Since you can read award-winning author Bruce DeSilva’s excellent review here, I won’t try to duplicate. Except to point out that—
DeSilva calls the Samuel Craddock series “genre-bending,” because the “author’s folksy prose and Jarrett Creek’s small-town ways . . . give the novel the feel of a cozy,” and yet the problems facing the town and Police Chief Craddock “give the novel the feel of a modern police procedural.”
With the term “genre-bending,” DeSilva hits upon one reason—perhaps the reason—for the series’ success. Shames joins elements of two very different genres—cozy mysteries and police procedurals—with skill and grace, into a seamless whole. That ain’t hay either.
As a reader, I enjoy Shames’ novels, but as a writer, I seethe with envy. If only I could do what she does . . .
At the bookstore, I fell in love with the cover. On page one, I fell in love with the book. Soon thereafter, I fell in love with a sentence. Here it is, underlined, in the paragraph quoted below—the words of narrator Samuel Craddock:
I head into the house for my hat and my cane and the keys to my truck. There’s not a thing wrong with me but a bum knee. Several months ago one of my heifers knocked me down accidentally and it spooked her so bad that she stepped on my leg. This happened in the pasture behind my house, where I keep twenty head of white-faced Herefords. It took me two hours to drag myself back to the house, and those damned cows hovered over me every inch of the way.
That’s what author Ernest Hemingway would callone true sentence. Cows are curious. They’re nosy. They like to observe. I’ve seen cows hover. That’s exactly the kind of thing my father might have said about his damn cows.
Shames gets it right. Every word in that sentence, and throughout the book, is pitch-perfect.
The night I read about the hovering cows, I wrote Shames a fan email telling her I loved the sentence.
But when I completed the novel and tried to write a review for my personal blog, I got tangled up in words. It came out sounding like this:
I love this book. It’s just so…There’s this wonderful sentence on the second page about hovering cows…That’s exactly what cows do…I can just see those cows…The person who wrote that sentence knows cows…It’s just so…I just love it.
That’s what happens when a reviewer lacks detachment. Wordsworth said poetry begins with emotion “recollected in tranquility.”So do book reviews. There’s nothing tranquil about that tangle of words.
So, with no review, I compromised. I posted the paragraph containing the beloved sentence and added a picture of white-faced Herefords.
Not long after, Shames spoke at the Heart of Texas (Austin) chapter of Sisters in Crime, and I told her how much I admired her work. A year later, in 2014, I heard her read from her second novel, The Last Death of Jack Harbin. And I’ve read all the books she’s published since.
From 2013 to 2022, that’s nine Samuel Craddock mysteries, each a great read, each just as good as—or better than—the one before.
But regarding Shames’ sentences—
It is a truth universally acknowledged that her hovering cows will always be Number One.
*Shames breaks the silly rule against “mixing” present and past tenses in narration. Samuel Craddock speaks the language spoken by men like him in real Jarrett Creeks all over Texas.
**The cow sentence isn’t really about cows. It’s about Samuel Craddock. But I am fond of white-faced Herefords, and the image Shames paints of them is so vivid that it obscures the man dragging himself toward his house. For me, at least.
***I took the photo of the cover of A Killing at Cotton Hill. The fur on the right side of the book doesn’t belong there, but it was easier to just take the picture than to move the cat.
Kathy Waller has published short crime fiction as well as a novella co-written with Manning Wolfe. For more info, and/or to read her posts on topics ranging from A to izzard, visit her personal blog, Telling the Truth, Mainly (http://kathywaller1.com). She also cross-posts her Ink-Stained Wretches posts at Austin Mystery Writers.
I wrote the following for my personal blog to answer a “challenge.” I intended to post it at the end of September 2009–yes, 2009. But I got all tangled up in words and couldn’t write a thing. Then I intended to post it at the end of October. I still couldn’t write it. I managed to write it after the October deadline.
But the challenge specified a four-sentence review, and I had hardly one, and I didn’t want to repeat it three times.
So there’s the background.
I must also add this disclaimer: I bought my copy of A Broom of One’s Own myself, with my own money. No one told, asked, or paid me to write this review. No one told, asked, or paid me to say I like the book. No one told, asked, or paid me to like it. No one offered me tickets to Rio or a week’s lodging in Venice, more’s the pity. I decided to read the book, to like it, and to write this review all by myself, at the invitation of Story Circle Book Review Challenge. Nobody paid them either. Amen.
Review of Nancy Peacock’s A Broom of One’s Own
I like Nancy Peacock’s A Broom of One’s Own: Words About Writing, Housecleaning & Life so much that it’s taken me over two months and two missed deadlines to untangle my thoughts and write this four-sentence review, an irony Peacock, author of two critically acclaimed novels, would no doubt address were I in one of her writing classes.
She would probably tell me that there is no perfect writing life; that her job as a part-time house cleaner, begun when full-time writing wouldn’t pay the bills, afforded time, solitude, and the “foundation of regular work” she needed; that engaging in physical labor allowed her unconscious mind to “kick into gear,” so she became not the writer but the “receiver” of her stories.
She’d probably say that writing is hard; that sitting at a desk doesn’t automatically bring brilliance; that writers have to work with what they have; that “if I don’t have the pages I hate I will never have the pages I love”; that there are a million “saner” things to do and a “million good reasons to quit” and that the only good reason to continue is, “This is what I want.”
So, having composed at least two dozen subordinated, coordinated, appositived, participial-phrase-stuffed first sentences and discarding them before completion; having practically memorized the text searching for the perfect quotation to end with; and having once again stayed awake into the night, racing another deadline well past the due date, I am completing this review—because I value Nancy Peacock’s advice; and because I love A Broom of One’s Own; and because I consider it the equal of Anne Lamott’s Bird by Bird; and because I want other readers to know about it; and because this is what I want.
I’ve posted this review before both here and elsewhere. I consider the reposting a service to writers. The book is absolutely invaluable, and all writers need to know about it.
I blog at Telling the Truth, Mainly. I write crime fiction–have published short stories and am working on a novel. My blog, however, doesn’t have much to do with crime. There I write about anything that comes along. I like to think it’s eclectic, but it’s really just a jumble.
The definition of reading readiness is the point
at which a child goes from not reading, to reading.
~ Sight and Sound Reading
But, Gwammy, I can’t wead.*
~ Jenny, five years old, after one week in kindergarten
When I was five, my Great-aunt Ethel gave me an ancient primer. She had found it in an old school building, abandoned when consolidation sent children in my hometown to a school two miles away, and then used only as a polling place. The primer had also been abandoned, and Aunt Ethel, election judge, liberated it and gave it to the youngest member of the family (youngest by about forty years; it was an old town).
My parents read to me almost from day one. The story goes that, as a toddler, I met my father at the door every evening when he got home from work, saying, “‘Ead a book, Daddy.” (Unlike Jenny, I had no pwoblem pwonouncing my ahs; I just dropped them.)
We didn’t have a library nearby, but I plenty of books: a Bumper Book, Little Golden Books, Grimms’ Fairy Tales, Andersen’s Fairy Tales, which I didn’t like, in part because they were dark (“The Little Match Girl”), but mostly because the end papers sported a hairy black thing with an ugly humanish face and enough long, winding legs to qualify it as a spider. Grimms’ tales were more pleasant.
When I received the primer, I already knew the alphabet. In fact, a year before, I’d written my name in red adhesive tape–the gooiest, stickiest adhesive I’ve ever come across–on the inside of the kitchen door. It stayed there for years.
Anyway, armed with the primer–a school book, for reading–I set about teaching myself. While my mother did housework, I trailed behind, spelling out words.
I don’t think I taught myself to read. But the next year, when I entered first grade–no kindergarten back then–I was ready. I took right off on the underwhelming adventures of Dick, Jane, and Sally (siblings who never had a decent disagreement) plus Spot and Puff, who came and ran a lot.
In second grade, I got a Little Big Book—Gunsmoke–that had one hundred pages. I read it on Saturday and reported the accomplishment in our Class News at school on Monday. Later I got a literary Little Big Book, Huckleberry Finn.One sentence confused me: a dead man’s leg was stuck out at a strange angel. I was about thirty when I realized angel was really angle. I was also surprised when, in high school, I learned that the Little Big Book had been severely abridged.
Then I discovered comic books. They were more educational than most people think. From Scrooge McDuck, I learned that emeralds come from South America. Unfamiliar with physics, I pronounced Atom Cat as A-Tomcat. Seemed reasonable.
The next year, thanks to a Christmas present from my grandmother, I discovered Nancy Drew. Nancy had a blue convertible and drove around wherever she wanted, and her father never grounded her. I envied Nancy her freedom. I didn’t like her, though; she had a tomboy friend, George, who said, “Hypers, you slay me,” which was fine, but her other friend, Bess, was plump, and Nancy often referred to how much Bess ate. I presume in later editions, Nancy behaved better. But her treatment of Bess didn’t stop me from reading about her. I wrote letters to Joske’s Department Store in San Antonio: “Please send me one copy of The Hidden Staircase and one copy of The Clue in the Jewel Box. Please charge my account.” They each cost two dollars. My mother kindly signed the letters. It was her account.
I soon outgrew Nancy, but, like many other mystery readers and writers, I credit her for getting me hooked. I read a couple of Trixie Beldens–Trixie was sickeningly enthusiastic when her mother made her dust the living room before going out to solve mysteries, but she did manage to sneak out at night. I read some Kathy Martins. Kathy, a nurse, often suspected her (nice guy) brother for whatever (minor) crime had been committed, which I thought strange, but she was more mature and more realistic than other characters. No convertible, no sneaking.
But enough about me. The point is that reading was, and is, important to me.
And that this week I’ve been reading A Velocity of Being: Letters to Young Readers, edited by Maria Popova & Claudia Bedrick. The editors compiled 121 letters from “scientists, musicians, artists, philosophers, composers, poets, actors, a 98-year-old Holocaust survivor, Italy’s first woman in space, and many more remarkable humans whose splendor of spirit cannot be contained in the shorthand descriptors we often use to condense a person’s character and cultural contributions.” Each letter is paired with an illustration to “bring it to life visually.”
Many letters describe books as portals to the universe, to other worlds, to adventure, to curiosity and questions, to dreams, to logic and imagination; they’re boats and planes and magic carpets. Contributors write about hating book reports, and being hellions when they were little and refused to listen to Goodnight Moon at bedtime because they wanted dinosaurs, and being called antisocial when they preferred to read instead of play with friends.
But other contributors take the subject to a deeper level:
Author Alain deBotton writes, We wouldn’t need books quite so much if everyone around us understood us well. But they don’t. Even those who love us get us wrong. They claim to know what we need, but forget to ask us properly first. They can’t understand what we feel . . . That’s the moment to turn to books They are friends waiting for us, and they will always speak honestly to us. They are the perfect cure for loneliness. They can be our very closest friends.
Screenwriter Shonda Rhimessays, Reading saved me. When I was twelve, I spent most of my day trying to be invisible. The year before I’d been the new girl in school, and I’d spent a lot of time trying to be accepted. . . . The very desire to bend and twist to fit in–assures your rejection They did not like me. They hated me.
I spent a lot of time alone. I rode the bus alone. I spent weekends alone, I ate lunch alone. Except I was never alone. I always had a book in my hand. If you have a book, you don’t need to bend and twist to fit–you’re there. You are in. . . .
If you have a book in your hand, you can stop being invisible. Because you’re a little more invincible.
Venture capitalist Chris Sacca says that books are dangerous: If you keep reading, you might learn so much that you can take over for the adults and then you kids will be in charge! You all could be the journalists, entrepreneurs, artists, professors, authors, doctors, explorers, scientists, and even the leaders of our countries! Then what would the grown-ups do? Live in a world run by brilliant, interesting, innovative, and compassionate young people. Ugh. No, thank you.
So please stop reading before you become really smart, successful, and happy.
But seriously, books are dangerous. Holocaust survivor Helen Fagin writes about life in the World War II Polish ghetto, where being caught reading by the Nazis meant anything from hard labor to death. But books were smuggled in, read by each person for only one night, and then, for the sake of safety, passed on. She stayed up all one night reading Gone with the Wind. Then she decided the children she secretly taught needed not dry information, but stories. And for one hour each night, she told them the story of Scarlett and Melanie, Rhett and Ashley; and for that hour they “escaped a world of murder.” Then “a knock at the door shattered our dream world.” Years later, she met one of only four of the students who survived. The woman called her “the source of my hopes and my dreams in times of total deprivation and dehumanization.”
Composer Mohammad Fairouz shares a story that I cherish from my upbringing; . . . 1400 years ago in the deserts of Arabia, a meditative prophet named Mohammad had a vision of the Angel Gabriel who came to him with a message: “Read” . . . This was the first word of the Quran.
In the years following the prophet’s death, his followers built an empire where they contributed to every branch of knowledge, from algebra to optics and medicine to music. Countless things we have today would not exist without their contributions: that includes space stations, glasses, aspirin, your iPad.
They were able to do this because they were inspired to seek out the power that comes with being to read. You deserve the same power . . .
Years ago, I knew a young man who had never learned to read. I don’t know why; he just hadn’t. As an adult, he took a literacy class. He said that when he traveled for his work, he was always scared, because he couldn’t read road signs, and he was afraid he would get lost. At the most basic level, reading is power.
And consider: At one time in the American South, it was illegal to teach slaves to read. If they were literate, they might be able to read signs that would help them escape. They might also read some inconvenient truths: “. . . that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness . . .” Inconvenient for their owners, that is.
“So the research shows that perhaps reading fiction does make people behave better. Certainly some institutions consider the effects of reading to be so significant that they now include modules on literature. At the University of California Irvine, for example, Johanna Shapiro from the Department of Family Medicine firmly believes that reading fiction results in better doctors and has led the establishment of a humanities programme to train medical students.
“It sounds as though it’s time to lose the stereotype of the shy bookworm whose nose is always in a book because they find it difficult to deal with real people. In fact, these bookworms might be better than everyone else at understanding human beings.”
Philosopher and professor Martha Nussbaum gives an example: The great African-American novelist Ralph Ellison said that a novel like his Invisible Man could be “a raft of hope, perception, and entertainment” on which America could “negotiate the snags and whirlpools” that stand between us and the democratic ideal. He’s referring here to Huck Finn and Jim, who got to know one another as full human beings, rather than just as a white man and a black man, when they traveled down the river on a raft together. On the raft, they had to look at one another, listen to one another’s stories. In our divided society, such encounters happen all too seldom in real life, and are fraught with mistrust when they do. Reading can create such encounters in the head, so that the ones that happen in the world are a little less crude, a little less deformed by fear and anger.
Huckleberry Finn has for years made the American Library Association’s list of most often challenged, banned, or restricted books–a novel that can teach us to be better people.
Design writer and educator Steven Heller extends the idea that reading is power and issues a challenge: Books are weapons in humankind’s battle against ignorance. I don’t mean like lasers and drones. I mean that knowledge is strength and the kind of knowledge you get from books is not the same as the quick fix that Googling gets you. What’s more, books can’t be hacked. But they can he censored, which means blocked or forbidden from being published. And this is why they are so valuable to us all. Often in fighting ignorance, the ignorant take books prisoner. If you don’t read books, then those that have been censored over the ages will be lost and forgotten. So kids, don’t let them down. Read them, savor them protect them. Don’t let others make books irrelevant.
*Jenny soon learned to wead. And to pwonounce her ahs.
I’ve gone on too long. If you’re still with me, thanks for sticking. And one more thing: Despite the title, A Velocity of Being isn’t just for young readers. It’s also for adults who need to be reminded to make reading part of their children’s lives.
George Woodstock received the peculiar phone call on his sixty-sixth birthday. . . He let the phone ring twice, then answered, “Woodstock Machine Shop.”
It was Helen’s voice. “Clara called, George.”
“Where is she?”
“Your sister. She’s out at Woodstock where she always is. Your papa has escaped from the nursing home.” . . .
“What in the hell does escaped mean? Did you ask any questions? . . . Have they put up a fence for patients to climb over? Or did he tunnel out? Did he wound any guards? I thought Papa was in a nursing facility.”
“Please don’t be snotty, George. I’m only telling you what Clara said. I said you’d call back.”
According to Best Mystery Novels, mysteries must meet certain criteria: there must be a puzzle; a detective or protagonist who sets out to solve the puzzle; suspects; clues; red herrings; hidden evidence; gaps in information; and suspense.
The Heirs of Franklin Woodstock isn’t classed as a mystery. It’s “general fiction.” Literary fiction. It isn’t shelved in bookstores and libraries amongst the Christies and the Hammetts and the Chandlers.
Author Benjamin Capps is famous for his award-winning historical fiction, realistic novels set in an Old West lacking the romance of pulp fiction. He didn’t write mysteries.
But based on the criteria laid out above, The Heirs of Franklin Woodstock is a mystery. On page one, the puzzle is laid out: ninety-one-year-old rancher Franklin Woodstock has “escaped” from the nursing home and is missing. And protagonist George Woodstock sets out on the three-hour drive from Fort Worth, northwest to the town of Woodstock, near his father’s seven-thousand-acre ranch, to find out what’s going on. (Clara, the sister who called, is known in the family as “a dingbat.”)
George’s investigation begins in chaos. The sheriff says they don’t usually find missing persons, just bodies they then identify by going through the files. He has two deputies out looking and will call in more searchers–George offers to help with expenses if necessary–but that’s about all his office can do.
At the Goodhaven Nursing Home, George asks the nurse at the front desk if she has a clue as to what his father might have been thinking in the days before he disappeared. She has a ready, and vehement, non-answer:
“I’m trying to bring the charts up for the next shift,” she said. ” . . . Now, sir, I would like to tell you what is charted again and again about Mr. Franklin Woodstock: Stubborn! Will not eat boiled and mashed carrots. Stubborn! Will not accept bath. Stubborn! Will not let aides assist in toilet. Stubborn! Tries to pinch aide or nurse. Stubborn! Will not lay as asked in bed. Stubborn! Pulls out feeding tube. Stubborn! Broke injection needle. Stubborn! Will not swallow boiled and mashed vegetables. Stubborn! Spits out pills.”
Asked the same question, the ward nurse sticks out a hand: “See that thumb? That knuckle! That’s where a patient bit me. Just bit me on purpose. . . . She’s only got about seven teeth and she sunk every of them into my thumb.”
The Director of Nursing speaks more formally, but her only specific reference to George’s father is that a nurse was fired because she was discovered bringing him food from home–ground broiled steak mixed with mushroom soup and thermoses of cold beer.
At the Woodstock ranch, George finds a haven in the person of Izzy, housekeeper, cook, compulsive gardener, canner, egg gatherer and churner of butter, and mother to everyone, although she’s probably no older than George. Izzy’s son Juan, who’s always gone by the name of Johnny Woodstock, is, as always, doing the practical–heading out on horseback with tenant-cowhands Buck and Slim to search for their employer. Johnny knows the ranch nearly as well as Franklin does.
Then the phone calls begin, and the six-hour round-trips to the airport in Fort Worth to pick up siblings and to try to keep his small machine shop afloat.
So the suspects gather. With plans. And motives.
Walter, a New York businessman with a degree from Harvard Business School, sees an opportunity to subdivide five thousand acres for an exclusive community, “no low-class people.” With his experience, of course, he’ll head up the project. That Chicano Johnny is good enough for punching cows but using a computer and managing a huge enterprise? Maybe he graduated from high school. Walter has also hired a private detective to find Papa, no matter how far he has to go or how much it costs.
Irma and her evangelist son Wilbur propose a different idea: The ranch will become Noah’s Ark, a combination religious retreat that will attract famous preachers, and a place of safety where every resident will be armed, a thousand rounds of ammo for each rifle, seeds, chainsaws, experts who can fix windmills and water pumps, animals two by two . . . because Russia, or somebody, is preparing to drop the Bomb. They’ve thought it out to the nth degree. Papa was a Born Again Christian and would have approved. Wilbur will probably be the first president, receiving a modest salary of $60,000. Irma had suggested $100,000.
Clara seems to want only to spoil her grandchildren, and Clarence, with a Ph.D. in literature and teaching in California, seems only to want to sit up all night with George, sharing several six-packs and talking old times. But Frank, his geologist son, believes the ranch sits on deep oil wells that could be profitable.
During George’s long drives between Fort Worth and the ranch, we learn a lot about Franklin Woodstock. He hasn’t always been “stubborn” or “Born Again.” He’s been a hard worker and a shrewd manager, starting with nothing and acquiring land and cattle, building “the Old Place” and later a large house, adding stock tanks and windmills, working alongside his hands in every endeavor. He has raised a family and sent his children to any school they wanted. When Clara’s grandson, Homer, who is “different,” is expelled from third grade for arguing unintelligibly with the teacher because he doesn’t want to sit down, and then (it is assumed) keeps breaking into the school library and stealing books (which are always returned), Franklin somehow smooths things over and starts building a library in his own home; the break-ins cease. Homer can’t read but seems to think if he could , he would understand what everyone else does.
Franklin Woodstock is the best man George has ever known.
We learn a lot about George, too: a surveyor with the CCC, a navigator who flew forty missions over the Pacific in World War II, an assistant engineer with the U. S. Army Corps of Engineers, a machinist and tool-and-die maker. He’s a man with a high school education who wants to work with his hands, and he’s good at it. His father respects that and has promised him $100,000 to expand his business–a loan, not a gift. But with nothing on paper, and no witnesses to the promise, George doesn’t know whether he’ll get the money. And he feels guilty for even thinking about it.
He’s also worried that his siblings are behaving as if Papa is already dead. Walter says they can have him declared so. Walter is determined. Who knows what the others will agree to?
Although the active characters are the heirs of Franklin Woodstock, the old man holds the novel together. He’s missing. Is he dead or alive? Will they ever know?
What happened to Franklin Woodstock? There’s the mystery.
There are, of course, clues, red herrings, hidden evidence, gaps in information, suspense–all of the other basic criteria. But it would be a shame to share too much here.
As they say in fourth-grade book reports, if you want to know what happens, you’ll have to read the book.
A word about the author:
Benjamin Capps was born in 1922 in Dundee, Archer County, Texas.
At fifteen, he entered Texas Technological College in Lubbock but left after a year to work in the Civilian Conservation Corps and then as a surveyor in the U. S. Department of Engineering. As a navigator, he flew forty missions over the Pacific in World War II. He received two degrees in English and journalism from the University of Texas and taught at Northeastern State College in Oklahoma. But teaching didn’t allow him time to write and drained his creativity. He became a machinist and tool-and-die maker before becoming a full-time writer. He lived in Grand Prairie, Texas.
According to Capps, his writing’s aim is to be authentic and “to probe the human nature and human motives” involved in his stories. His works are painstakingly researched for historical accuracy and generally explore lesser known facets of the American frontier.
Three of his books won Spur Awards from the Western Writers of America. One novel and one work of nonfiction received a Wrangler Award from the Cowboy Hall of Fame and Western Heritage Center. He was the recipient of numerous other awards.
Dundee, Capps’ birthplace, is nineteen miles from Archer City, where Larry McMurtry was born eleven years later. Capps never achieved McMurtry’s fame (or notoriety).
But he’s been counted among writers such as Walter Van Tilburg Clark and Conrad Richter for writing about the Old West with “compelling authenticity.”
James W. Lee, Director, Center for Texas Studies, University of North Texas, calls his Woman of the People “the finest novel ever to come out of Texas.” (Note: Lee is right.)
He also says “Ben Capps is the Texas author whose work will still be read a hundred years from now.”
I’ve been reading this summer and wanted to share some great books with you!
The Blessing Way is book #1 of the famous Leaphorn and Chee series by Tony Hillerman. This series has been in my TBR (To Be Read) pile for years and I’m happy to say that I finally got around to it! I knew that it would be good because everyone I’ve talked to has loved these books. Even knowing that, I was pleasantly surprised. Leaphorn is interesting and has an inherent understand about people and what makes them tick. His internal dialogue also teaches the reader about his heritage and culture. I honestly found that aspect of the story to be entertaining and enlightening. It was also full of suspenseful action. There’s a seen where a character is stalked by something or someone in the night. That scene was the best in the book! It was chilling and creepy. I loved it. *happy chills*
I’m currently reading book #2, Dance Hall of The Dead and it’s just as creepy and suspenseful.
Good Reads description of The Blessing Way: Homicide is always an abomination, but there is something exceptionally disturbing about the victim discovered in a high lonely place, a corpse with a mouth full of sand, abandoned at a crime scene seemingly devoid of tracks or useful clues. Though it goes against his better judgment, Navajo Tribal Police Lieutenant Joe Leaphorn cannot help but suspect the hand of a supernatural killer. There is palpable evil in the air, and Leaphorn’s pursuit of a Wolf-Witch is leading him where even the bravest men fear, on a chilling trail that winds perilously between mysticism and murder.
The second book that I recommend is The Far Empty by J. Todd Scott. It’s also the first in a series, the Chris Cherry series. While it also has a landscape that’s remote, isolated, and vast, this book is quite different. The story is told in alternating chapters from different characters. It took me a bit to get the characters straight, but once I did that, it took off. Scott does an excellent job of capturing the feel of the west Texas landscape and its people, especially bullies in small towns. As most good books, there’s a showdown of sorts and my nerves were raw, waiting to see what happens. It’s not a small book but you’ll be turning pages.
Good Reads description: Seventeen-year-old Caleb Ross is adrift in the wake of the sudden disappearance of his mother more than a year ago, and is struggling to find his way out of the small Texas border town of Murfee. Chris Cherry is a newly minted sheriff’s deputy, a high school football hero who has reluctantly returned to his hometown. When skeletal remains are discovered in the surrounding badlands, the two are inexorably drawn together as their efforts to uncover Murfee’s darkest secrets lead them to the same terrifying suspect: Caleb’s father and Chris’s boss, the charismatic and feared Sheriff Standford “Judge” Ross. Dark, elegiac, and violent, The Far Empty is a modern Western, a story of loss and escape set along the sharp edge of the Texas border. Told by a longtime federal agent who knows the region, it’s a debut novel you won’t soon forget.
Recommendation #3 is South California Purples by Baron R. Birtcher. It’s set in 1973 and starts out with an easy feel of a typical traditional Western. Then rancher Ty Dawson gets conscripted into helping the county’s law enforcement, who seems to have no interest in dealing with the growing problem. When time after time Dawson doesn’t get help from the local cops, Dawson decides to handle matters as he sees fit. If you’re looking for a mix of hard-boiled with a Western, this book fits the bill. Biker gangs vs. cowboys. You know it’s full of action. *trigger warning- it does deal with rape*
From Good Reads: Cattle rancher Ty Dawson, a complex man tormented by elements of his own past, is involuntarily conscripted to assist local law enforcement when a herd of wild mustangs is rounded up and corralled in anticipation of a government auction, igniting the passions of political activist Teresa Pineu, who threatens to fan the flames of an uprising that grows rapidly out of control.
As the past collides with the present, and hostility escalates into brutality and bloodshed, Ty is drawn into a complex web of predatory alliances and corruption where he must choose to stand and fight, or watch as the last remnants of the American West are consumed in a lawless conflagration of avarice and cruelty.
I hope this helps you find some new books. And remember, whenever possible, please try to purchase your books from local, independent bookstores. Thank you!
When the holidays come around, I can’t help it. Sometimes I get so stressed I just wanna kill somebody. (On paper, of course!) It can be very cathartic.
But if my murderous muse isn’t singing, I turn to my favorite holiday crime novel, Holiday in Death, by the supreme, futuristic murder writer, J.D. Robb. (It irks me that some industry aficionados refer to this series as “romantic suspense.” Sure, it has a romance in it, BUT, this is a crime novel in every sense!)
Holiday in Death is the seventh in the now fifty-one book series about New York murder cop Eve Dallas and her devastatingly rich, handsome and techno-wizard husband, Roarke. Did you catch that? There are fifty-one books in this series, with the next, Faithless in Death, coming February 9, 2021.
But I digress. Here’s the scoop on my favorite Christmas mystery taken from its Publisher’s Weekly review 6/01/1998.
The year is 2058. Guns are banned and medical science has learned how to prolong life to well beyond the century mark. And man has yet to stop killing man. At Cop Central, it’s Lieutenant Eve Dallas’s job to stand up for the dead. So begins the seventh riveting installment in Robb’s (aka Nora Roberts) futuristic romantic suspense series (following Vengeance in Death). With Christmas only weeks away, Eve is stressing out trying to find the right gift for her new husband, Rourke, who “”not only had everything, but owned most of the plants and factories that made it.”” More to her concern is the latest serial killer who is using “”The Twelve Days of Christmas”” as a theme for his heinous rape and murder spree. The case touches Eve on a personal level, and while flash-backs from her abusive childhood are flinchingly repetitious, it defines Eve’s gritty, hard-boiled character and validates her obsessive determination to bring down the killer any way she can.
So if the holidays stress you out, grab a peppermint-schnapps-laced, hot chocolate, get in that comfy chair in front of the fireplace, turn on that Tiffany lamp that casts just enough light for you to read by, settle your animal on your lap, and crack open this great read.
Merry Christmas, everyone!
P.S. There is one story I like better at this time of year, just for the record. You’ll find it in the Bible’s new Testament. I usually start at Luke, chapter one.
As you may know from past blog posts, I’m often late to the game when it comes to reading a new book. Although I have purchased several of the Hugo Marsten books, written by Mark Pryor, I finally got around to reading the first one, The Bookseller (2012)
(It was my turn to recommend a book for my book club so I was happy to recommend it. Two birds, once stone, and all of that. 😉 )
*WARNING, if you read this book, you will be craving French coffee and pastries!*
It starts with Hugo Marsten, head of security at the U.S. embassy, looking for a book at his favorite bouquiniste’s (bookseller’s) stall. These stalls are set up for tourists along the Seine. Pryor does a great job of explaining what these look like and describing the history of the bouquinistes without bogging the narrative down in details. As with many things in the book, I was interested in learning more. The bouquinistes have been in Paris for centuries. https://en.wikipedia.org/wiki/Bouquinistes
While Marsten is browsing and chatting with his friend, a nefarious-looking character approaches and Max, the bookseller, is kidnapped at gunpoint. The next day Marsten goes to the bookstall, hoping to see his friend, but a strange ferret-faced man is in his place. The man says he doesn’t know anything. Thus, starts the hunt to find Max. Marsten enlists the help of an old friend, semi-retired CIA agent, Tom Green and they uncover a myriad of dark secrets.
While searching for Max, they learn that Max was a survivor of the Holocaust and had been a Nazi hunter. Is his disappearance related to that? Soon other booksellers start to disappear and their bodies are found floating in the Seine. There is also a turf war in Paris among drug gangs who could be involved. And Marsten discovers that his new girlfriend has her own share of secrets. AND THEN, “…as he himself becomes a target, Hugo uncovers a conspiracy from Paris’s recent past that leads him deep into the enemy’s lair.” (description from markpryorbooks.com)
So there’s a lot going on in the novel, but Pryor is masterful at juggling all the pieces.
And I’m happy to report that my choice was a hit among my friends. We were all impressed that this was Pryor’s first novel! There are a few of us in the bunch who are fans of Sherlock Holmes and we liked the Holmesian touches that were peppered into the story. By the time we met, via Zoom, some had already read the second in the series. So two thumbs up for The Bookseller!
You can find more about the series on Mark Pryor’s website.
The Hugo Marston series has now been optioned for television / film by Ivan Schwarz at Like Entertainment, Inc.!
The ninth Hugo Marston novel, which is titled, THE FRENCH WIDOW, will be released on September 15, 2020.
Congratulations to Mark Pryor!
*I’d also like to add a reminder to please consider buying books from independent booksellers. The Bookseller, and other books, are available at IndieBound, a great resource for finding independent bookstores.
Lately I’ve been thinking about remarkable people who never got to see the significance of their work, regardless of its brilliance. People whose minds moved so fast their words didn’t compute, for most listeners. People whose contributions went unrecognized for many years. And if they hadn’t written down their ideas? Maybe eventually someone would have made the same discoveries, but when?
Here are just three.
I’d never heard of Simon Stevin until I read Michael Pye’s The Edge of the World (2014), on how modernity reached the shores of the North Sea. Stevin, born illegitimate in Bruges in 1548, worked as a book-keeper in Antwerp, and then enlisted at the liberal new Leiden University. He produced a book on double-entry book-keeping and another on figuring the interest on borrowed money, when publishing such hard-won information was a subversive revolutionary act. This “engineer, book-keeper, king of numbers,” per Pye, wanted to make math work in the everyday world.
Stevin tutored his student friend Prince Maurits in math, beginning a lifelong association. He made the prince a sailing chariot for the beach, with two sails, four great wheels, and flags flying. Stevin informed the prince the earth went around the sun. When Maurits became king, Stevin became an army engineer, devising, pumps, dredgers, windmills. He produced an influential treatise on fortifications and another on how to calculate longitude at sea. He wrote a book asking Dutch cities to adopt uniform money measures, suggested a decimal system, founded a mathematics curriculum at Leiden. And he wrote down these ideas! Stevin’s dream, that explaining practical mathematics would help his country thrive, eventually came true––though not necessarily in his lifetime.
You already know about the world’s first computer programmer? Another who did not live to see her work recognized is Countess Ada Lovelace, Lord Byron’s daughter. At seventeen she began helping mathematician Charles Babbage with his “difference machine” for math calculations. In 1843 she published an article in an English science journal describing processes we now call computer programs, including how to create codes using letters and symbols as well as numbers. She died of uterine cancer in 1852, at 37. Her work came to public attention in 1953 when B.V. Bowden republished her notes in Faster than Thought: A Symposum on Digital Computing Machines. In 1980 the U.S. Department of Defense named a new computer language “Ada.”
“We’re still catching up with one of the greatest minds of the last century.” That’s Anthony Gottlieb, “The New Yorker,” May 4, 2020, on Frank P. Ramsey. Ramsey––a Cambridge (UK) scholar whose genial brilliance intimidated his professors when he appeared on campus at 18––died at only 26, in 1930. Economists, philosophers and mathematicians are still exploring the “Ramsey effect” on their disciplines. He was immediately taken up by Maynard Keynes, and refuted Keynes’s fuzzy notions of probability. He was tapped to translate Ludwig Wittgenstein’s “Tractatus Logico-Philosophicus” from German–as the only German speaker available who could not only understand what Wittgenstein was trying to say, but say it more clearly (he reportedly dictated his translation).In one paper he created two math theorems which, decades after his death, became part of the “Ramsey theory” analyzing order and disorder. (See video of a student working a Ramsey probability problem). Ramsey’s modesty about his astounding abilities made him appear almost offhand about his accomplishments.
Yes!–– at dinner with Maynard Keynes. “Ramsay [sic], the unknown guest, was something like a Darwin, broad, thick, powerful & a great mathematician, & clumsy to boot. Honest I should say, a true Apostle.” Keynes at least tangentially belonged, with Virginia and Leonard Woolf, to the Bloomsbury group, which included several members of the select Cambridge “Apostles” club (including Leonard Woolf). In 1927, Woolf published To the Lighthouse about a family she called the Ramsays, where Mr. Ramsay, a professor, fears that though he has reached Q, he lacks genius and will never be able to think his way past Q, that he’ll never reach R: “How many men in a thousand million, he asked himself, reach Z after all?” If Woolf had known then what we know now she’d have known Frank Ramsey could easily have reached R and zoomed on past Z.
Okay, I admit I took the Special Math Course for English Majors to get my math graduation credit. Yes, I did. Nevertheless I’m doggedly staggering through the first full biography of Ramsey, Frank Ramsey: A Sheer Excess of Powers, by Cheryl Misak (Oxford Press 2020), fascinated by his mind and especially his lightly worn “sheer excess of powers.” I might, even, try to find his 1926 paper about truth and subjective probability, where he said we should take account of people’s judgment of probability.”
Now there’s a pungent topic for mystery writers. At every turn, our characters use subjective probability to make decisions. “Can I kill without being caught?” “Can I catch this villain without being killed?” “Have I examined all the what-if’s here?” “What are the chances anyone will recognize me?” Suspense lies in decisions made on subjective probability.
Okay, so Ramsey died without knowing that ninety years later University of Georgia students in hoodies, poised at the whiteboard, would be filming explanations of “Ramsey Theory.” Ada Lovelace died without knowing the Defense Department would name a computer language for her. If asked, would she have preferred Countess? Would she be fascinated by the world of hacking? Simon Stevin would drive our city streets, ready to opine on public transportation–would he recommend air-conditioned tubes, with moving sidewalks, to move people east and west across Austin? Or possibly a sailboat with wheels?
Now we come to you. Yes, you. How will we know what you thought?
Stevin, Lovelace and Ramsey at least published some of their work. You can go farther. You own your copyright as soon as your work is “fixed.” You can also provide notice of copyright by using the symbol or the word “Copyright” and your name and the year of first publication, and registering your copyright by paying the required fee and depositing required copy(ies) of your work, thereby creating a public record of your copyright claim. (See details and requirements here.)
That’s at least a start. As for Aeschylus, only seven of his seventy to ninety tragedies remain intact. Sophocles? Only seven of over a hundred remain. Euripides? Eighteen of over ninety-five remain. Sappho? We have only two complete poems out of her nine books of verse, from the woman the ancients called “the tenth Muse.”
Will depositing your work at the Library of Congress––oh yes, you must––give us some assurance we can know your ideas, your writings, a century hence? The Alexandrian Library didn’t fare so well. Nor did the Dresden Sächsische Landesbibliothek which lost perhaps 200,000 volumes in the Allied bombing of the Dresden historic center. The 1986 fire at the Los Angeles Library burned 400,000 books.
No guarantees, but it’s a start. At least try to leave the world a copy. Even if you leave us too soon, even if fame has not yet arrived…you never know. A century from now, maybe…?
The first Anna Pigeon book that I read by Nevada Barr was Blind Descent, book 6 of the series, back in 1998. And I’ve read most of her books since then. I’m hooked!
Since the main character in the books is a park ranger, each story is set in a national park. I’ve learned so much about nature, each park, and its landscape and history. I particularly liked the history in Flashback, book 11. It was set in Dry Tortugas National Park. I didn’t know that that is where those who had been accused of Lincoln’s assassination were imprisoned back in 1865!
Here is the complete list of her books and where they are set.
As you’d expect, Anna has to solve mysteries and face all sorts of dangers in each book like mountain lions, bears, natural disasters, forest fires, and of course the most dangerous of all, people.
Boar Island starts away from the park with a case of cyber-bullying. You know what? Here’s the description from Barr’s website:
Anna Pigeon, in her career as a National Park Service Ranger, has had to deal with all manner of crimes and misdemeanors, but cyber-bullying and stalking is a new one. The target is Elizabeth, the adopted teenage daughter of her friend Heath Jarrod. Elizabeth is driven to despair by the disgusting rumors spreading online and bullying texts. Until, one day, Heath finds her daughter Elizabeth in the midst of an unsuccessful suicide attempt. She calls in the cavalry—her aunt Gwen and her friend Anna Pigeon.
While they try to deal with the fragile state of affairs—and find the person behind the harassment—the three adults decide the best thing to do is to remove Elizabeth from the situation. Since Anna is about to start her new post as Acting Chief Ranger at Acadia National Park in Maine, the three will join her and stay at a house on the cliff of a small island near the park, Boar Island.
But the move east doesn’t solve the problem. The stalker has followed them east. And Heath (a paraplegic) and Elizabeth aren’t alone on the otherwise deserted island. At the same time, Anna has barely arrived at Acadia when a brutal murder is committed.
While this does describe the setup, it doesn’t come close to describing the action and complex story that weaves together. Poor Anna! By the end I think she could totally commiserate with John McClane of Die Hard. She’s a physically fit character, but the injuries that she’s had in past stories still plague her at times. As they should! And the choices that she’s made, good and bad, also haunt her. She’s a life-like character that you can relate to.
Boar Island is a good book that will keep you turning pages. I sped right through it. Cyber-bullying, obsession, murder, feuds, high tech, and a harsh environment in a remote location, it’s got it all!
“Tell me a story about before you met me,” the lover entreats the loved one.
“Tell me the story about how you met,” we ask the new couple.
“Tell me the scariest moment,” the reporter demands of the returning explorer.
“Tell me a story,” we whisper to the books on the library shelf.
After an astounding career as master of detective fiction, P. D. James finished Talking about Detective Fiction in 2009, when she was nearly ninety. This small but hugely thoughtful book touches many topics: the history of detective fiction, authorial arguments over point of view and whether or not the murderer can be a protagonist, variants in the genre. Then James tackles the importance of setting, the importance of character, and the importance of plot.
As to setting: “If we believe in the place we can believe in the characters.” She notes that one function of the setting is to add credibility to a story. For James, credibility is particularly needed for crime fiction, which often offers not just dramatic but bizarre or horrific events. (This this immediately brought to mind Robert Galbraith’s (J.K. Rowling’s) Cormoran Strike series, including The Silkworm.) According to James, “My own detective novels, with rare exceptions, have been inspired by the place rather than by a method of murder or a character.” She says her Devices and Desires was born when she stood on a deserted beach in East Anglia, then turned and saw the vast outline of a nuclear power station.
Character: her characters “grow like plants” while she’s writing but still bring surprises, so that “at the end, no matter how carefully and intricately the work is plotted, I never get exactly the novel I planned.”
As to why people love this genre? For the story. For the story! Here she quotes E.M. Forster:
“‘We are all like Scheherazade’s husband in that we want to know what happens next. That is universal and that is why the backbone of a novel has to be a story….Qua story, it can have only one merit: that of making the audience want to know what happens next. And conversely it can have only one fault: that of making the audience not want to know what happens next.’” [E.M. Forster, Aspects of the Novel]
Our mystery genre has at its heart, of course, a mystery, and we know that by the end it will be solved, more or less. Of course, we readers relish solving the mystery, but, as James says of herself, if that were the only attraction, we wouldn’t reread our old favorites. Which many of us do.
Why do we reread? Not just for the solution, but for the story. Once upon a time there was [a character] who lived in [a setting] and one day, a [terrible awful amazing startling promising exciting bizarre weird shocking hilarious unexpected] thing happened. And what do you think happened next?
We can’t wait. Bring it on. Because we want a story, in a setting we believe in, even if surprising, so we believe in the characters, and––even when we’re re-reading an old favorite–– we want to keep turning the pages so we can know what happens next.
Thank you, P. D. James, for this rich small book, and for all your books with their settings, characters, plot intricacies…and story.