Interview With AMW Member Laura Oles

In continuing my series of interviews of fellow members of AMW, I’d like to introduce you to Laura Oles.

Austin Mystery Writer Laura Oles

VPC- Welcome, Laura! Tell us a little about your background.

LO- I grew up in an Air Force family and moved a number of times growing up.   I graduated from Texas State and met my husband while I was in college. His parents were both professional photographers and entrepreneurs who introduced me to the world of photography. At the time, I didn’t know an f/stop from a bus stop, but I loved the industry almost immediately. We were working in the time of early digital photography and had built a business that did some pretty cool things in that space. I also started writing for digital photography magazines—both consumer and trade— and did that for about fifteen years. Some of the most interesting people I’ve ever met work behind the camera. It remains my first love, although I detest having my photo taken. Ask anyone—the camera comes out and I duck behind a tree.   If awkward smiling were an Olympic sport, I would bring home the gold.

LRO-sanfran

Laura hiding from the camera.

VPC- I can vouch for that, readers. It’s true! So you’ve had some success with publishing nonfiction, why are you interested in writing fiction?

LO- Yes, I wrote Digital Photography for Busy Women back in 2005 and was so happy to see the reception it received in the photography field. Technology books become obsolete pretty quickly, so while it served its purpose then, it’s outdated now. Part of the cycle. Still, it came out an important time in the industry when people were leaving film for digital and had no idea what to do with their photos once the image had been taken. I had been covering related technology for industry magazines and the book was an extension of that education.

Nonfiction has its own challenges but I love it as much as I love fiction. I grew up reading fiction at an early age, getting lost in Nancy Drew, Sweet Valley High and Judy Blume, Reading fiction was the perfect escape for a kid that kept relocating to a new school, a new city. While I enjoy many genres, mystery, suspense and thrillers remain my favorites. Not only do I love getting lost in the worlds other people create, I also love creating my own worlds and occupying them with interesting personalities. My husband once told me that I talk about these characters like they’re real people. I guess for me, they are real people. Is that weird?

I also like reading both fiction and nonfiction. I often bounce between reading a business book and a mystery at the same time. So, right now I’ve got Charles Duhigg’s Smarter Faster Better and Mark Pryor’s Hollow Man in progress. I find it hard to commit to reading one book at a time. Both books are excellent. And my TBR list is a little out of hand at the moment.

 

VPC- I know that you also have three kids. Two of them are twins! How do you juggle writing, working and raising a family?

LO- I think one of the challenges of loving your work and loving your family is that you never feel like you’re excelling in either arena at the same time. Other people may have tamed this dragon but I have yet to do so. I try to compartmentalize as much as possible, but it’s difficult. My time is often split into small segments so I work at piecing them together to create something meaningful. For example, I’ve started and stopped answering these questions several times already because of a soccer tournament, Prom, and NHS volunteer projects. Granted, it’s easier than it was when my kids were little, especially when my twins were in the pre-school stages. I don’t think I drank of cup of hot coffee for a couple of years. With three teenagers, it’s a different kind of busy. My job is largely driving, coordinating schedules, counseling and proofreading my kids’ English papers.   I am very fortunate to have an awesome husband who, despite a demanding work and travel schedule, still makes most of the sporting events, concerts and other things that are important. If he has to drive from the airport to a volleyball game, he’s there.

With respect to writing, I think one of the most difficult things is shifting my brain from multi-tasking to creative mode. I have found that it is so important to protect that sacred space of allowing your imagination to roam, to get lost in the ‘what if’s of storytelling so the story has time to grow and take some turns. I really have to work at protecting that space. It’s very easy for real life to intrude and lay claim to it. (Link to Laura’s article about making the most of your time via the Pomodoro Method.) OLYMPUS DIGITAL CAMERA

 

 

 

VPC: What aspect of writing do you enjoy the most?

LO: I have a fond affection for dialogue. I love writing interactions between characters, trying to find the proper beats where the back-and-forth feels authentic. Elmore Leonard remains one of my all time favorite masters of dialogue. He said, “If it sounds like writing, I rewrite it.” I think that’s very good advice. I also enjoy editing, maybe even more than writing the first draft, because it’s my opportunity to shape the story and figure out what works and what is getting in the way of the story moving forward.

 

VPC- How did you come to be a member of AMW?

LO-I met Kathy Waller and Gale Albright through our local Sisters in Crime chapter and was part of the Barbara Burnett Smith Mentor program in 2012. They invited me in and I have enjoyed their company and critiques ever since. Writing is a solitary process, so having like minded writers who want to discuss plot points, character development and setting is a wonderful thing. I would probably bore my non-writer friends out of their minds but the AMW people get me. And I’m grateful for it.

 

VPC- What are you working on now?

LO-I am currently revising my second mystery, Point & Shoot, which was named a finalist in the Writer’s League of Texas manuscript competition. I’m also working on a few short stories, including one for an anthology being put together by AMW for publication next year. I continue to write for the photo industry, although I’m taking a hiatus for a bit to focus on my fiction (no pun intended). I’m leaving for Malice Domestic this week (in Bethesda, MD) and am looking forward to spending time with some of my favorite writers and friends.   I’m also finally making it to Bouchercon this year in New Orleans. Other than that, I’m just trying to find time to write each day so I can keep my imaginary friends alive. They suffer if I’m gone too long. And I do, too.  I’m cranky if I’ve gone a bit without writing.  Even worse than when I skip coffee, and that’s saying something.

 

Hank & Laura

With Hank Phillippi Ryan at MD 2014

Malice laura and kaye

Laura and Kaye George at Malice in 2014

 

 

Article about Malice Domestic 2014

 

 

 

 

Thank you for the interview, Laura Oles! I’ve enjoyed these interviews. I like showing the world how diverse we are in AMW.

That Would Make a Pretty Good Story

When Howard was four, he and his baby sister were playing in the living room, while his mother and his grandmother sat at the kitchen table just around the corner. A few days before, while staying with his grandmother, Howard had said something cute–he did that a lot–and today, over coffee, his grandmother told her daughter about it.

Immediately after Grandma finished the anecdote, Howard piped up from the other room, “That makes a pretty good story, doesn’t it?”

That’s a four-year-old thinking like a writer. Thinking, in fact, like James Thurber, who filled entire books with cute things. Thurber said this about his works in progress:

“I often tell them at parties and places. And I write them there too….I never quite know when I’m not writing. Sometimes my wife comes up to me at a party and says, ‘Dammit, Thurber, stop writing.’ She usually catches me in the middle of a paragraph. Or my daughter will look up from the dinner table and ask, ‘Is he sick?’ ‘No,’ my wife says, ‘he’s writing something.'”


Writers never stop writing. We may be immersed in experience and emotion, and at the same time be standing outside ourselves, thinking, That would make a pretty good story.

For the purposes of this post, I’m now going to tell a brief story. When you finish reading it, there will be a test:

A couple of weeks ago, I was riding the Washington, D. C. Metro, going from Reagan International Airport to Bethesda, Maryland, for Malice Domestic, a convention at which fans and authors celebrate the traditional mystery.

My plane had arrived late. Darkness had fallen and seeped into the rail tunnels. Signage was… lacking. I couldn’t see names of the stops, nor could I understand the voice announcing them.

I’d already wasted time by taking the YELLOW LINE instead of the BLUE LINE, because, on impulse, I decided my way would get me to the RED LINE just as easily as the BLUE LINE would. And it would have, if the YELLOW LINE I boarded hadn’t been going the wrong way. If I missed my stop now, there was a distinct possibility I would have to sleep on the Metro, which is considered taboo.

Now, each Metro car has one map beside one of the doors. At a stop near mine, I decided to move to the front seat so I could see and count the stops preceding mine. I rose, pushed my humongous suitcase into the aisle, and somehow managed to position it between me and the front of the car. So I pulled up the handle and tried to turn the case so I could roll it behind me. At the same time, I tried to exchange places with it. I think.

That is when the suitcase attacked me. Rocking back and forth, it threw me off balance, and I fell backward, full length, into the aisle. On the way down, I thought, I’ve never fallen this direction before. Then my bottom hit, and after that, my head.

When I realized my head would hit the floor, I had a nanosecond of worry, but I hardly felt the impact. That surprised me, because my head is protected by far less padding than is my bottom. It was such an easy fall, very much like lying down in the aisle, without knowing you’re going to.

End of story, almost.

Here’s test question #1: How does this not-so-pretty-good tale about a train ride relate to thinking like a writer?

Because when no one ran to help me up, and I realized I was alone, surrounded by dark, unfamiliar territory far from home, where anybody and his mean dog could enter the car at any time… I lay in the aisle, smiling, gazing at the ceiling, and thinking, This will make a pretty good story, won’t it?

Unfortunately, this obsession–the word is an exaggeration, but sometimes it feels like obsession–with story isn’t necessarily welcome… because we can’t switch it off. It follows us into the sickroom and stands with us at the graveside and makes us feel ashamed, because one small corner of our minds is nearly always detached, removed from real life, observing, remembering, writing. 

We speak about the subject among ourselves. But when we speak about it to non-writers, we concentrate on the lighter side. The other part we prefer to leave in darkness.

Only the relative anonymity of the blogger allows me to write about it here.

Test question #2: Do you write all the time? Do you know when you’re not writing? Have you had an experience that would make a pretty good story?

 ***

Note: Imagine the child in the portrait above with blond hair… That would be Howard.

Note: Metro riders who knew where they were going were so very helpful in assuring me that, yes, the YELLOW LINE would stop at Gallery Place. I think I asked at least a dozen of them over the course of the evening. A transit worker carrying a broom yelled at me, but I’m sure he was doing the best he could, bless his heart. I am sorry to say I raised my voice a couple of decibels in return (righteous indignation), but, bless my heart, I was doing the best I could, too. It’ll probably make a pretty good story.

***

You can read Kathy Waller’s personal blog here, and once or twice a month she posts at Writing Wranglers and Warriors.

Kathy

Kathy

Two of her stories appear in AMW’s MURDER ON WHEELS, published by Wildside Press and available at Amazon and Barnes & Noble.

Our anthology!

Our anthology!