by Kathy Waller
I’m thinking it over.
— Jack Benny
A curse on this week’s post. I banged out nearly 2,000 words that should have been online yesterday, and the post just gets longer and longer, and there ain’t no way I’ll get it finished and revised and edited and polished today, or this week, or possibly by New Year’s Eve 2022. I know the problem. Too much thinking. But I can’t help that. So I’ve pulled up something I wrote for my personal blog in 2010. I’m reposting, with some changes. I’d like to say it’s outdated, but nothing much has changed. No matter what the last line says.
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In one of my favorite scenes from the Mary Tyler Moore Show, assistant TV news producer Mary Richards suggests that writing a news story isn’t all that difficult. News writer Murray Slaughter disagrees.
Then a wire comes in, something big. The story must be written and rushed to anchorman Ted Baxter, who is on the verge of uttering his sign-off: “Good night, and good news.”
Murray, smiling, bows to Mary.
Mary rolls a sheet of paper into her typewriter. She types several words. Then she stops. She erases. She starts over. She stops. She erases. She starts over. She stops . . . Everyone in the newsroom stands around her desk, watching . . . waiting . . .
Finally, at the last minute, Murray loads his typewriter and, fingers flying, writes the story, rips the paper from the machine, and hands it to producer Lou Grant, who runs for the anchor desk.
That’s why didn’t go in for journalism. I’m not Murray.
I’m Mary.
That, and because I knew that if I were a journalist, I would have to talk to people: call them on the phone, request interviews, ask questions. I had no intention of talking to people I didn’t know.
But mainly, editors would expect me to write without thinking.
I look back and wonder how I got to that point. Not the distaste for talking to people I didn’t know—I’ve always had that—but the difficulty with writing.
When did I start letting my editor get in the way of my scribe?
Once upon a time, I loved to write. By the time I was seven, I was writing long letters to my grandfather and great-aunts and aunts and uncles and cousins. Once, I used a pencil with a point so soft, I doubt the recipients could read through the smears on the pages.
Another time, when I was on sick leave from school, enjoying the mumps, my mother let me use my father’s Schaeffer White Dot fountain pen, a source of even better smears.
The summer I was eight, I spent June in Central Texas with Aunt Laura and Uncle Joe while my mother stayed in Dallas with my grandmother, who was ill. My father, who remained in Del Rio working, visited one weekend and brought me a present: a ream of legal-sized paper.
I don’t know what prompted the gift, and on a scale of one to ten, most children would have rated a ream of paper at minus 3. I gave it a twelve.
I wrote my own newspaper. Most articles covered weddings between various cats and dogs of my acquaintance. I discovered a talent for describing tuxedos and bridesmaids’ dresses worn by Blackie and Bootsie and Miss Kitty and Pat Boone (my fox terrier). It was a devastating little parody of a small-town newspaper.
But suddenly, it seemed, I did what my thesis adviser, years later, warned me not to do: I got tangled up in words. Writing was no longer fun. Confidentially, I think it had something to do with English class, essays, outlines, and needing to sound erudite. I hated it.
Why I thought should teach English, I do not know.
Well, I do. Professor Ken Macrorie said English majors think they’ll be paid to read books.
It was years before the English Teacher Establishment (Macrorie was part of the shift) said, “You can’t write an outline until you know what you’re going to say, and you can’t know what you’re going to say until you’ve written something.”
Novelist E. M. Forster had said it long before: “How can I know what I think till I see what I say?” But education always lags behind.
Anyway, the word to both students and conflicted teachers (aka me) was—Write it and then fix it. And lighten up.
When I write blog posts, I don’t think so much. I lighten up. Words flow.
Unless I’m trying to be serious and sincere and profound and erudite. I’m not a profound writer. I think profound, but I write shallow. It’s in my nature.
And I still can’t imagine squeezing myself into the little journalism box. That’s pressure. And talking to people I don’t know. I’d rather make up the facts myself. Can’t do that in journalism. Journalism matters.
I don’t like talking to journalists, either. I always tell them to be sure to make me sound intelligent. A reporter told me she didn’t have to fix anything in my interview because I talk in complete sentences. I told her that was an accident.
Now. It’s way past my deadline for putting up this post.
But that is not of paramount concern. Because I’m not trying to say anything worthwhile.
I have lightened up.
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“I’m thinking it over.” Forty seconds of perfection. (If the video doesn’t play, google “jack benny i’m thinking it over”. That should work.)
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Image of Mary Tyler Moore cast via Wikipedia. Public domain.
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Kathy Waller has published stories in anthologies Murder on Wheels: 11 Tales of Crime on the Move; Lone Star Lawless: 14 Texas Tales of Crime; and Day of the Dark: Stories of Eclipse; and online at Mysterical-E. She blogs at Telling the Truth, Mainly.
She is still amazed at how long it takes to write a blog post, even when she isn’t thinking.
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