A Halloween Story: Hansel and Gretel and Cuthbert and Me

By M. K. Waller

 

Shakespeare said, “A sad tale’s best for winter,” but this is only October, and in Texas, that sure ain’t winter. And I don’t feel like telling a sad tale.

Halloween is near, so I shall tell a scary tale, one about a wicked witch and innocent little children.

But with a reminder: Sometimes it’s the innocent little children you have to watch out for.

For you to fully appreciate the trauma inflicted here, a preface—

My university degrees are in English and biology. I trained to teach secondary students. High school. Teenagers. People as tall as I am. Usually taller.

Mid-career, I was invited to take the position of school district librarian. I had neither education nor experience in the field, but both my employers and the State of Texas said that was okay—I was an English teacher, I could do anything. I would start working in August, two weeks away, and then jump back into graduate school for a second master’s degree when January rolled around. I’d do fine.

I thought both the State and my employer were a little crazy, and I hadn’t planned a return to grad school, but I was a little crazy, too, so I accepted the offer.

And both the library and I were fine. I was more than fine. I absolutely adored library work. It was like putting together a big puzzle—so many different pieces. And a couple of years later, here came computers and networking and T1 lines and the Internet and the world wide web and  . . . A wild learning curve, perpetual continuing education. On-the-job boredom? Not a chance.

Library school was—not adorable. It was challenging. Some courses were nerve-wracking. When they said library science, they meant science. In the words of the Library of Congress cataloger teaching the Organization of Materials course, as she looked out over a sea of bewildered students— “Come on, people. Cataloging isn’t rocket science. Rocket scientists couldn’t handle it.”*

But nothing was so challenging—or so nerve-wracking—as the two days a week I spent in my own elementary school library with the little people. Very little people. The ones some teachers called, privately, the ankle-biters.

I loved little children, nieces and nephews and such. I would play with them for hours on end. But they came in twos and threes. At the library, little children came in hordes.

Nothing in my formal education had prepared me to be in the same room with themIn all my fifteen years as a librarian, I was never prepared. They always managed to surprise me.

And now, my story for Halloween.

Oh—you must also know the story of Hansel and Gretel. In case you’ve forgotten, here’s Wikipedia’s summary:

Hansel and Gretel are siblings who are abandoned in a forest and fall into the hands of a witch who lives in a bread, cake, and sugar house. The witch, who has cannibalistic intentions, intends to fatten Hansel before eventually eating him. However, Gretel saves her brother by pushing the witch into her own oven, killing her, and escaping with the witch’s treasure.

Okay, to the story.

*

This is the story of Cuthbert, a five-year-old boy
who visited
my school library
for twenty minutes every week.
My job was to teach him about the library.
I’m not sure what his job was.
But he was very good at it.

*

Once upon a time, I read “Hansel and Gretel” to a class of kindergarteners. The audience, sitting rapt at my feet, comprised sixteen exceptionally good listeners, a fact I later regretted.

While I read, Cuthbert sat on the floor beside my chair and stroked my panty-hose-clad shin. Small children find panty-hose fascinating.

When I reached, “And they lived happily ever after,” Cuthbert stopped stroking and tugged on my skirt. I ceded him the floor.

“But it’s a good thing, what the witch did.”

Because he spoke kindergartener-ese and I sometimes didn’t, I thought I had misunderstood. Come again?

“It’s really a good thing, what the witch did.”

I should have slammed the book shut right then, or pulled out the emergency duct tape, or something, anything to change the subject. But I’m not very smart, so I asked Cuthbert to elaborate.

His elaboration went like this:

When the witch prepared the hot oven to cook and then eat Hansel, she was doing a good thing. Because then Hansel would die and go to Heaven to be with God and Jesus.

I smiled a no doubt horrified smile and said something like But But But. While Cuthbert explained even more fully, I analyzed my options.

a) If I said, No, the witch did a bad thing, because it is not nice to cook and eat little boys and girls, then sixteen children would go home and report, Miss Kathy said it’s bad to go to Heaven and be with God and Jesus.

b) If I said, Yes, the witch did a good thing, because cooking and eating little boys and girls ensures their immediate transport Heavenward, then sixteen children would go home and report, Miss Kathy approves of cold-blooded murder and cannibalism. Plus witchcraft. Plus reading a book about a witch, which in our Great State is sometimes considered more damaging than the murder/cannibalism package.

c) Anything I said might be in complete opposition to what Cuthbert’s mother had told him on this topic, and he would report that to her, and then I would get to attend a conference that wouldn’t be nearly so much fun as it sounds.

Note: The last sentence under b) is not to be taken literally. It is sarcasm, and richly deserved. The earlier reference to emergency duct tape is hyperbole. I’ve never duct taped a child.

Well, anyway, I wish I could say the sky opened and a big light bulb appeared above my head and gave me words to clean up this mess. But I don’t remember finding any words at all, at least sensible ones. I think I babbled and stammered until the teacher came to repossess her charges.

I do remember Cuthbert was talking when he left the room. There’s no telling what his classmates took away from that lesson.

If I’d been in my right mind, I might have said something to the effect that God and Jesus don’t like it when witches send people to Heaven before their due date.

But the prospect of talking theology with this independent thinker froze my neural pathways.

And anyway, I was using all my energy to keep from laughing.

*

*I know most people think librarians are educated to do two thing: stamp books and say, “Shhhhhh.” Those people are dead wrong. Someday I shall publish a post—maybe an entire book—upending all the common misconceptions about librarians. It will be a page-turner.

*

This post appeared on Telling the Truth, Mainly, in 2011 and again in 2012. I like to repost around Halloween, because the season cries out for scary stories, and that day with Cuthbert was pretty darned scary. (I’ve never thought of myself as a witch, but some people probably did. And still do.)

The discussion about  fairy tales and religion took place over twenty years ago. I think about it often and feel lucky I’ve never had a nightmare about it. But I remember Cuthbert fondly for giving me both the worst and the best day of my career. He was adorable.

***

M. K. Waller’s short stories appear is several anthologies, the latest of which is Kaye George’s Dark of the Day: Eclipse Stories (Down and Out Press, 2024). Her novella, Stabbed,  was co-written with Manning Wolfe. She also writes as Kathy Waller. Read more about her at kathywaller1.com and follow her on Facebook at https://www.facebook.com/kathy.waller68/

She lives in Austin, Texas.

****

Image by Gordon Johnson from Pixabay

Image by Free Fun Art from Pixabay

Image of “Hansel and Gretel” by Arthur Rackham from Wikipedia

Who Do You Love?

 / AUSTIN MYSTERY WRITERS

Yes, Bo Diddley, https://www.youtube.com/watch?v=e5tSgiB_Tgc but I like the Thorogood version too bit.ly/4gNi38m

I’ve got a secret. So many books I have NOT read. You’d be shocked. No, really. My husband (retired business professor) admires Tolstoy, especially Anna Karenina. He’s read most of Dickens and every word of Moby Dick–several times. When we were dating he bought Baudelaire’s Les Fleurs du Mal (English translation) because he’d seen it on my shelf. He knows I’m hung up on Virginia Woolf; he’s read Three Guineas. He’s read reams of history—shelves and shelves, plus tome after tome on Richard Feynman and everything that’s going on with astronomy and quantum physics. He forges onward, aiming for the stars at the edge of the universe.

I, however, the English major, the mystery writer? I who should have read All The Books? I confess a powerful secret vice: rereading my favorites, particularly Virginia Woolf. Every year, To the Lighthouse sneaks back into my hand. Why? Why not concentrate only on the new novels, the best-sellers?

Because I have to reread that moment in Part III when, years later, after world war and illness have claimed her beloved friend Mrs. Ramsay and so many of the Ramsay family, the spinster Lily Briscoe returns to the Ramsays’ summer home on the Isle of Skye. https://bit.ly/3zHF77w

Out on the lawn, facing the old white house, she sets up again the unfinished oil painting she began all those years earlier—the painting that had posed such a challenge in Part I as her mind reverberated with the repeated mantra from Professor Ramsay’s obnoxious male philosophy student: “Women can’t paint, can’t write.” During the long day, full of changing light on the sea, and repeated interruptions by other characters, Woolf returns us over and over to Lily, staring at her painting, seeing again the remembered shapes of Mrs. Ramsay and her son James all those years ago. And her artistic effort? Here’s the end of the book:

“It would be hung in the attics, she thought; it would be destroyed. But what did that matter? She asked herself, taking up her brush again. She looked at the steps; they were empty; she looked at her canvas; it was blurred. With a sudden intensity, as if she saw it clear for a second, she drew a line there, in the centre. It was done; it was finished. Yes, she thought, laying down her brush in extreme fatigue, I have had my vision.”

Why do I return to that? So much of the book is touching, gripping, and even hilarious, including the thoughts of Professor Ramsay, a philosophy professor who’s both overbearing and insecure. He delights in his own “splendid mind”: “For if thought is like the keyboard of a piano divided into so many notes, or like the alphabet is ranged in twenty-six letters all in order, then his splendid mind had no difficulty in running over those letters one by one, firmly and accurately, until it had reached, say, the letter Q.  …Very few people in the whole of England ever reach Q.” Then he falters. “But after Q? What comes next? After Q there are a number of letters the last of which is scarcely visible to mortal eyes, but glimmers red in the distance.”  He braces himself, clenches himself. “Q he was sure of. Q he could demonstrate. If Q then is Q—R—” Then “he heard people saying—he was a failure—that R was beyond him. He would never reach R.”  

What an image—the alphabet, R glimmering red in the distance, then fading, fading!  And then of course there’s the famous dinner party featuring Mrs. Ramsay’s boeuf en daube. Surely, just reading this, you smell the simmered sauce, the wine, the bay leaf? The thought crossed my mind that if Professor Ramsay had been offered a sip of the Talisker malt whiskey for which Skye is famous, he’d have felt a bit better. https://www.malts.com/en/talisker (The distillery gives a great tour, too.)

But Lily’s painting? This spinster friend of Mrs. Ramsay, with her amateur brushstrokes? The tale of Lily’s painting, her decision and indecision as she holds her brush, grabbed me all those years ago, and refuses to let go. The same question must hit every musician—“Is this the last note? Did that chord resolve properly? Does it make you feel beauty and longing, or does it just hang there, unfinished?”  Every cook: “A pinch of salt? What about some coriander? To garlic or not to garlic?” Every filmmaker: “Do they walk into the sunset? Or fade out? Or kiss?” And every writer? “Is this character real? Is this setting compelling? Does the plot work? And will anyone care?”

Lily’s painting embodies desire to capture memory, resistance, light and color, and more than that. Isn’t it  her experience? A moment of creation, of recapture, of making a line on a canvas and then feeling completion?  She’s had her vision. If you know of another book where we readers feel such a moment of revelation from the frustrating process of creation—let me know.

Oh, don’t get me wrong. My Kindle received today the brand-new Martin Walker (A Grave in the Woods) and I can’t wait. bit.ly/3Xzqawt Like the other women in his (busy) life,  I love to accompany Inspector Bruno, in his fictional Perigord village of St. Denis, partly because of his cooking. Thank you, Martin Walker, for describing the ham hanging from the kitchen ceiling, the cheerful chickens, and the paté with its duck fat on top, waiting in Bruno’s fridge, and the way Bruno sings La Marseillaise to count how long until he must sizzle the foie de gras before he deglazes the pan. I look forward to new recipes and to finding out who’s buried in the woods.

And a sad farewell: I’ve decided to forgive Elly Griffiths for saying goodbye to Ruth Galloway in her last book in that series, The Last Remains, even though I have loved watching Ruth clamber down into a trench to dig up ancient bones in East Anglia. amzn.to/3ZxU5rv I’ve also savored every page of Alan Bradley’s latest (last?) Flavia de Luce – What Time the Sexton’s Spade Doth Rust – as he allows this delightful protagonist to feel herself beginning to grow up—not too much, not too fast, just enough. https://bit.ly/4dla13A 

And I did just finish We Solve Murders, Richard Osman’s first book in a new series. bit.ly/4ezjIwh  Have to confess I found myself missing Joyce, Ibrahim, Ron, Elizabeth and the other characters of his Thursday Murder Club books. My strong belief is I must careabout a mystery protagonist and so far I haven’t completely bought in to his new cadre–though I do like Steve. We’ll see.  I’d be interested in your reactions.

So that’s four new mysteries, just in September. I’m also rereading Virginia Woolf’s The Waves, and finding even more, yes, even more to love about how she brings those characters to vivid life, and how she describes the way we humans think and react to each other.

And out here with the three burros I’m writing the tenth in my Coffee Creek series featuring Alice MacDonald Greer and the gorgeous landscape of the Texas Hill Country, with its pristine (well, so far) bluegreen streams. Water’s for fighting over, right?

But when the going gets tough, you may find me sidling back to the revolving bookcase, on the shelf where Virginia Woolf and all the old faves hang out.

Helen Currie Foster lives and writes north of Dripping Springs, Texas, loosely supervised by three burros. She’s drawn to the compelling landscape and quirky characters of the Texas Hill Country. She’s also deeply curious about our human history and how, uninvited, the past keeps crashing the party. Latest in her award-winning series: Ghost Bones.

Follow her on http://www.facebook.com/helencurriefoster/ and http://www.helencurriefoster.com

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Who Do You Love?

Yes, Bo Diddley, https://www.youtube.com/watch?v=e5tSgiB_Tgc but I like the Thorogood version too bit.ly/4gNi38m

I’ve got a secret. So many books I have NOT read. You’d be shocked. No, really. My husband (retired business professor) admires Tolstoy, especially Anna Karenina. He’s read most of Dickens and every word of Moby Dick–several times. When we were dating he bought Baudelaire’s Les Fleurs du Mal (English translation) because he’d seen it on my shelf. He knows I’m hung up on Virginia Woolf; he’s read Three Guineas. He’s read reams of history—shelves and shelves, plus tome after tome on Richard Feynman and everything that’s going on with astronomy and quantum physics. He forges onward, aiming for the stars at the edge of the universe.

I, however, the English major, the mystery writer? I who should have read All The Books? I confess a powerful secret vice: rereading my favorites, particularly Virginia Woolf. Every year, To the Lighthouse sneaks back into my hand. Why? Why not concentrate only on the new novels, the best-sellers?

Because I have to reread that moment in Part III when, years later, after world war and illness have claimed her beloved friend Mrs. Ramsay and so many of the Ramsay family, the spinster Lily Briscoe returns to the Ramsays’ summer home on the Isle of Skye. https://bit.ly/3zHF77w

Out on the lawn, facing the old white house, she sets up again the unfinished oil painting she began all those years earlier—the painting that had posed such a challenge in Part I as her mind reverberated with the repeated mantra from Professor Ramsay’s obnoxious male philosophy student: “Women can’t paint, can’t write.” During the long day, full of changing light on the sea, and repeated interruptions by other characters, Woolf returns us over and over to Lily, staring at her painting, seeing again the remembered shapes of Mrs. Ramsay and her son James all those years ago. And her artistic effort? Here’s the end of the book:

“It would be hung in the attics, she thought; it would be destroyed. But what did that matter? She asked herself, taking up her brush again. She looked at the steps; they were empty; she looked at her canvas; it was blurred. With a sudden intensity, as if she saw it clear for a second, she drew a line there, in the centre. It was done; it was finished. Yes, she thought, laying down her brush in extreme fatigue, I have had my vision.”

Why do I return to that? So much of the book is touching, gripping, and even hilarious, including the thoughts of Professor Ramsay, a philosophy professor who’s both overbearing and insecure. He delights in his own “splendid mind”: “For if thought is like the keyboard of a piano divided into so many notes, or like the alphabet is ranged in twenty-six letters all in order, then his splendid mind had no difficulty in running over those letters one by one, firmly and accurately, until it had reached, say, the letter Q.  …Very few people in the whole of England ever reach Q.” Then he falters. “But after Q? What comes next? After Q there are a number of letters the last of which is scarcely visible to mortal eyes, but glimmers red in the distance.”  He braces himself, clenches himself. “Q he was sure of. Q he could demonstrate. If Q then is Q—R Then “he heard people saying—he was a failure—that R was beyond him. He would never reach R.”  

What an image—the alphabet, R glimmering red in the distance, then fading, fading!  And then of course there’s the famous dinner party featuring Mrs. Ramsay’s boeuf en daube. Surely, just reading this, you smell the simmered sauce, the wine, the bay leaf? The thought crossed my mind that if Professor Ramsay had been offered a sip of the Talisker malt whiskey for which Skye is famous, he’d have felt a bit better. https://www.malts.com/en/talisker (The distillery gives a great tour, too.)

But Lily’s painting? This spinster friend of Mrs. Ramsay, with her amateur brushstrokes? The tale of Lily’s painting, her decision and indecision as she holds her brush, grabbed me all those years ago, and refuses to let go. The same question must hit every musician—“Is this the last note? Did that chord resolve properly? Does it make you feel beauty and longing, or does it just hang there, unfinished?”  Every cook: “A pinch of salt? What about some coriander? To garlic or not to garlic?” Every filmmaker: “Do they walk into the sunset? Or fade out? Or kiss?” And every writer? “Is this character real? Is this setting compelling? Does the plot work? And will anyone care?”

Lily’s painting embodies desire to capture memory, resistance, light and color, and more than that. Isn’t it  her experience? A moment of creation, of recapture, of making a line on a canvas and then feeling completion?  She’s had her vision. If you know of another book where we readers feel such a moment of revelation from the frustrating process of creation—let me know.

Oh, don’t get me wrong. My Kindle received today the brand-new Martin Walker (A Grave in the Woods) and I can’t wait. bit.ly/3Xzqawt Like the other women in his (busy) life,  I love to accompany Inspector Bruno, in his fictional Perigord village of St. Denis, partly because of his cooking. Thank you, Martin Walker, for describing the ham hanging from the kitchen ceiling, the cheerful chickens, and the paté with its duck fat on top, waiting in Bruno’s fridge, and the way Bruno sings La Marseillaise to count how long until he must sizzle the foie de gras before he deglazes the pan. I look forward to new recipes and to finding out who’s buried in the woods.

And a sad farewell: I’ve decided to forgive Elly Griffiths for saying goodbye to Ruth Galloway in her last book in that series, The Last Remains, even though I have loved watching Ruth clamber down into a trench to dig up ancient bones in East Anglia. amzn.to/3ZxU5rv I’ve also savored every page of Alan Bradley’s latest (last?) Flavia de Luce – What Time the Sexton’s Spade Doth Rust – as he allows this delightful protagonist to feel herself beginning to grow up—not too much, not too fast, just enough. https://bit.ly/4dla13A 

And I did just finish We Solve Murders, Richard Osman’s first book in a new series. bit.ly/4ezjIwh  Have to confess I found myself missing Joyce, Ibrahim, Ron, Elizabeth and the other characters of his Thursday Murder Club books. My strong belief is I must care about a mystery protagonist and so far I haven’t completely bought in to his new cadre–though I do like Steve. We’ll see.  I’d be interested in your reactions.

So that’s four new mysteries, just in September. I’m also rereading Virginia Woolf’s The Waves, and finding even more, yes, even more to love about how she brings those characters to vivid life, and how she describes the way we humans think and react to each other.

And out here with the three burros I’m writing the tenth in my Coffee Creek series featuring Alice MacDonald Greer and the gorgeous landscape of the Texas Hill Country, with its pristine (well, so far) bluegreen streams. Water’s for fighting over, right?

But when the going gets tough, you may find me sidling back to the revolving bookcase, on the shelf where Virginia Woolf and all the old faves hang out.

Helen Currie Foster lives and writes north of Dripping Springs, Texas, loosely supervised by three burros. She’s drawn to the compelling landscape and quirky characters of the Texas Hill Country. She’s also deeply curious about our human history and how, uninvited, the past keeps crashing the party. Latest in her award-winning series: Ghost Bones.

Follow her on http://www.facebook.com/helencurriefoster/ and http://www.helencurriefoster.com

“Everybody Eats Mushrooms.” Some Live to Tell the Tale.

By M. K. Waller

Today’s post comprises two parts–a bit of fiction followed by a bit of fact–linked by a “fleshy, spore-bearing fruiting body of a fungus” and a mystery writer who used it as a murder weapon–and later confessed to something even worse.

I.

The following flash fiction was inspired by a photo prompt on Friday Fictioneers, a weekly writing challenge sponsored by Rochelle Wisoff-Fields.

‘SHROOMS

John ambled into the kitchen. “What’s cooking?”

“Mushroom gravy.” Mary kept stirring.

John frowned. “Toadstools. Fungi. Dorothy Sayers killed someone with Amanita.

“These are morels.” She added salt. “Everybody eats mushrooms.”

“I don’t.”

“Suit yourself.”

He sat down. “Where’d you buy them?”

“I picked them.”

You?

“Aunt Helen helped. She knows ‘shrooms.” Mary held out a spoonful. “Taste.”

“Well . . . ” John tasted. “Mmmm. Seconds?”

“Yoo-hoo.” Aunt Helen bustled in. “See my brand new glasses? Those old ones–yesterday I couldn’t see doodly squat.”

Mary looked at the gravy, then at John. “Maybe you should spit that out.”

II.

The following is a guest post I wrote for Manning Wolfe’s Bullet Books Speed Reads blog. In it, I explain what an author does when she doesn’t have a clue about the subject she’s writing about.

There are many rules for writers. Two of the major ones: Write what you know and Write what you love.

I was pleased that Stabbed, which I co-wrote with Manning Wolfe, was set in Vermont. I love vacationing there: mountains and trees, summer wildflowers and narrow, winding roads, rainstorms and starry nights, white frame churches and village greens.

In Chapter 1, Dr. Blair Cassidy, professor of English, arrives home one dark and stormy night, walks onto her front porch, and trips over the body of her boss, Dr. Justin Capaldi. She locks herself in her car and calls the sheriff. The sheriff arrives and . . .

What happens next? Vermont is a small state. Who takes charge of murder investigations? The sheriff? Or the state police? What do their uniforms look like? Where do major rail lines run? What’s the size of a typical university town? And a typical university? What else had I not noticed while driving through the mountains?

Not knowing the answers, I defaulted to a third rule: Write what you learn. Research. Research. Research. The best mystery authors have been avid researchers.

Agatha Christie, for example, is known for her extensive knowledge of poisons. As a pharmacy technician during World War I, she did most of her research on the job before she became a novelist. Later she dispatched victims with arsenic, strychnine, cyanide, digitalis, belladonna, morphine, phosphorus, veronal (sleeping pills), hemlock, and ricin (never before used in a murder mystery). In The Pale Horse, she used the less commonly known thallium. Christie’s accurate treatment of strychnine was mentioned in a review in the Pharmaceutical Journal.

Francis Iles’ use of a bacterium was integral to the plot in Malice Aforethought. His character, Dr. Bickleigh, serves guests sandwiches of meat paste laced with Clostridium botulinum and waits for them to develop botulism. If Dr. Bickleigh had known as much about poisons as his creator did, he wouldn’t have been so surprised when his best-laid plans went, as Robert Burns might have said, agley.

Among modern authors, P.D. James is known for accuracy. Colleague Ruth Rendell said that James “always took enormous pains to be accurate and research her work with the greatest attention.” Before setting Devices and Desires near a nuclear power station, she visited power plants in England; she even wore a protective suit to stand over a nuclear reactor. Like Christie, James used information acquired on the job—she wrote her early works during her nineteen years with the National Health Service—for mysteries set in hospitals.

Most authors don’t go as far as to stand over nuclear reactors to be sure they get it right, but even the simplest research can be time-consuming.

And no matter how hard they strive for accuracy, even the most meticulous researchers sometimes make errors.

Dorothy L. Sayers was as careful in her fiction as she was in her scholarly writing. But she confessed in a magazine article that The Documents in the Case contained a “first-class howler”: A character dies from eating the mushroom Amanita muscaria, which contains the toxin muscarine. Describing the chemical properties of muscarine, Sayers said it can twist a ray of polarized light. But only the synthetic form can do that—the poison contained in the mushroom can’t.

Considering Sayers’ body of work, this one “howler” seems a very small sin, and quite forgivable.

Most readers, however, don’t forgive big mistakes, and reputable writers don’t expect them to. Thorough research is a mark of respect for readers.

Sometimes, getting the facts straight in fiction has real-life consequences the author can’t predict. Christie’s The Pale Horse is credited with saving two lives: In one case, a reader recognized the symptoms of thallium poisoning Christie had described and saved a woman whose husband was slowly poisoning her; in a second, a nurse who’d read the book diagnosed thallium poisoning in an infant. The novel is also credited with the apprehension of one would-be poisoner.

Back to Stabbed—Well, we don’t expect it to save lives or help catch criminals. But doing my due diligence and reading up on Vermont’s railways, demographics, and criminal procedure set the novella on a sound factual footing.

Unlike Christie, Iles, and Sayers, however, I didn’t have to expend too much effort learning about how the murder weapon worked. One look at the book’s title and–well, d’oh–no research needed.

***

Learn more about Friday Fictioneers at Rochelle Wisoff-Fields’ blog and on their Facebook page.

***

M. K. Waller (Kathy) is a former teacher, former librarian, former paralegal, and former pianist at various small churches desperate for someone who could find middle C.

She writes crime fiction, literary fiction, humor, memoir, and whatever else comes to mind.

She grew up in Fentress,  population ~ 150 in 1960, on the San Marcos River in Central Texas, the Blackland Prairie, and memories of the time and the place inform much of her fiction.

Except for the part about murders. Fentress didn’t have any murders. At least any that people talked about.

She now lives in Austin.

Serendipitous Surprises

I wasn’t going to discuss the dreadful heat. But early this morning came two despite-the-heat surprises: first, moonset of the August Supermoon.

Next, a tiny frog, less than an inch long, sitting quietly in the shade. Could it be a Texas cricket frog? Maybe some frog-maven will know. Can you spot it here?

Another treasure: an email from a reader who’d read Ghost Cave, first book in my Alice MacDonald Greer Mystery series, and wanted the recipe for the coffee cake served by Alice’s redoubtable elderly friend Ilka:

They settled at the tea table. Ilka poured. Bone china, thin and old, the glaze crazed. Like Ilka’s face and hands, thought Alice. The cake stand held something Alice had never seen—a pale smooth yeasty-smelling cake with thin cinnamon topping…

“Oh, goodness, Ilka,” said Alice. “What is that?” The yeast dough, ivory and fragrant, left a mysterious fragrance in the air.

“Cardamom,” said Ilka.

Yikes! I had to tell her I had no recipe! Only—a memory! As kids we were in awe of our neighbor Mrs. Slinn, up the street. She wore her hair pulled back in a bun and longish dresses and, I think, always an apron. When we scruffy little children approached her door she always offered cookies. (We still roll out her classic “teacake” sugar cookie dough to make Santas, snowmen, reindeer.)But occasionally Mrs. Slinn swept down the street to our kitchen bringing magic: a round yeast coffee cake, no taller than 3 inches in the middle, ivory-gold with a delicate sprinkle of cinnamon and sugar on top. It tasted amazing and when cut into small wedges was absolutely delicious…

To this memory, in Ghost Cave, I’d added cardamom—not a spice we knew when I was little. But where to find a recipe for the inquiring reader?

FROM THE READER HERSELF! She wrote back that she’d located cookbooks from Mason County, Texas (dated 1976), and Fredericksburg (12th edition–Fredericksburg cooks published their first cookbook in 1916!). Each included a recipe for “yeast coffee cake.” (The Fredericksburg recipes include the original names—like Apfelkuchen, Schnecken, Kolatschen.) Which is further proof that mystery readers themselves are bright, curious sleuths. And why hearing from readers is wonderful.

Below you’ll find a slightly modified recipe from the excerpts she sent, but with a little cardamom added.

At a recent book talk I called the relationship between mystery reader and mystery writer a collaboration. Indeed, a primary rule of the 1930 Detection Club in London was that any clue must be instantly produced for the reader. No holding back explanations or back story until the end of the book! Of course that rule was sometimes violated (yes, Madam Christie, we’re talking about you). In contrast, Christie’s contemporary, the New Zealander Ngaio Marsh, occasionally adds some colorful backstory at the end, but she also generally has already given the reader fair notice of the clues that will identify the murderer.

In her series featuring the elegant Scotland Yard sleuth Roderick Alleyn, Marsh typically begins with the setting—often provided by a variety of characters––of the site where murder will inevitably take place, either in England or New Zealand. The setting could be an artist’s colony (“Colour Scheme”), a tour boat on an English river, a village church hall, a pub, an elegant country house (“Dancing Footman”), the London apartment of a practically bankrupt upper-class family (no one seems to have a job) (“Surfeit of Lampreys”). Thus when we open a Marsh mystery, first we meet the potential suspects, including one we may hope is innocent, may hope is truthful. Then comes a seriously tricky murder. (Did someone disturb the fly rod on the wall? Why?) At that point Inspector Alleyn arrives, with his sidekick Fox and the crime scene specialists. For the competitive mystery reader—collaborating with the author to detect the murderer––each detail matters and is promptly disclosed. But who lied? Who was mistaken?

Rest assured Marsh knew her subject matter and her settings: she was an artist, an actor and a theatre director as well as a writer. She lived and worked in England as well as New Zealand. She was appointed Dame Commander of the British Empire in 1966. The Mystery Writers of America bestowed the Grand Master Award for her lifetime achievement as a mystery novelist. https://en.wikipedia.org/wiki/Ngaio_Marsh  I suspect her character Agatha Troy (an artist who finally marries Alleyn) may be in part a portrait of Marsh.

And Marsh received a birthday Google Doodle on April 23, 2015! https://doodles.google/doodle/ngaio-marshs-122nd-birthday/

Marsh’s first book came out in 1934, featuring Alleyn as the upper-class “grandee” who resigned from the foreign service to join Scotland Yard. A different sort of sleuth was emerging in the U.S. In 1930 Dashiell Hammett published The Maltese Falcon and we met Sam Spade. In 1933 Raymond Chandler, like Hammett, was already publishing in The Black Mask magazine, and in 1939 he published The Big Sleep, presenting Philip Marlowe. Decades later the mystery genre continues to grow and grow:  Noir! Culinary mysteries! Cozies! Mysteries narrated by dogs! (Spencer Quinn’s Chet and Bernie series.) Cowboy mysteries! Fantasy/sci-fi/mystery! Sleuths in Laos, China, Australia, Scandinavia, Russia, Alaska, Louisiana, national parks, Native American reservations. Edinburgh! The Shetlands! Botswana! Canada! Italy! France! Israel! Scandinavia! Legal thrillers! Spy thrillers! What a wealth of mysteries for us to enjoy.

And what about the Texas Hill Country? In her latest adventure, Ghost Bones, lawyer Alice MacDonald Greer grapples with the murder of a deeply respected judge. His death was apparently triggered by his efforts to solve the murders of six people on his property almost two centuries ago. Alice needs all the help she can get from her irrepressible assistant, Silla, and from Ben Kinsear, as she tangles with mystery, legal drama, and matters of the heart.  Finally–please let me know if you recognize that little froglet!

Helen Currie Foster lives and writes the Alice MacDonald Greer Mystery series north of Dripping Springs, Texas, loosely supervised by three burros. She’s drawn to the compelling landscape and quirky characters of the Texas Hill Country. She’s also deeply curious about our human history and prehistory, and how, uninvited, the past keeps crashing the party. Follow her at www.helen.currie.foster.com.

Nearly Mrs. Slinn’s Coffee Cake:

3/8 c. milk, 2 Tbls. sugar, ½ tsp. salt, ¼ cup butter, 1 egg, beaten, 2 tsp. dry yeast, 1 ½ Tbls. warm water, 1 tsp. ground cardamom, 1 ¾ c flour–Plus additional melted butter (about 2 Tbls.) and sugar/cinnamon mixture (1 tsp cinnamon to 1/ c sugar) for the topping.

Scald milk and pour over the butter, salt and sugar. Stir and let stand until lukewarm. Dissolve yeast in warm water for 5 minutes. Stir egg and yeast mixture into milk mixture.  Stir in 1 tsp cardamom and 1 cup of flour. Beat well. Continue adding remaining flour.  Put dough on lightly floured board and knead until smooth (add a bit more flour if too sticky). Place in greased bowl, cover, and let double in size. Then punch down.

Butter bottom and sides of round 8” pan. Put parchment paper in the bottom.  Pat in dough. Brush with melted butter and sprinkle on the sugar/cinnamon mixture. Let rise again until double in size. Bake at 350 for about 20 minutes or until just turning golden.   Let cool. Serve it forth!

COOKIES, MYSTERIES AND MORE COOKIES

by Francine Paino, a.k.a. F. Della Notte

Cookies. Who doesn’t love them?  Far and away, the American favorite is the Chocolate Chip cookie, a creation of the Wakefields of Massachusetts. (More on that later).  Over 53% of American adults prefer Chocolate Chip to other varieties.  But the most popular cookie worldwide, sold in over 100 countries… drum roll, please, is Oreo!  

The popularity of these cookies made me wonder what other fun facts I could find to entertain and inform, so I set out to investigate the origins of these sweet delights. Did you know Oreo is considered the number one copycat cookie? Two brothers, Joseph and Jacob Loose, battled for dominance over the Oreo. It was first produced by Hydrox. (Remember them? Or have I dated myself?) Then, it was baked and sold by the National Biscuit Company, now known as Na-Bis-Co.  See the link below for more information on the Battle of the Oreo.

With this in mind, one might imagine that the earliest origin of cookies began in a Western European country, perhaps in Great Britain, Ireland, or Scotland. It may have begun in one of the Romance Countries. The first was Italy, followed by France and Spain. In fact, the biggest surprise of all is that the cookie dates back to Persia, in the 7th century C.E.

It all began around 550 B.C.E. in the Persian Empire, conquered many times and most famously by Alexander the Great, who defeated Darius III. These luxurious little cakes were well-known, and as Persia evolved into a diverse nation in the Islamic world, its culture spread.  Sugar, which originated in the lowlands of S.E. Asia, was brought to Persia and cultivated there. It then spread through the eastern Mediterranean and into Europe, and bakers created beautiful cakes and pastries—for the wealthy, of course.

 After the Muslim invasion of Iberia in the 8th century, followed by the Crusades and the developing spice trade, cooking techniques and ingredients began to reflect different civilizations, especially the influence of Arabian cuisine. In fact, one of the most treasured desserts of Italy, the Cannoli originated in Sicily and reflected Arabic recipes – but back to the cookie.

According to culinary historians, the cookie’s origin had a more serious purpose. It was, in fact, a test cake. Small amounts of cake batters were dropped onto baking pans to test the temperatures of the ovens. These little cakes were the first crude thermostats used to determine when the fires, fueled by burning wood, were at the correct heat to cook without wrecking the food, and each region or nation developed its own little cakes for this purpose. Eventually, these little test cakes morphed into the dry, hard-textured cookies we know today, and the renaming of these little cakes first appeared in print in the early 18th century.  

Eventually, the cookie came to America via the British Empire, where they were and still are called biscuits. After the Revolutionary War, the newly minted Americans changed the name to further separate themselves from Great Britain. They chose the Dutch variation Koekje/koek, which evolved into the word cookie, but it wasn’t until 1924 that the most beloved of all American cookies was created: the Chocolate Chip.

Ruth Graves Wakefield, before marrying, was a graduate of the Framingham State Normal School Department of Household Arts (at that time not considered a slur or degradation of women). She worked as a dietician and lectured on food. In 1930 Ruth and hubby Kenneth purchased a Cape-Cod style inn, The Toll House, in Massachusetts. Constructed in 1709, the house was a stop-over for travelers in Colonial times where they paid their road toll, changed horses, and dined. Under the Wakefield’s ownership, the Toll House served traditional Colonial fare, and Ruth’s homemade desserts were quite popular. One day, in 1937, she discovered she didn’t have the baker’s chocolate required for her brown sugar cookies. Instead, she chopped a bar of Nestle’s Semi-Sweet Chocolate into tiny pieces, believing that adding them to the dough and baking would melt them, but the chocolate held its shape and softened to a creamy texture. The new cookie became very popular at the inn, and Ruth’s recipe was published in newspapers throughout New England, skyrocketing the sale of Nestle’s Semi-Sweet Chocolate Bars. Thus was born the Chocolate Chip Cookie. And there you have the basics of the origin of cookies. But what you might ask, has this to do with mysteries besides the secrets of various bakers and recipes?

Cookies, I have found, are not only popular desserts and treats; they play an essential and often intriguing role in many culinary mysteries, especially the cozies.  I logged onto Goodreads and searched mystery books with the word cookie in the title. I was intrigued to find 18+ pages, 20 titles to a page, representing approximately 360  books, excluding cookbooks and children’s books. And that was only on Goodreads. Some of the titles I found brought a smile to my face. In the interests of full disclosure, I haven’t read any of them, but among my favorite titles were A Tale of Two Cookies, And Then There Were Crumbs, Misfortune Cookie, Tough Cookie, and Murder of a Smart Cookie.  

Many authors of cozies and some traditional mysteries weave the art of cooking and baking into their stories. In the Housekeeper Mystery Series, set primarily in Austin, Texas, Mrs. B., a fine cook, keeps the priests of St. Francis de Sales supplied with her home-baked Italian Lemon Drop Cookies (Anginetti), while she and the pastor, Father Melvyn, help solve crimes and find answers.  For cookie enthusiasts, I’m happy to share my favorite Lemon Drop Cookie recipe. See the link below.  

Meanwhile, happy munching and happy reading.   

http://www.thenibble.com/reviews/main/cookies/cookies2/cookie-history2.asp

https://www.cbc.ca/radio/undertheinfluence/the-best-selling-cookie-in-the-world-is-a-copycat-brand-1.7080582#:~:text=Oreo%20was%20priced%20cheaper%2C%20and,Joseph%20had%20the%20bigger%20company.

https://cookingwithgracedotnet.wordpress.com/2013/09/21/anginetti-italian-lemon-drop-cookies/

THE MAGIC OF SUMMER AND HERBS

Francine Paino, a.k.a. F. Della Notte

The long, dreamy days of summer are upon us – some places hotter than others, but summer all the same.  Along with daylight for twelve-plus hours to enjoy beaches, sand, and vacations from work and school, we are blessed with a profusion of herbs to flavor our food and our lives.

In archeology, evidence indicates the use of medicinal plants dates back to the Paleolithic age, approximately 60,000 years ago, and written information dates 5,000 years to the Sumerians, who compiled lists of plants and uses. It is no wonder that herbs flavor our foods and, through the centuries, has been used in medicines, and magic spells. Most people associate herbs in witchcraft with poisons, but even the herbs most commonly used in cooking have fun lore surrounding them, and summer is when we enjoy them in abundance and freshly picked.

There’s nothing sweeter than a bright, lush Basil plant. Its leafy growth gives off an aroma that is slightly sweet, clove-like, and peppery. It’s also described as giving hints of mint and anise. Basil is one of the few herbs that can be enjoyed raw. One of my favorites is the Caprese Salad, where its peppery flavor enhances sliced tomato, mozzarella, and olive oil. 

Basil has far-reaching, ancient folklore. With over 5,000 different varieties, ranging from Thai to Genovese, Basil is one of the most popular herbs in the world. In Hinduism, it is considered sacred. In India, it’s also regarded as holy and used to ward off evil. In Ancient Egypt, Basil was used in the mummification process because of its antibacterial properties. It didn’t, however, protect Lord Carnarvon.

Other than culinary and religious books, I haven’t found any fun fiction involving Basil in stories, other than Basil, the Great Mouse Detective. The same goes for what’s become known as the “pizza herb.”  

Oregano has a piney, peppery, sharp flavor with menthol and lemon undertones. Depending on the conditions in which it’s grown, it can have a warm, slightly sour, and spicy taste, and it lends its flavors to meats and sauces. Personally, this cook favors the Greek Oregano over the Italian—believe it or not!

It is reported that Oregano has been used in magic spells, and brings good fortune and protection. Some believe that growing Oregano near your home can protect you from evil.  Kept near you while sleeping, it may aid in visions and psychic dreams.  – I’ll pass on that one.

In herbal lore, Oregano is said to promote good fortune and was used as an antidote to poisons, treating convulsions and skin irritations. “In Shakespearian time, it was thought to cure overdoses of opium and hemlock.”  Whether or not any of that is true, herbalists still recommend it for its antibacterial properties.

Have you ever munched on Parsley? Try it sometime. Fresh and clean, it’s a good palate cleanser. It’s uplifting, chopped into soups, stews, and sauces, from Tabbouleh to Gremolata. I particularly enjoy its piney taste mixed with ricotta cheese prepared for lasagna. High in vitamins C, A, and K, iron, and folic acid, it has incredible health benefits on the spectrum of ancient uses.

In the spirit world, sprinkling chopped Parsley over your food would  help protect you from low-level spirits. Here’s an exciting find. “Ancient Greeks associated Parsley with Achromous, the Herald of Death, and covered their tombs with wreaths of it.” “Superstition held that only pregnant women or witches could grow Parsley.” Happily, that cultural restriction is long gone. You will find uses for Parsley in any cookbook, from domestic to foreign recipes, and Tamar Myers’s Parsley, Sage, Rosemary and Crime series may entertain you.  

Among my favorite herbs is Rosemary. This herb, with its woodsy flavor and subtle tones of pepper, lemon, and mint, is powerful, both in cooking and in magic. Adding a little is more than enough to enhance the flavors of chicken and roasts. Rosemary’s scent is described as pungent, astringent, somewhat similar to Eucalyptus or camphor. I liken it to pine.

Ancient uses and beliefs were that it strengthened memory. In literature and folklore it was a sign of remembrance and faithfulness. The power of Rosemary doesn’t stop in the cooking pots.

In fiction, it is mentioned in the movie Practical Magic—“plant it outside your front door for good luck.” Hang bundles to keep harmful people, like burglars, from entering. I have Rosemary beside my front door walkway and outside my kitchen door, but I don’t suppose I can leave either door unlocked.

In literature, Rosemary is a popular name, and there is the Jane Louise Curry mystery series, Parsley, Sage, Rosemary, and Thyme. Moving along, the next herb to season our foods and entertain us is Sage.

Stroking the soft, furry Sage leaf reminds me of stroking my cat’s soft, shiny fur. Sage doesn’t smell like any animal I’ve ever petted. It’s complex and multi-layered, with both herbal and earthy notes. Described as warm and woody, it hints of camphor and eucalyptus. I find Sage is especially effective in brightening the flavors of gamey, earthy meats like lamb.

“Sage was recognized as an herbal remedy in ancient Greece and Rome, as well as in Native American and Chinese medicine.” According to the Naturally Modern Witch’s website, Sage impacts balance, business clairvoyance, comfort, concentration, focus, consciousness, gratitude, harmony, insights, mental clarity, money, and wisdom.  That’s a lot of power for one leaf!

I’ve found Sage mentioned in fiction on a list of cozy mystery and witchy books.  Again, we can look to the Amish Mystery Series by Tamar Myers to find Sage referenced in multiple roles.

Thyme. The smell of spring. I have a large pot growing  a verdant Thyme planted outside my kitchen door. One of my pleasures is to cut a bouquet and before storing it in the fridge or freezer, bury my nose in it and inhale its beautiful, fresh, floral scent with hints of Rosemary, lemon, and grass. Close your eyes and breathe in its scent on dark, dreary days, and you’re transported to a summer field with clear blue skies and crisp air. I am happy to report that this morning I opened a plastic bag of Thyme in my veggie compartment, and the fragrance is almost as strong as when I cut it weeks ago.

Thyme’s medicinal properties have been relied upon for thousands of years. In ancient Egypt, its antimicrobial properties made it essential in embalming. The Romans thought it brought strength and courage and used it in bathhouses to purify body and mind. It was relied upon in ancient Greece for its antiseptic powers and was often used to treat battle wounds.

Thyme has a strong herbal flavor, somewhat like lavender or Rosemary, and gives dishes a minty flavor—a little sweet and a little peppery. Its flavoring works for all types of meats and fish, and it’s great in vegetable soups, and stocks. . It can withstand long cooking times, so it can be added early to infuse dishes with its flavor Another interesting fact is that Thyme is often used in Cajun and Creole cooking, because it was easily available to the earliest settlers in Louisiana, who incorporated it into their cooking.

I’ve found a new fun book, with Thyme. Susan Wittig Albert’s mystery, Thyme of Death. It takes place in a small Texas town where an attorney leaves his law practice to open an herb shop and becomes involved in the first China Bayles Mystery.

All of these fascinating stories and facts about herbs are fun, but the true magic of herbs, even beyond the ones I’ve mentioned, is while often described with the same adjectives once they’re added to food, they add layers of flavors to any dish and are easily distinguishable.

So, happy summer, happy reading, and happy eating herb-infused foods.

References:
https://universalium.en-academic.com/188866/Rosemary
https://bronchostop.com/our-herbal-ingredients/what-is-sage.html
https://hort.extension.wisc.edu/articles/parsley-petroselinum-crispum/
https://foodprint.org/real-food/rosemary-and-thyme/#:~:text=According%20to%20%E2%80%9CThe%20Spice%20Lover’s,settlement%20of%20the%20Louisiana%20territory.

Prunus Serotina

My Grandfather’s Cherry Tree

By Francine Paino, AKA F. Della Notte

A 2010 study published in The American Journal of Psychology found that “memories associated with smells were not necessarily more accurate, but tended to be emotionally more evocative.” How true!

From my office window in Austin, Texas, I look at the magnolia blossoms on the tree in front of my house. Pretty and pink, the blossoms are at the top of the tree. Too high up for me to reach and cut, I still enjoy their lovely fragrance when they fall to the ground. And that scent transports me 1,500 miles northeast and more than half a century past, with images of my grandfather’s cherry tree—a key to the portal unlocking memories of my life in an immigrant community.  

My grandfather’s cherry tree didn’t grow, surrounded by green hills and grass. It grew in a crowded Italian ghetto: a city within a city. Corona, New York. Here, cement sidewalks and concrete streets only allowed for narrow curb strips of weeds in front of houses, separated by narrow alleys. Few residences had any space to speak of; my  grandfather’s house was one.

Now, when I remember and look at pictures, I wonder how he dealt with the adjustment going from the grinding poverty of Sassano, Italy, surrounded by gently rolling hills, farms, trees, and greenery, to a somewhat better existence but encased in hard, cold, and grey surfaces. It’s a question I never did ask. I suppose his poverty-stricken but agrarian roots wouldn’t allow his small piece of the stark, utilitarian landscape to remain solid pavements of grey without a trace of nature. But back to the Cherry Tree.  

Planted in a small patch of dirt in his yard, surrounded by cement, my grandfather’s cherry tree grew straight and tall. Its round trunk was encased in bark that looked so dark it could have been black. It gave off a sweet fragrance in early June, only perceptible in the early mornings before the smells of car exhaust, trash, vent fumes, and the brick, mortar, and wood from the close-together homes crowded it out. Once spring arrived, windows were kept open, and the aroma of cooking wafted out, joining the profusion of smells that swept the neighborhood. As sweet as the tree’s fragrance was, its fruit was mainly sour and enjoyed by the birds more than the family.

According to the charts, cherry trees in the northeast had and still have edible fruits by the third week of June, and I recall birds pecking at them and dropping some of the ripened cherries into the cement yard. My grandmother would sweep them up fast, lest they get under our shoes and dirty her faded but clean linoleum floor. However, the cherry tree’s memories do not stop there. Like tendrils on a vine, places, events, and smells latch on to the Prunus Serotina.

In New York City, public schools in the 1950s were let out by the middle of June. That meant I could help my grandfather tend his little farm two blocks from the house, nestled between dilapidated houses on either side of the property and protected by an eight-foot tall chain link fence that ran the perimeter of the entire lot. The land in his little enclosure always smelled earthy. He’d fertilized it before the planting began. There were rows of corn, cabbage, zucchini, and Swiss Chard. There was an area dedicated to lettuce. The corn always had a slightly sweet and earthy odor. I have no recollection of smelling the growing cabbages or zucchini. Still, when I sauté garlic, I often recall Grandmother doing the same, then frying thick slices of zucchini and smothering them in a rich marinara sauce to finish cooking.

Perhaps my favorite olfactory memory is the fragrances from the herb garden. The lemony aroma of thyme is still one of my favorites, as are the peppery scent of oregano and the sweet, refreshing smell of basil. My grandfather would smile when he handed me a full bouquet of basil. Maybe he already knew the beneficial effects of basil when I’d bury my nose in it and breathe deep before walking back the three crowded city streets to the house with the cherry tree.

As a child raised in this hybrid environment, half city life, half farm life, I took these scents for granted. Didn’t everyone have them?

I’m amazed about how much smell has gained scientific support for its impact on different areas of life, besides memories of days gone by. Scientists at Brown University looked at 18 studies about aromachology. They found that smelling lavender can indeed relax you, make you less stressed, and even help you awaken more rested. Researchers examined studies about other scents like rosemary, peppermint, and orange. They propose that rosemary may help you sleep better, improve memory, and help with hair growth. Peppermint might boost physical performance, and the smell of oranges can reduce anxiety and help you feel more content or happier. Of course, more research is needed, If nothing else, taking the time to enjoy the fragrances is already a step in slowing down and smelling the roses – in this case the aromatic plants.   

When discussing memory stimulants and other benefits of scents, coffee, while not an herb, cannot be left out of the conversation. Scientists would have us smell the coffee to wake up, reporting that the aroma alone of my preferred caffeine brew would awaken us. That can work, but I’ll continue drinking the coffee after its perfume fills my kitchen. Then I’ll smell everything else.

Enjoy!

https://www.bridgeportct.gov/news/whats-smell-it-might-improve-your-memory#:~:text=The%20researchers%20also%20looked%20at,push%2Dups%20or%20running%20faster.

https://www.brownalumnimagazine.com/articles/2008-03-26/scents-sensibility

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5198031/

https://www.healthline.com/nutrition/rosemary-oil-benefits

https://www.livescience.com/2614-whiff-coffee-wake.html

A Mind Unhinged

 

Posted by Kathy Waller

So you start writing your post about the incomparable Josephine Tey’s mystery novels two weeks before it’s due but don’t finish, and then you forget, and a colleague reminds you, but the piece refuses to come together, and the day it’s due, it’s still an embarrassment, and the next day it’s not much better, and you decide, Oh heck, at this point what’s one more day? and you go to bed,

and in the middle of the night you wake to find twenty pounds of cat using you as a mattress, and you know you might as well surrender, because getting him off is like moving Jello with your bare hands,

Elisabet Ney: Lady Macbeth, Detail

Elisabet Ney: Lady Macbeth, Detail (Photo credit: Wikipedia) Attribution: Ingrid Fisch at the German language Wikipedia.  GNU_Free_Documentation_License

so you lie there staring at what would be the ceiling if you could see it, and you think, Macbeth doth murder sleep…. Macbeth shall sleep no more,

and then you think about Louisa May Alcott writing, She is too fond of books, and it has turned her brain,

and you realize your own brain has not only turned, but has possibly come completely unhinged.

And you can’t get back to sleep, so you lie there thinking, Books, books, books. Strings and strings of words, words, words. Why do we write them, why do we read them? What are they all for?

And you remember when you were two years old, and you parroted, from memory, because you’d heard it so many times,

The owl and the pussycat went to sea in a beautiful pea green boat,

because happiness was rhythm and rime.

And when you were five and your playmate didn’t want to hear you read “Angus and the Cat,” and you made her sit still and listen anyway.

And when you were sixteen and so happy all you could think was, O world, I cannot hold thee close enough!, and you didn’t know who wrote it but you remembered the line from a Kathy Martin book you got for Christmas when you were ten.

And when you were tramping along down by the river and a narrow fellow in the grass slithered by too close, and you felt a tighter breathing, and zero at the bone.

And when you woke early to a rosy-fingered dawn and thought

By Dana Ross Martin, (CC BY-NC-ND 2.0), via flickr

By Dana Ross Martin, (CC BY-NC-ND 2.0)

I’ll tell you how the sun rose,
A ribbon at a time,
The steeples swam in Amethyst
The news, like Squirrels, ran –
The Hills untied their Bonnets –

And when you saw cruelty and injustice, and you remembered, Perfect love casts out fear, and knew fear rather than hate is the source of inhumanity, and love, the cure.

And when your father died unexpectedly, and you foresaw new responsibilities, and you remembered,

We never know how high we are
Till we are called to rise.

And when your mother died, and you thought,

Oh, if instead she’d left to me
The thing she took into the grave!-
That courage like a rock, which she
Has no more need of, and I have.

Fentress United Methodist Church. © Kathy Waller

Fentress United Methodist Church. © Kathy Waller

And at church the day after your father’s funeral, when your cousins, who were officially middle-aged and should have known how to behave, sat on the front row and dropped a hymnbook, and something stuck you in the side and you realized that when you mended a seam in your dress that morning you left the needle just hanging there and you were in danger of being punctured at every move, and somehow everything the minister said struck you as funny, and the whole family chose to displace stress by laughing throughout the service, and you were grateful for Mark Twain’s observations that

Laughter which cannot be suppressed is catching. Sooner or later it washes away our defences, and undermines our dignity, and we join in it … we have to join in, there is no help for it,

and that, 

Against the assault of Laughter nothing can stand.

And when you fell in love and married and said with the poet, My beloved is mine and I am his.

And when, before you walked down the aisle, you handed a bridesmaid a slip of paper on which you’d written, Fourscooooorrrrrrre…, so that while you said, “I do,” she would be thinking of Mayor Shinn’s repeated attempts to recite the Gettysburg Address at River City’s July 4th celebration, and would be trying so hard not to laugh that she would forget to cry.

And when your friend died before you were ready and left an unimaginable void, and life was unfair, and you remembered that nine-year-old Leslie fell and died trying to reach the imaginary kingdom of Terabithia, and left Jess to grieve but also to pass on the love she’d shown him.

And when the doctor said you have an illness and the outlook isn’t good, and you thought of Dr. Bernie Siegal’s writing, Do not accept that you must die in three weeks or six months because someone’s statistics say you will… Individuals are not statistics, but you also remembered what Hamlet says to Horatio just before his duel with Laertes,

There’s a special providence in the fall of a sparrow. If it be now, ’tis not to come. If it be not to come, it will be now. If it be not now, yet it will come—the readiness is all.

And by the time you’ve thought all that, you’ve come back to what you knew all along, that books exist for pleasure, for joy, for consolation and comfort, for courage, for showing us that others have been here before, have seen what we see, felt what we feel, shared needs and wants and dreams we think belong only to us, that

Photograph of Helen Keller at age 8 with her t...

Photograph of Helen Keller at age 8 with her tutor Anne Sullivan on vacation in Brewster, Cape Cod, Massachusetts (Photo credit: Wikipedia)

everything the earth is full of… everything on it that’s ours for a wink and it’s gone, and what we are on it, the—light we bring to it and leave behind in—words, why, you can see five thousand years back in a light of words, everything we feel, think, know—and share, in words, so not a soul is in darkness, or done with, even in the grave.

And about the time you have settled the question to your satisfaction, the twenty pounds of Jello slides off, and you turn over, and he stretches out and leans so firmly against your back that you end up wedged between him and your husband, who is now clinging to the edge of  the bed, as sound asleep as the Jello is, and as you’re considering your options, you think,

The Owl and the Pussy-cat went to sea
   In a beautiful pea-green boat,
They took some honey, and plenty of money,
   Wrapped up in a five-pound note.
The Owl looked up to the stars above,
   And sang to a small guitar…

and by the time the Pussycat and the Elegant Fowl have been married by the Turkey who lives on the hill, and have eaten their wedding breakfast with a runcible spoon, and are dancing by the light of the moon, the moon, you’ve decided that a turned brain has its advantages, and that re-hinging will never be an option.

***

20 pounds of cat. © Kathy Waller

20 pounds of cat. © Kathy Waller

***

Sources:

http://nfs.sparknotes.com/macbeth/page_58.html
https://www.goodreads.com/author/quotes/1315.Louisa_May_Alcott
http://www.poetryfoundation.org/poem/171941
http://www.vintagechildrensbooksmykidloves.com/2009/06/angus-and-cat.html
http://www.poetryfoundation.org/poem/182477
https://en.wikipedia.org/wiki/Epithets_in_Homer
http://biblehub.com/1_john/4-18.htm
http://writersalmanac.publicradio.org/index.php?date=2002/10/15
http://www.twainquotes.com/Laughter.html
http://biblehub.com/songs/2-16.htm
https://en.wikipedia.org/wiki/The_Music_Man_(1962_film)
https://en.wikipedia.org/wiki/Bridge_to_Terabithia_(novel)
http://www.shareguide.com/Siegel.html
http://nfs.sparknotes.com/hamlet/page_320.html
http://www.shorewood.k12.wi.us/page.cfm?p=3642

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“A Mind Unhinged” appeared on Austin Mystery Writers on February 25, 2016.

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Kathy Waller [M. K. Waller] writes crime fiction, literary fiction, humor, memoir, and whatever else comes to mind. Her latest story, “Mine Eyes Dazzle,” which appears in Dark of the Day, was mentioned by Robert Lopresti as “The best mystery story I read this week” (Little Big Crimes, May 12, 2024).

Other short stories appear in anthologies: the Silver Falchion Award winner Murder on Wheels, Lone Star Lawless, and Day of the Dark, as well as online. She is co-author, with Manning Wolfe, of the novella STABBED,

Memories of growing up in a small town on the San Marcos River in Central Texas, and life in a large extended family, inspire much of her work. She now lives in Austin.

She blogs at Telling the Truth–Mainly. Find her on Facebook and on Amazon.

Closely Observed

by Helen Currie Foster

When you read a passage and experience words that strikes home forcefully–so forcefully that you almost gasp–what did the writer do that moved you so?

I’m collecting examples. For my husband it’s John Steinbeck’s tide pool in Cannery Row:

“…When the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals…Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock…”

I’ve never seen a Monterey tide pool. Yet Steinbeck made me feel I have. I want to sit at the edge of the tide pool, hear “the snapping shrimps with their trigger claws pop loudly” and see the “black eels poke their heads out of crevices and wait for prey.”

Why? Steinbeck’s description is so closely observed…it’s as if my own eyes and ears saw and heard.

What about food? Proust’s memory of a madeleine crumb dipped in his aunt’s tea didn’t initially resonate with me (a madeleine seemed too bland; I would’ve preferred a buttery, crunchy, tender croissant!)–until I read his analysis.

When Proust discovered that his second and third bites of the madeleine lacked the same impact–“the potion is losing its magic”–he stretched his mind further. He writes that the source of memory was not his sense of sight (though his description of the scalloped pastry is charming). Instead, his memory came from taste and smell: “But when from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, still, alone, more fragile, but with more vitality, more unsubstantial, more persistent, more faithful, the smell and taste of things remain poised a long time, like souls, ready to remind us, waiting and hoping for their moment,…and bear unfaltering…the vast structure of recollection.”

No French bakery in my grandmother’s small Texas town, Itasca. But the memory of her kitchen still comes back when I smell lavender, or yeast–my grandfather’s lavender talc, my grandmother’s ineffably delicious yeast rolls.

Here’s another powerful example from The Orphan Keeper by Camron Wright, about a young man, kidnapped from his home in India, then sent to a dishonest orphanage which places him for adoption in America where he rejects any Indian heritage and suppresses all his memories that aren’t “American.”

As a student in England he’s taken to an Indian restaurant where–reluctantly–he smells, then tastes, what’s offered:

“The scent that swirled around his neck had started rubbing his shoulder, reminding him softly that once, a very long time ago, they had met….[He] took his first bite. The spices in his mouth grabbed hands and began dancing in rhythm across his tongue–cumin, garlic, peppers, ginger, tamarind, cinnamon, and more. They weren’t just dancing–they were cheering, clapping, celebrating, singing, reminiscing. They were pulling out wallets and showing each other pictures of their kids….The mingling spices, the familiar taste, it felt like a whisper arriving with the wind, more message than memory.”

Curry, of course. Just reading this made me long for mango chutney! And I thought it a powerful description, because closely observed, and particularly because until this moment we know the protagonist has been stubbornly resistant to anything Indian.

In A Gentleman in Moscow, by Amor Towles, do you recall the bouillabaisse scene? The three conspirators have carefully gathered the ingredients–hard to come by in Moscow; have picked up their spoons; and have taken their first taste. Count Rostov closes his eyes “to attend more closely to his impressions”:

“One first tastes the broth–that simmered distillation of fish bones, fennel, and tomatoes, with their hearty suggestions of Provence…One marvels at the boldness of the oranges arriving from Spain and the absinthe poured in the taverns. And all of these various impressions are somehow collected, composed, and brightened by the saffron–that essence of summer sun…[W]ith the very first teaspoonful one finds oneself transported to the port of Marseille–where the streets teem with sailors, thieves, and madonnas, with sunlight and summer, with languages and life.”

Bouillabaisse! Your memories may differ. Were you reading Julia Child and launching a kitchen experiment? Were you visiting Marseille, and were there still sailors, thieves and madonnas?

The Count has shared his memories, aroused by fish bones, fennel, tomatoes, shellfish and saffron. But your memories are your own. Also, the scene is powerful not just because it is closely observed, but also because it reminds the reader forcefully that at this point the Count has only his memories–he can’t leave the Moscow hotel, much less travel to Marseille.

I’m puzzled not to find food more “closely observed” in novels. A favorite moment: Virginia Woolf famously describes the boeuf en daube at the dinner party which is a central feature of the first half of To the Lighthouse. Mrs. Ramsay is thinking the cook “had spent three days over that dish,” as she prepares to serve it to her guests:

“…An exquisite scent of olives and oil and juice rose from the great brown dish as Marthe, with a little flourish, took the cover off. …[Mrs. Ramsay] peered into the dish, with its shiny walls and the confusion of savoury brown and yellow meats, and its bay leaves and wine, and thought, This will celebrate the occasion…”

Cookbooks, of course, intend to awaken our senses as we peruse the recipes. But the description of boeuf en daube in To the Lighthouse, with the mouthwatering anticipation it creates, has a different impact. It places us in the scene. It almost makes us, as readers, feel like guests sitting at Mrs. Ramsay’s table, alongside the odd characters Woolf has already introduced. Or possibly we also feel a bit like Mrs. Ramsay, the hostess, hoping to delight and reassure her houseguests, who are a difficult lot.

I’d love to hear other examples from readers. A “closely observed” passage can make us do just what the author wants: turn the page and keep reading! Right now I’m engrossed in Someone Always Nearby, Susan Wittig Albert’s fascinating novel about two real people, Georgia O’Keefe and Maria Chabot. I’m finding this a daring literary adventure about two daring and adventurous women, the artist you know and the woman who wanted to be indispensable to her.

It’s May–bluebonnets are gone, summer approaches. What tastes and smells bring back your summer memories? Grape popsicles, melting on the tongue? The clean bluegreen smell of Austin’s Barton Springs, mixing creek water and artesian spring water? The faint smell of chlorine from a pool crowded with splashing children? A mountain trail in the Rockies, with the cool green odor of aspen groves rising up from a creek? Dust blowing at the ball park, freshly mowed lawns, the faint rubbery smell of a sprinkler on a hot day? The smell of a roasting marshmallow just before it bursts into flame?

Good news from where I write: Ghost Bones, Book 9 in my Alice MacDonald Greer Mystery series set in the small town of Coffee Creek, Texas, will soon be out! With mystery, legal drama, and matters of the heart.

Helen Currie Foster lives and writes north of Dripping Springs, Texas, loosely supervised by three burros. She’s drawn to the compelling landscape and quirky characters of the Texas Hill Country. She’s also deeply curious about our human history and prehistory, and how, uninvited, the past keeps crashing the party. Ghost Daughter, Book 7 in The Alice MacDonald Greer Mystery series, was named Finalist in the 2022 Eric Hoffer Book Award Grand Prize Short List. Follow her:

https://www.helencurriefoster.com

and

https://facebook.com/helencurriefoster/

copyright 2024 Helen Currie Foster all rights reserved