who lived in a dugout and searched for gold. I hadn’t known he existed—but the parallels were uncanny. At first, I worried that people would think that I borrowed someone’s real story. But then it comforted me. I took it as a sign that I had created a realistic character from imaginary circumstances.
So when you’re writing—or working on any project—block out the world and tune in to the voice or idea coming from the ether. Who knows what will be revealed?
Bonus Content
I’ve been obsessed with one song lately. It’s been playing in my head nonstop for a week. I didn’t know much about it until I watched the YouTube video. The character is pregnant and contemplating life choices, just like Martha! Now it’s really stuck in my head. Hope you enjoy it:
Sara Bareilles – “She Used to Be Mine” (from Waitress)
Just before a trip I get anxious: is there enough stored in my Kindle to keep me happy? You constant readers know that feeling. Did you upload enough for the waiting room at the airport? For the plane? For a sleepless first night, jet-lagging? Enough to keep you happy even if weak (or no) wi-fi at the (tent, cabin, hotel, boat, campsite, rental) precludes another download? Yes, there’ll be news–but I am escaping!
We’re on a family trip to France, with children and grandchildren. I loaded up the Kindle diligently beforehand. Of course there are way too many wonderful things to do besides read…
Still, my heart sang when we entered the rental in the French mountains and spied—A BOOKCASE!
Moreover, the shelves held mysteries! Ian McEwan, Patricia Cornwell, Elizabeth George, Janet Evanovich, V.I. Warshawski, Alexander McCall Smith…
Also serious nonfiction and titles from Kazuo Ishiguro, Dostoevsky, Graham Greene, Julian Barnes and more. Then I spotted Kinky Friedman’s Frequent Flyer and thought—eclectic tastes! Perhaps some were left behind by guests. Still, the shelves made me want to meet the owners. The welcoming bookshelves and, to boot, a choice of comfortable corners where a tired tourist can flop, prop up the well-used feet, and read…what more can one ask?
(Sidebar—when you see a Talking Head on your screen, with a bookshelf behind—do you wonder if the books really belong to the Head? Or are they just a prop intended to impress? Maybe we’ll see some interviewer pose a question: “How did you like Crimes Against Humanity?” Blank stare.)
If you’re familiar with Dunnett’s stunning two historical fiction series, The Lymond Chronicles and The House of Niccolo, you already know she delivered powerful (and powerfully surprising) plots, magnetic characters, and vivid reconstructions of the 15th and 16th centuries. Using (for all that detail) an omniscient narrator.
But in her spare time she also wrote the Dolly mystery series, involving an astoundingly talented portrait painter named Johnson Johnson (yes, two), who happens to turn up in scenic locations in his yacht, the Dolly, on secret missions for the British ministry of defense. I’ve reread three of those on this trip—one set in Ibiza, one in Morocco, one in Canada. Unlike the Niccolo or Lymond historical series, Dunnett’s heroines in these first-person mysteries are in their late teens or twenties and trying to make their way in the world (as an au pair, a cook, an executive assistant, etc.). Naturally they find themselves in dangerous situations while trying to identify a murderer, and Dunnett gives each her own first-person voice—each interestingly different.
Clearly Dunnett didn’t merely set foot in these locales: she absorbed them. The action’s fast-moving, but she paints a landscape with details that place you right in the square where the villains are about to—well, here’s an example from Moroccan Traffic, in the Atlas Mountains, where Wendy, a young executive assistant, watches as Johnson and the engaging inventor Mo pursue two ruthless adversaries up perilous cliffs:
…where they had set their faces to climb was the flank of the mountain; the boulder slope rising to cliffs and ridges and rock bands interlaid with tongues of snow, and scree-fields, and stony pockets of pasture. And further up, behind escarpment and terrace, the burning forepeaks of the range.
I had seen it all from the road. Somewhere there, already entrenched, already waiting, were Gerry and Sullivan, ex-SAS marksmen.
You can also tell that Dunnett (as well as her character Johnson) was a painter:
All around us the hills, limp as blankets, glowed in soft reds, their milky hollows the colour of amethyst. The snow on Sirwa was tinged golden pink, and cast china blue shadows which were technically impermanent. A man walked by the road, a black goat like a scarf around his neck.
And from Roman Nights – the young heroine, an astronomer, battles spy dealings in Italy including the Aragonese Castle on Ischia in the Bay of Naples:
On a plateau the cathedral reared its three roofless sides like a kind of dismembered Versailles, white and flaking; the walls furnished with crumbling cherubs and statues, with rococo arches and pillars and architraves.
Dunnett gives her astronomer heroine plenty of tongue-in chic wit:
Johnson and Lenny sailed out of Amalfi, in a pure, warm air blowing about eight on the bloody Beaufort scale, and the rain lashing down. After becoming exceedingly well acquainted with the water filling the Gulf of Salerno, we fled into a fishing harbour called San Marco and spent the night offshore in a cat’s cradle of other boats’ cables.
Thank you, Dorothy Dunnett, for stupendous scholarship and for witty mysteries in places so believably described. What a gift to the traveler! Sorry, gotta go—I’m deep into Tropical Issue, set in Madeira, where I’ve never been—but it sure looks great in this prose…
What gifts they are to humans—to write, to read!
Award-winning writer Helen Currie Foster lives and writes in the iconic Texas hill country, supervised by three inquisitive and persistent burros. After practicing law for more than thirty years, she found the Alice MacDonald Greer Mysteries had suddenly appeared in her life. Book 10 in the series, Ghost Justice, is expected to debut in August 2025. Helen is continually fascinated by human history and how, uninvited, the past keeps invading our parties. Follow her on Facebook and Amazon, and in Austin at BookPeople.
When I first sat down to write the stories that would eventually become part of For Every Evil Under the Sun, I didn’t know exactly where they would lead me—I only knew I wanted to stretch my writing skills, try new things, and be a part of a hot, cool collaboration. (Yes, I like puns.)
Now, I’m proud to announce that this collection is out in the world, published by the brand-new Fredonia Ink Publishing. I’m honored to be sharing the pages with two powerhouse writers, Alexandra Burt and Laura Oles—both of whom are not only incredibly talented but also deeply committed to telling stories that explore the dark, complex corners of the human experience.
This collection is a bit of a literary experiment. We each approached the idea of “evil” through our own unique lens—psychological thriller, family drama, crime, horror, western—and let the stories guide us. What came out of it is a collection that isn’t just eclectic, it’s electric. It shines! (Yes, another pun.)
As for me, I leaned into the grit—into crime, revenge, justice. I wanted my stories to carry that weight—to explore the consequences of violence and vengeance. And also add a little bit of fun to the mix. And the stories by Alexandra Burt and Laura Oles are equally as dark and entertaining.
And hey, if you’re in Austin this summer, I’d love to invite you to join us for a special event at Vintage Bookstore and Wine Bar (1101 E. 11th St.) on July 18 at 7pm. Alexandra, Laura, and I will be discussing short story craft, the experiences of women writing crime fiction, and what went into shaping this haunting little book. It’ll be an evening of books, wine, and maybe a few goosebumps.
So if you’re in the mood for stories that simmer under the heat of summer and explore just how far people will go—to protect, to avenge, to survive—then For Every Evil Under the Sun might just be what you’re looking for.
🗓️ Event Info: July 18, 7pm @ Vintage Bookstore and Wine Bar, Austin, TX 🔗 Learn more, here is the Amazon listing. Ebook now available and paperback will be soon on Amazon and bookstores everywhere: https://tinyurl.com/2tph4xcz
Why do so many of us choose to work or study at our favorite coffee shop? Even if we have a fully equipped office, we pack up our laptop and relocate, settling in with likeminded people doing the same thing.
If this sounds like you, you’ve adopted a favorite “third space.”
Urban sociologist Ray Oldenburg coined the term “third space” in his book, “The Great Good Place,” (originally published in 1989 and revised in 2023). Popular third spaces include coffee shops, pubs, diners, libraries, parks and gyms. The third space, Dr. Oldenburg stated, were ones that allowed people to leave private and professional concerns behind to connect with others in conversation. Third spaces “host the regular, voluntary, informal and happily anticipated gatherings of individuals beyond the realms of home and work.”
There’s some science that indicates it’s not simply the lure of a fantastic latte. A 2012 study published in the Journal of Consumer Research indicated that lower levels of ambient noise can spur creative idea generation. In a later 2019 study, researchers pointed to “stochastic resonance,” a measure of a particular background noise level that benefits our senses and can help in those moments where we are temporarily distracted or in a contemplative state.
In short, the “coffee shop effect” has been cited in several studies. This, coupled with being surrounded by others seeking a similar environment, can further motivate us into action. The idea of parallel work—working alongside others but not directly with them—can help us in our solitary efforts. All while feeling less alone.
Still, not all coffee shops will become beloved third spaces. A place where you will regularly spend both money and time is chosen. It is special. It draws you in and invites you to linger for a bit, often in the company of friends or colleagues.
The third space has evolved from being a place where people gather to connect with community, to one that incorporates these components and adds a welcoming setting for students and WFH employees and solopreneurs. As someone who raised three kids while working from home, I sometimes struggled to tune out tasks and chores. So, I sought my own third space and found it at Mochas & Javas. In addition to business articles and columns, I wrote much of my debut novel at the Wonder World location.
My “MJ office” in 2016
Mochas & Javas continues to be part of my regular routine—sometimes to chat with friends and other times to stare down a deadline—and I was curious to learn more about not only this beloved local institution but the guiding principles behind the business.
Mochas and Javas was founded in 2003 by four family members—Kevin Carswell, his brother Kirby Carswell and their wives, Michelle and Kelly Carswell. The idea originated when Kevin and Michelle began brainstorming about a local venue where San Marcos residents could gather to enjoy quality food and beverages as well as “legendary customer service.” Like many fantastic ideas penned on the back of a napkin or a business card, Michelle sketched the now well-known logo on a napkin and named the business Mochas & Javas (Community Impact, 2019). Over the last twenty years, Mochas & Javas has thoughtfully expanded into five locations.
I asked Kevin if he would share his insight about Mochas & Javas as a trusted third space in the San Marcos community and his philosophy regarding building this popular Hill Country destination. He was kind enough to share his thoughts with me in the following interview:
LO: “Getting together for coffee” is a common refrain we share with friends and colleagues. What encouraged you to take the first steps to create Mochas & Javas as a gathering space for the San Marcos community?
KC: When we began the discussion about opening our own business we discussed several types of business. But coffee made the most sense at the time, because it was in the food and beverage industry, which is my background and in 2002, the coffee industry was rapidly expanding. I had heard the term “third” space before, but not sure that I fully grasped the concept until we opened, expanded and then had time to grow MJ’s (I’ll abbreviate the full name) over several years and then see how many of our guests became daily/weekly regulars or made MJ’s their third space. Coffee does bring people together, I’ve seen many relationships built from the connection our guests made with one another while at MJ’s, it’s a great thing to see. And for myself I’ve made many friends over the years through MJ’s, lifelong friends. It’s a good feeling.
LO: Do you find that each location has its own personality/vibe or is the community based on proximity? Or a combination?
KC: One of the areas that I enjoy about MJ’s is that they all have their own “vibe” or connection to the community or the surrounding area that they are located. Such as WW, many locals with a mix of students and visitors. Whereas LBJ is a more concentrated number of students and professors with a nice mix of visitors, usually families coming for informal or formal visit to TX State University. Our Frisco store is very similar to our WW store, as where it’s mostly locals and business professionals with a mix of students.
LO: Why do you think local writers, artists, students and businesspeople are drawn to Mochas & Javas as a third space?
KC: Over the years many writers have used the WW store as their office. Paul Pullin for example is in his third book and has become a good friend over the years, he’s been a regular for 22 years. We’ve chosen not to place TVs at any of our stores. I believe they are a distraction, and most people today already have plenty of screen time. If our guests were staring at a screen, they may never meet someone new. We need more face-to-face conversations and MJs provide this.
LO: How has Mochas & Javas expanded and evolved since you opened the first location over twenty years ago?
KC: MJs opened the LBJ and WW stores the same year, 2003, about 6 months apart. We have always had plans to expand, sometimes slower than we first thought, but moving a bit slower is not a bad thing. Keeping our debt in check and growth at a steady pace. Five stores in 22 years is no record, but we have five stable stores with a strong following from our loyal guests. We are planning to continue with our expansion but will plan accordingly based off good solid numbers which allow us to grow without taking on more than we can manage.
LO: Mochas & Javas has strong ties to the Hill Country community, and I wonder if this stems from your philosophy of “always giving back.” Can you expand on this?
KC: I grew up in San Marcos, our family moved from the Houston area in 1967/68 to San Marcos. So, I’ve seen the city change over the past 57 years. Giving back not only to the San Marcos community but all the communities that we serve great coffee to. Giving back is an important part of owning and operating our business in the communities we serve, and we are grateful that we have the success to do this. We’ve made many small donations and added some larger ones over the years. They are all worthwhile. It’s a great way to say thank you to our community and guests for the many years of support.
The best part of working at MJs, from my standpoint, is our guests and staff. The interaction with both groups of people is the most enjoyable part of our business. I never get tired of working at the register or being a barista. It’s a lot of fun.
Laura Oles is the award-winning author of the Jamie Rush mystery series. Her debut mystery, Daughters of Bad Men, was an Agatha nominee, a Claymore Award finalist, and a Writers’ League of Texas Award finalist. Depths of Deceit, her second novel, was named Best Mystery by Indies Today. Her novella, Last Call, won the Silver Falchion award. Her work has appeared in crime fiction anthologies, consumer magazines and business publications. She lives in the Texas Hill Country with her family. (https://lauraoles.com)
Not enough rain fell this year to allow the brilliant cerulean fields of Hill Country bluebonnets we usually expect, but the hardy lupines are busy making seedpods. “Maybe next year,” they say. Now instead we have the bright yellow coreopsis lanceolata, nodding their heads with any breeze,
the wine-cups with their indescribable color—a member of the mallow family, not quite fuchsia, not maroon, just—heart-stopping,
the milkweed flower globes beloved of monarch butter-flies, and others. Heaven includes a few prairie celestials, magically opening in early in the afternoon, then vanishing by dusk.
Also, “Sweet Mademoiselle,” planted a couple of years ago, and who has never bloomed, produced her first rose!
Meanwhile, the ever-interloping cactus hope to assuage my fury at them (remember those secretly spreading roots and the huge basal “plates” that help the Cactus Conspiracy spread?) by popping open their yellow flowers. I am not fooled. I’ll continue to battle them with shovel and hoe. And a picker-upper.
See? Perfectly possible. It’s still wild out here in the Hill Country, even as suburbs press upon us. At dusk I often find myself glancing at the edge of the drop-off behind the house, wondering if I’ll see a pair of ears. You can say mountain lion, puma, cougar…they’re secretive, strong, and active in the spring.
But the big cat I once saw on Bell Springs Road west of here was likely a large bobcat. I was alone, driving home from the post office. Up ahead a golden vision, spotted, walked slowly to the edge of the asphalt. I stopped. The cat stood, gazed at me, and after a breathless (for me) interval, gracefully turned and vanished through a fence into thick cedar. A magical moment. Every time I drive that road, I hold my breath, longing for one more sighting of something looking like this:
ANCIENT BONES? I wrote about old bones in my Ghost Bones (2024)—and now have learned that our Hays County police deal with ancient bones more often than you’d think. One resident recently called to report she’d found a skull in her firepit. The skull, with its lower jaw present, was obviously fairly old, but in an unexplained death Hays County is not permitted to send a body to the Travis County Medical Examiner without including the name of the person whose skull it is. (Hays County doesn’t have its own medical examiner.) So this skull traveled instead to Texas State anthropologists who reported, after testing, that the skull apparently belonged to a long, long-ago teenager who’d gone through hard times, as was evident from the “enamel lines” (a bit like tree rings) in the teeth.
But how it wound up in that firepit? So far as I know, that’s still a mystery. We forget—until reminded by a skull in a firepit—how long humans have roamed these hills, drawn by hunger and thirst to spring water and the hunt for food.
We also forget the age and history of this landscape. Some trees have sheltered native Americans, deer, and buffalo. The Columbus Live Oak near the Colorado River in Columbus is estimated to be over 500 years old. Others may be as old as 1,000 years.
I revere the live oak in our front yard as if it were a beloved ancient relative and a symbol of stability and the power of trees. If anything were to happen to it—woe! I tried to estimate its age—using the calculator instruction to measure girth in inches at 4.5 feet, divide by pi, then multiply by a “growth factor” of 4, which gave me 127 years old. Perhaps this tree was a sapling in 1900, before either World War, before the Viet Nam war, before our current fraught politics. On a nearby hill there’s an ancient patch of even bigger live oaks. Perhaps those particular oaks depend on the odd little ribbon of wet white clay that lies about five feet underground and has been there—who knows how long. But the feeling of walking in beneath these old live oaks can confer a sense of being in the protection of one’s elders.
So, welcome to the Hill Country in spring—southeasterly winds from the Gulf, blowing the flowers back and forth; reasonably moderate temperatures; fields and trees as green as green, as far as you can see. At the bird feeder, more color! Purple house finch, yellow-throated vireo, lesser goldfinch with brilliant gold breasts, vermilion cardinals, black-crested titmouse, white-winged dove—and the shy and tiny, but utterly gorgeous, painted bunting. (Reportedly it loves millet.) They provide not just color but music, from the titmouse, the tiny but high-volume Carolina wren, plaintive doves, whistling cardinals, and, at night, chuck-will’s-widow.
Not for long, of course. In winter ice can wreak havoc on trees and people. Summer sun? Scorching. Autumn? Nothing like the colors of New England, but hey—the sumac turns red. So welcome, Spring, with your bluebonnets and live oaks, with bird music and color, and with your reminder of the power and beauty of nature!
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Progress report: madly working on Book 10 of the Alice MacDonald Greer Mystery series, set in the Hill Country. Have ordered “Forest Bathing” by Dr. Qing Li. Would enjoy hearing what you all are reading too, and any reports of “forest bathing”!
Helen Currie Foster lives and writes the Alice MacDonald Greer Mystery series north of Dripping Springs, Texas, loosely supervised by three burros. She’s drawn to the compelling landscape and quirky characters of the Texas Hill Country. She remains deeply curious about our human history and how, uninvited, the past keeps crashing the party.
Before we had powerful computers in our pockets or on our laps, we had reference books. . . shelves and shelves of them.
One of my favorite possessions is a vintage Webster’s dictionary, published 1956 – when I was 10 years old. All 11-plus pounds of the five-inch-thick book teeter on a top shelf in my office. I can no longer safely lift it and the pages are laid out in three columns of typeface so tiny that my aging eyes strain to make out the words.
My book is a holdover from the days when library dictionaries were housed and opened on a specialized wooden lectern. I wonder, do libraries still have these throwbacks to that bygone day or have the enormous books all made their way to the shredder?
I never look at mine that I’m not reminded of the 1950s movie, Born Yesterday, starring Judy Holliday. She won an Oscar for her portrayal of the brassy girlfriend of an uncouth tycoon. Her character tries to overcome her limited education and rudimentary vocabulary by reading, among other texts, Alexis de Tocqueville’s Democracy in America. In one of the more humorous scenes, she struggles to make meaning of the archaic text and is advised to simply check the dictionary if she encounters any words she doesn’t understand. The increasingly frustrated Holliday would no more than read a sentence before she is up again, consulting a dictionary. Word by word. Trip by trip. Written today, the scene would surely lose its charm since she would likely be reading Tocqueville on a Kindle where all you must do is press and hold a finger on a word for the meaning to flash before you.
Like Holliday with a Kindle, writers don’t have the need for shelves full of reference books since language prompts are everywhere from the demons in autocorrect to the drop-down menus in word processing programs that produce synonyms.
The 19th Century French author Jules Renard is credited with saying, “What a vast amount of paper would be saved if there were a law forcing writers to use only the right word.
Yet, finding the right word isn’t always so easy even with all our modern assets. Luckily there are still some reference sources to help. Here are a few:
Evan Esar’s “20,000 Quips & Quotes: A Treasury of Witty Remarks, Comic Proverbs, Wisecracks and Epigrams.” If she’d thumbed through this one, Holliday would have learned that Tocqueville said, “The last thing a political party gives up is its vocabulary.”
“The Allyn & Bacon Handbook” by Leonard J. Rosen and Laurence Behrens. You must love any book that is willing to devote 22 pages to the uses and misuses of the comma alone.
Theodore M. Bernstein’s “Dos, Don’ts & Maybes of English Usage.” For instance, he explains why Mark Antony didn’t say “Friends, Romans, countrymen, loan me your ears.”
“Describer’s Dictionary: A Treasury of Terms & Literary Quotations,” by David Grambs and Ellen S. Levine. It indexes illustrative passages of more than 600 authors from travel writer Paul Theroux to contemporary British novelist Zadie Smith.
Eli Burnstein’s “Dictionary of Fine Distinction Book,” offering a humorous look at often misused words and phrases. For instance, couch vs. sofa.
Valerie Howard’s “1,000 Helpful Adjectives for Fiction Writers,” promises to spice up characteristics, qualities or attributes of a noun when a writer is having trouble capturing just the right word.”
Bill Bryson’s “Dictionary of Troublesome Words: A Writer’s Guide to Getting it Right” sets out to decipher the idiosyncrasies of the English language. Things such as 126 meanings of “set” when used as a verb and another 58 when used as a noun.
Brian Shawver’s “The Language of Fiction: A Writer’s Stylebook.” Need to be reminded when to use a comma or semicolon? Shawver’s there to help.
Kathy Steinemann’s “The Writer’s Lexicon: Descriptions, Overused Words, and Taboos.” Among other things, she offers writers cures for overused modifiers (I’m talking about you “very”).
John B. Bremner’s “The Columbia Dictionary for Writers: Words on Words.” Here you can learn the history of H. L. Mencken’s inspiration for coining the term “ecdysiast” to replace “striptease.”
Christine Lindberg’s “The Oxford American Writer’s Thesaurus.” Writing about bread? How about a baker’s dozen choices: dal, pita, rye, naan, tortilla, focaccia, ciabatta, challah, corn, sourdough, pumpernickel, baguette, etc.
“Associated Press Stylebook and Briefing on Media Law” has been found on the desk of every journalist for decades since it dictates uniform rules for grammar, punctuation, style for capitalization and numbers, preferred spelling, abbreviations, acronyms, and such.
“Words, words, words,” is the sarcastic response Hamlet gave when Polonius asked him what he was reading. Fortunately, authors still have no shortage of excellent reference books to help them find the right ones.
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A former political reporter in Austin, Dixie also taught writing at Syracuse University. When she teamed up with Sue Cleveland to write fiction, they sold a screenplay to a Hollywood producer. Although the movie was never made, the seed money financed ThirtyNineStars, their publishing company. Through it they published two award-winning thrillers (Shrouded and Digging up the Dead) under the pen name, Meredith Lee. Dixie’s first solo mystery was Bloodlines & Fencelines, set in a tiny Texas town near Austin. Kirkus reviews described the book as, “A twisty whodunit that’s crafted with care and saturated with down-home Southern charm.” She is working on second mystery in the series. www.dlsevatt.com
An excess of animal spirits”–springtime! Really? Molly Ivins was right as usual when she wrote, “Texas–land of wretched excess!” We’ve had ridiculous lows, unseen for decades. Early daffodils and hyacinths came, shivered, and shriveled in the unholy cold winds roaring across the plains. But we’ve also had the earliest 90 degrees in decades! Wretched excess indeed!
Just two days until the vernal equinox on March 19, and spring. What makes us wander outside, searching for the first bluebonnet, the first violet? What makes us huddle outside the garden store, searching through the little plants shivering in the breeze, fingering seed packets, carrying home small pots of basil and blue salvia even though the weather’s far too untrustworthy for planting? What is this proto-agricultural spirit that makes us lug home the potting soil, hoe the garden bed? More sunlight? Cabin fever? Some early human gene? We, the Animal Kingdom, working with the Plant Kingdom?
I’m rereading Barry Cunliffe’sEurope Between the Oceans: 9000 BC-AD 1000, a book I value not just for the stunning photographs of prehistoric sites and art, but for describing a history of human inventiveness. Cunliffe, Oxford Professor Emeritus of Archeology since 2007 (many books), says “massive transformation” occurred in Europe between 1300-800 BC. Population growth required developing more crops than wheat and barley, including lentils, peas and—“the celtic bean (Vicia faba).”
Immediately I ordered a giant pack of fava bean seeds.
Then I read the label: they’re mostly a winter crop–but this year I’m desperate. With last year’s blistering hot drought, I wound up with only one pot of cherry tomatoes on the porch and a dozen wilting jalapeno plants in the garden. Cunliffe’s reference to Vicia faba fired my imagination—envisioning myself harvesting large fuzzy green pods, containing delectable beans, and adding a little vinaigrette…olive oil (since 4000 BC) and vinegar (3000 BC). Using an ancient bean and ancient vinaigrette recipe! Possibly those beans were harvested, and the vinaigrette shaken, by some long-ago ancestor 3000 years ago, making me wonder if we have genetic preferences, genetic recipe roots? After all, we of the Animal Kingdom depend on the Plant Kingdom (oxygen, vinaigrette, and wine!).
Mysteries offer escape—a protagonist we like, an intriguing plot, a vivid setting. Like plants, favorite old mysteries offer much when we revisit. Mystery writers? They’re good to “talk to.” This morning I discovered on the shelf my dad’s 1934 Modern Library edition of Dashiell Hammett’s The Maltese Falcon, with a brief bio and the “new introduction” by Hammett.
I didn’t know Hammett had worked as an operative for Pinkerton’s Detective Agency before he started writing! “Drifting through a miscellany of ill-paid jobs, he found a temporary solution to his economic problem by shadowing real malefactors with what might be called conspicuous success.” Then came the World War: “He won a sergeantcy and lost his health.”
Hammett can remember where he got his characters. Here’s a snippet of what he says about The Maltese Falcon:
“Dundy’s prototype I worked with in a North Carolina railroad yard; Cairo’s I picked up on a forgery charge in Pasco, Washington, in 1920; Polhous’s was a former captain of detectives…Effie’s once asked me to go into the narcotic smuggling business with her in San Diego…”
Hammett then muses about his own protagonist. “Spade had no original. He is a dream man in the sense that he is what most of the private detectives I worked with would like to have been and what quite a few of them in their cockier moments thought they approached. For your private detective does not—or did not ten years ago when he was my colleague—want to be an erudite solver of riddles in the Sherlock Holmes manner; he wants to be a hard and shifty fellow, able to take care of himself in any situation, able to get the best of anybody he comes in contact with, whether criminal, innocent by-stander or client.”
What a great description, and didn’t Humphrey Bogart nail it?
It strikes me that this new character of his upended the vision of the members of the London 1930 Detectives Club—Hammett gave the wide-eyed mystery audience a protagonist who is not a secret member of the aristocracy (Albert Campion) or a perfect gentleman (Roderick Alleyn) or a hyper-particular French veteran drinking tea and waxing his moustache (Hercule Poirot)…but a “hard and shifty fellow…able to get the best of anybody.” Welcome to the New World’s new-style mystery protagonists, the children of Hammett, Raymond Chandler, Sara Paretzky and others…including that hybrid protagonist, Mary Russell, in Laurie King’s Mary Russell and Sherlock Holmes series.
For Mary Russell and Sherlock Holmes, the scent of honey is a repeat theme (her Holmes is a beekeeper). I like her Holmes, I like her Russell, and just finished her Garment of Shadows(2012). King has chosen a fascinating and ambitious setting: the 1920’s, with Spain and France fighting for control of Morocco, each coveting its crucial strategic location at Gibraltar, while various Moroccan groups—Berber and otherwise—fight for independence. King uses first person point of view for Mary Russell, who’s suffering from acute amnesia—forgetting her childhood and even her marriage––but uses third person POV for Holmes’s chapters. Those shifts sometimes confused me. But her depth of history and geography, and her vivid descriptions of the magical city of Fez with its souk, bring the setting alive. Mary Russell herself has become quite a protagonist, with linguistic skills—including Arabic––and the imagination and drive to devise a daring escape from a horrible prison. I’d like to learn knife-throwing like Mary Russell (she keeps one in her boot) but the likelihood seems dim.
Writer/theologian Bruce Reyes-Chow mentioned how, when stuck, he’d “talk through ideas with myself, my plants…” I intend to follow his lead. On our deck sit five jasmine plants we’ve toted around since the seventies. I think they sometimes do communicate with me—“I’m dry-y-y-y!” But from now on, when I’m stuck on a plot, I’ll go consult them. Every spring, those jasmine produce tiny white flowers with an unmatchable scent. In search of even more scent, this year I’ve planted another mix of old and new. Rose de Recht is a fragrant pink heirloom damask, Fragrant Blush promises pink perfume, and Star of the Republic is tough, like her name, but delicate pink with exquisite fragrance.
And now suddenly the redbuds, with their irresistible yet evanescent fuchsia buds, are blooming. I’ve seen our first bluebonnet,
and the first purple prairie verbena. The live oaks know it’s almost the equinox—they’ve flung down their old leaves (aided by the fierce winds) and are preparing their catkins and baby leaves. The cedar elms have put out tiny chartreuse leaves just in the last two days.
So it’s spring! Grab that trowel! And after all your work, you deserve to loll on the couch at night with a good mystery. I’m halfway through the tenth book in my Hill Country murder mystery series. This one raises a question I find intriguing and difficult. Can justice be served when, unauthorized to pronounce justice, we take justice into our own hands? Is that still justice? I’m discussing it with the plants. More to come….
Here are Helen, Noreen Cedeno, and Juanita Houston at the Texas Book Festival!–Heart of Texas Sisters in Crime
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Award-winning Helen Currie Foster lives and writes the Alice MacDonald Greer Mystery series (9 volumes so far) north of Dripping Springs, Texas, loosely supervised by three burros. She’s working on Book 10. She’s drawn to the compelling landscape and quirky characters of the Texas Hill Country. She’s also deeply curious about our human history and how, uninvited, the past keeps crashing the party.
My most recent blog post announced the publication of my short story, “Under The Blackjack Tree” in Killer Nashville magazine and now I’m now doubly thrilled to announce that the short story was also chosen by Otto Penzler and John Grisham to appear in the 2025 edition of Best Mystery Stories of the Year! (Mysterious Press)This is a huge honor. Honestly, at first I didn’t think it was true. I read the email about three times and did some online research before I believed it!
But another reason why this is so special to me is because my story is steeped with bits of my family’s history.
It began when my mother told me several years ago that one of her most cherished memories was when she got to help her grandfather feed the inmates at the Huntsville jail when she was about four. (Wait, what?) That’s when I learned that my great grandfather had been sheriff of Walker County. I later learned that it was common practice for the sheriff and his family to live on the first floor of the jailhouse while the inmates would be on the second floor.
The image of an innocent girl closely interacting with a potentially dangerous person was so intriguing to me, I was compelled to put it in a story. (I played with the timeline and instead of my mother being the little girl, I made it my grandmother. It simplified the story.) I had no idea where the story was going to go, but I knew that I needed that opening scene. It took me places that I didn’t expect!
Some of the things that were true are-
My great grandfather was sheriff at the time of Bonnie and Clyde. I thought that would make an interesting backdrop. A lot of tension in Texas at that time.
My grandmother’s first mother did die in childbirth and her loving stepmother was called “Cullie”.
There really was a bank robbery in Conroe at that time. (I don’t think it was ever solved.)
Trusted inmates often cooked the meals for the other inmates and sometimes for the family.
It was my mother that fell into the yard with the hunting dogs and was almost mauled.
My grandmother was shot in the face with a shotgun, by accident. It was a miracle that her eyes were spared, and she had not one single scar. That is such an amazing part of our family history that I had to include it.
And two things that I didn’t know until after I wrote the story.
My grandmother was sometimes called “Mary V” at school because there was another Mary in her class.
When she attended Sam Houston to get her teaching certificate, she would often cut across the cemetery when her classmates wouldn’t. She was never a squeamish person.
My grandmother, the flapper!
Although the Mary V in the story is pure fiction, I hope that my grandmother would be proud the story and that some of our family history is saved and shared with others.