JEWELS AND LEGENDS IN HISTORY

By

Francine Paino, a.k.a. F. Della Notte

Research for book four of the Housekeeper Mystery Series brought me to legends and myths connected to jewels and gemstones, many of which have traveled a long way in storytelling traditions. Often, a mystical aura goes beyond the material value of some precious stones and metals, and these stories show us how jewelry is not only beautiful to look at but also carries the power of love, misfortune, and protection. Some of the most famous are The Curse of the Hope Diamond, The Myth of Pearls, and The Legend of Cleopatra’s Emeralds.

According to the legend,the curse of the Hope Diamond originated when the diamond was stolen from a statue of a Hindu god in India. The priests of the temple placed a curse on whoever possessed it, and throughout history, many who owned it have suffered great misfortunes, including King Louis XVI and Marie Antoinette.  

Cleopatra, the last queen of Egypt,is said to have loved emeralds., which were symbols of fertility and protection in her time. Legend has it that Cleopatra possessed an enormous and valuable emerald that she wore often to show her power and divine status. The emerald was lost after her death, and its whereabouts have never been discovered.

The Myth of Pearls. Called Tears of God in many cultures, pearls became symbols of purity and femininity. In Greek mythology, pearls are said to be the tears of the goddess Aphrodite and were often used as wedding gifts to symbolize purity and happiness in marriage.

In Rome, onyx, especially sardonyx, which is a layered gemstone composed of bands of sard and onyx, both varieties of chalcedony (a variety of quartz (silicon dioxide) known for its fine, fibrous structure and waxy luster). Onyx is known for its striking contrast of colors, typically reddish-brown alternating with white or black onyx layers. This banded structure made it popular for jewelry and carvings and was considered a talisman for protection and good fortune. Onyx was favored by the Roman army. Soldiers often wore sardonyx amulets carved with images of Mars, the Roman God of War, or Hercules. The Romans believed that wearing onyx or sardonyx would instill bravery and courage in battle, bring good luck, and ensure success in combat while protecting the wearer. Many of these legends and myths began in connection with historical events, and such is the legend of the Miltiades Cross.

THE HISTORY: It began on October 28, 312 C.E. Miltiades, the first Christian bishop of Rome, was revered by his community and addressed as papa or father by his followers. He was a small man of 62 years and of humble means, working in the Roman marketplace. When he was summoned from his hiding place, a small house in an alleyway in Trastevere, by two centurions, he assumed he was about to meet his end since Christianity was outlawed in Rome and punishable by death. Wearing a threadbare robe, the poor little man made the sign of the cross and prepared to meet his fate as a martyr for Christ. He followed his Roman guards out into the sunlight and came face to face with the six-foot, imposing figure of Emperor Constantine, flanked by hundreds of soldiers, all of them, including the emperor, covered in blood and grime. They’d come from the battle of the Milvian Bridge, where Constantine had defeated his imperial rival, Maxentius. Constantine was now the sole ruler of the entire Roman Empire.

To Miltiades’s great shock, Constantine greeted him with a hug and had him wrapped in a purple robe. The emperor explained that he followed the instructions he’d received in a dream.,the night before the battle. He was told to paint the Chi Ro on his soldiers shields, and “in this sign, conquer,” and he did. After his victory, Constantine decided to make the god of the Christians his god and the god of the Roman Empire.

Instead of the gruesome death Miltiades expected, the emperor asked to be brought to the spot where the bones of Peter, Christ’s Apostle, were buried. In a little cemetery outside of Rome, Constantine dropped to his knees and swore to build a great basilica over those bones. Then, the emperor took the dazed bishop to a grand palace on Lateran Hill and decreed that, henceforth, all successors of Peter would live in that palace.

THE MYTH: Two weeks after Constantine’s conversion, Miltiades was again summoned to the Emperor. Terrified that Constantine had changed his mind, Miltiades again prepared to meet the fate. Trembling, the old bishop appeared before the emperor and knelt in respect, but Constantine pulled him upright. Around Miltiades’s neck, the emperor hung a gold chain with a gold cross studded with Servilia pearl, the most valued gemstone in Rome. Constantine then decreed that this cross should be handed down to all succeeding bishops of Rome. It was the cross Constantine had envisioned in the shape of the Chi Ro. Legend, has it that the cross was last seen on Pope Innocent I in 417 C.E. when he fled Rome before the invasion of the Visigoths. Over the following 1600-plus years, the position of the Catholic Church was that the cross either never existed or was taken by non-believers and refashioned.

In book four of the Housekeeper Mystery Series, Murder in the Cat’s Eye, Father Melvyn and Mrs. B. take a group of parishioners to Rome to study the lives of ancient Christians, where they become random victims of a criminal enterprise involving jewel theft and murder. This high-stakes web of deceit blurs the line between upholding and breaking the law, straddled by a police inspector when a not-so-scrupulous antiquities dealer disappears and a young woman is murdered. Organized crime, a member of Rome’s elite, and the Catholic Church face off when it’s discovered that among the stolen jewels is what may be the ancient and priceless Miltiades Cross, given to the first bishop of Rome by Emperor Constantine in 312.

Watch for Murder in the Cat’s Eye in the fall of 2025.

warfarehistorynetwork.com

The Vatican Exposed: Money, Murder, and the Mafia, by Paul L. Williams  pg. 10

Where Did This Come From?

Today’s post is by our friend and former Austin Mystery Writer Kaye George, author of several successful mystery series. When I asked Kaye to do a guest post, I told her to pick her own topic. She’s chosen to write about her newest project, a departure from the mystery.

***

Kathy Waller gave me free rein, so I can write whatever I want here, right? Okay, okay, I’ll stick to writing about writing.

My latest project is foremost in my mind. SOMEONE IS OUT THERE came out in April, but it’s still getting noticed, which makes me so happy. I’ve done several mystery series, cozies and traditional, but got it into my head one day that I could write a suspense novel. It does kinda make sense, since I love to read them.

I’m trying to remember where the first seed for this came from, but I don’t really know, now that it’s done. I do know what went into it. I wanted to use a disaster that occurred in Ohio when we lived there. We lived in Dayton for about six years and, one day when the sky looked ominous and my husband was on the golf course, a disaster struck Xenia, a small town nearby—a town we used to drive to for chopping down our Christmas trees on a farm nearby. A vicious tornado struck the town in 1974, killing and injuring many, and wiping out, obliterating at least half of that town. That year they had what they called the 1974 Super Outbreak, one of the worst tornado seasons in US history. I figured it would make a good backdrop to a tense story.

To be honest, I also fed in some of the stories the people in Wichita Falls told me about the similar disaster they had there in 1979. We lived outside that town in Holliday years after that, but the people who had gone through it had vivid memories of every second. We had our own experiences there, too. Our second night in Holliday, there was a straight line windstorm with 90 mph winds that took off many roofs and caved in the school gymnasium, which had just been evacuated, fortunately. The night we moved out, a tornado touched down a mile away.

Anyway, enough about storms. I also needed to work up some stormy characters. I used my knowledge of nursing (from my mother, who was a nurse, and from my nurses’ aide experience) to create my main character. Unbeknownst to me, I used subconscious knowledge to create her name, Darla Taylor. I had a good portion of the book written when I realized I have a Facebook friend named Darla Taylor! I had used her name! I was mortified, and messaged her about it. She was actually okay with that, so I kept going. And gave her a copy when the book was finished. She liked it and reviewed it! Whew!

Stalking seemed like a scary thing to build the plot on, so I did that, keeping the identity of the stalker hidden until the end. I threw in my son’s family dog, Henry, a big chocolate lab (and renamed him Moose), and gave Darla a hobby of archery, since I used to love doing that.

You can see that so much of the book came from my life, because, where else would it come from? Although I have never been stalked. And hope it never happens.

This site at Rowan Prose Publishing has links to the great trailer they made and places to get the book. https://www.rowanprosepublishing.com/kaye-george

And didn’t they do a great cover?

Thanks for having me here!

***

Kaye George is an award-winning novelist and short-story writer. She writes cozy and traditional mysteries, a prehistory series, and one suspense novel, which is her seventeenth book. Over fifty short stories have been published, mostly in anthologies and magazines. A horror story will come out in 2026. With family scattered all over the globe, she makes her home in Knoxville TN. You can find out more here: http://kayegeorge.com/

THE TINCTURE OF TIME

By Helen Currie Foster ~  June 9, 2025

I’ve always loved Guy Clark’s version of “Stuff that Works.” Dublin Blues, 1995.

https://www.youtube.com/watch?v=2mprD2MN5vo

Listening, I can just see, just feel, that “old blue shirt” that “suits him just fine.” I can imagine the old boots that let him “work all day” and then go “dance all night.” And of course that friend who “always shows up when the chips are down”––I’m thinking, my bestie. Just hearing about the shirt, the boots, the friend always leaves me with the same settled, restful confidence he’s describing. “Stuff that works!”

“Brown paper packages tied up with string” may have undeniable charm, “stuff that works” means stuff I turn to, go back to, and rely on. Like old travel pants with pockets that zip, soft shirts without a scratchy label, shoes that just carry me along, soles not too thick or thin.

What about you? Things that keep working, that stand the test of time? The pens that always work, the ink you like, the just-right-feel in your hand as you write? The car that always starts, the recipe you can count on?

Part of the charm of “stuff that works” is reliability – working each and every time.

Time, that deep human preoccupation! Is time reliable? Time messes with us. Time stands still. Time passes. Time flies. Time heals. Time runs out. Time grows short. The time changes…and times change. “Time, like an ever-flowing stream…” Sometimes an hour feels interminable; sometimes an hour passes in a flash. Albert Einstein’s theory of general relativity says that even in the universe, time is not constant, but is influenced by gravity. Yikes! (says the English major).

Writers struggle to analyze time’s impact on us. Just a couple of examples––Anthony Powell, A Dance to the Music of Time; Vladimir Nabokov, Speak, Memory;Virginia Woolf, particularly the “Time Passes” section of To the Lighthouse. Historians try to make sense of the impact of events over time, like Drew Gilpin Faust in This Republic of Suffering, on death and the Civil War.

Poets remind us of their mortality—and hence our own. Here’s Robert Frost, in Ten Mills, Part II, THE SPAN OF LIFE, from A Further Range (Henry Holt and Company, 1936):

The old dog barks backward without getting up.

I can remember when he was a pup.

 

 

 

 

 

 

Or Billy Collins at the beginning of “Life Expectancy” in Whale Day (2020):

On the morning of a birthday that ended in a zero,

I was looking out at the garden

When it occurred to me that the robin

On her worm-hunt in the dewy grass

Had a good chance of outliving me….

T.S. Eliot begins East Coker : “In my beginning is my end,” then:

…there is a time for building

And a time for living and for generation

And a time for the wind to break the loosened pane

Ad to shake the wainscot where the field-mouse trots

And to shake the tattered arras woven with a silent motto.

Sebastian Junger reflects on near-death experiences, including his own: In My Time of Dying (2024).

Of course animals can be aware of time. Right? The three donkeys– Sebastian, Amanda, and Caroline ––appear promptly at the gate in front of the house at 11:30 a.m., and again at 4:30 p.m., which, they are confident, are the hours when carrots ought to be offered. We know animals can mourn the loss of a member of their pod, their herd, their litter. But do they worry about their own mortality? Do our friends the non-human primates? Well, maybe! Um, time will tell! https://bit.ly/4mZqi4k

To be human is to be aware of our own mortality. And for humans, time is both reliable—tick, tock—and unreliable: we cannot know what the future holds. Fiction writers, however, get to make those decisions for their characters. In the mystery genre, we get to decide: who shall live? Who shall die? How, and why?

I’ve wrestled with these questions in my Alice MacDonald Greer Mystery Series: what happens next?Should I not  have killed a particular character? Should a new character survive and reappear in the next book? It’s a heavy responsibility! We readers can become quite attached to characters. In the last few weeks, finishing Book 10, I took refuge in Laurie King’s Mary Russell/Sherlock Holmes series. She created a character I found particularly appealing in The God of the Hive. https://bit.ly/449Lugn

But then? The book made me revisit the pain of losing a beloved character to—well, literary death. Remember Gus in Larry McMurtry’s Lonesome Dove? I still miss Gus… Gus, don’t ride over that hill!

In addition to night-time plunges into Laurie King land, I found banging on the piano a helpful respite from the writing process. But after two broken wrists in the past two years (careless, careless) I’d had to quit the beloved boogie woogie lessons and feared I’d never be able to play those strenuous pieces again.

My brother the physician, when asked by his siblings for advice, often prescribes “a little tincture of time.” It’s amazing how often that prescription works. This past week, after (really quite a lot of) tincture of time, I persuaded our century-old piano once again to play boogie-woogie pieces from the 1942 All Star Boogie Woogie Piano Solos! Pete Johnson, Meade “Lux” Lewis, Pine Top Smith, Hersal Thomas, Albert Ammons. Suddenly—how long is “a little tincture of time”?––finger memory began to return. Not all the way back yet, but still! Maybe I’ll get to resume piano lessons with that Austin treasure of jazz, boogie, country and everything else, Floyd Domino.

Charles Darwin was not known to rush into print. In 1837 in Edinburgh he presented his first paper concerning the action of worms “on the formation of mould,” a topic he studied for over forty years. Not until 1881, after two scientists pooh-poohed his theories, during the Great British Agricultural Depression (1873-1896) he published The Formation of Vegetable Mould Through the Action of Worms on the work of earthworms. Curious about their senses, their awarenesss, their work, he studied how worms could tug leaves into their burrows, eat and digest them, and then produce worm casts—millions of tons of richer soil. His query as to whether earthworms were sensitive to light “led me to watch on many successive nights worms kept in pots, which were protected from currents of air by means of glass plates.” His summary after all those years? Darwin doubts “whether there are many other animals which have played so important a part in the history of the world” as earthworms. Producing stuff that works…!

For so many of us, books are the “stuff that works.” Hurrah for reading!

 

Award-winning author Helen Currie Foster lives and writes the Alice MacDonald Greer Mystery series north of Dripping Springs, Texas, loosely supervised by the three burros. She’s drawn to the compelling landscape and quirky characters of the Texas Hill Country. She remains deeply curious about our human history and how, uninvited, the past keeps crashing our party. Follow her at http://www.helencurriefoster.com and on Amazon, and find the books at Austin’s BookPeople!

https://www.facebook.com/helencurriefoster

COOKIES, MYSTERIES AND MORE COOKIES – AND NOW PANETTONE

by

Francine Paino, a.k.a. F. Della Notte

Cookies. Who doesn’t love them?  Far and away, the American favorite is the Chocolate Chip cookie, a creation of the Wakefields of Massachusetts. (More on that later).  Over 53% of American adults prefer Chocolate Chip to other varieties.  But the most popular cookie worldwide, sold in over 100 countries… drum roll, please, is Oreo!  

The popularity of these cookies made me wonder what other fun facts I could find to entertain and inform, so I set out to investigate the origins of these sweet delights. 

Did you know Oreo is considered the number one copycat cookie? Two brothers, Joseph and Jacob Loose, battled for dominance over the Oreo. It was first produced by Hydrox. (Remember them? Or have I dated myself?) Then, it was baked and sold by the National Biscuit Company, now known as Na-Bis-Co.  See the link below for more information on the Battle of the Oreo.

With this in mind, one might imagine that the earliest origin of cookies began in a Western European country, perhaps in Great Britain, Ireland, or Scotland. It may have begun in one of the Romance Countries. The first was Italy, followed by France and Spain. In fact, the biggest surprise of all is that the cookie dates back to Persia, in the 7th century C.E.

It all began around 550 B.C.E. in the Persian Empire, conquered many times and most famously by Alexander the Great, who defeated Darius III. These luxurious little cakes were well-known, and as Persia evolved into a diverse nation in the Islamic world, its culture spread.  Sugar, which originated in the lowlands of S.E. Asia, was brought to Persia and cultivated there. It then spread through the eastern Mediterranean and into Europe, and bakers created beautiful cakes and pastries—for the wealthy, of course.

 After the Muslim invasion of Iberia in the 8th century, followed by the Crusades and the developing spice trade, cooking techniques and ingredients began to reflect different civilizations, especially the influence of Arabian cuisine. In fact, one of the most treasured desserts of Italy, the Cannoli originated in Sicily and reflected Arabic recipes – but back to the cookie.

According to culinary historians, the cookie’s origin had a more serious purpose. It was, in fact, a test cake. Small amounts of cake batters were dropped onto baking pans to test the temperatures of the ovens. These little cakes were the first crude thermostats used to determine when the fires, fueled by burning wood, were at the correct heat to cook without wrecking the food, and each region or nation developed its own little cakes for this purpose. Eventually, these little test cakes morphed into the dry, hard-textured cookies we know today, and the renaming of these little cakes first appeared in print in the early 18th century.  

Eventually, the cookie came to America via the British Empire, where they were and still are called biscuits. After the Revolutionary War, the newly minted Americans changed the name to further separate themselves from Great Britain. They chose the Dutch variation Koekje/koek, which evolved into the word cookie, but it wasn’t until 1924 that the most beloved of all American cookies was created: the Chocolate Chip.

Ruth Graves Wakefield, before marrying, was a graduate of the Framingham State Normal School Department of Household Arts (at that time not considered a slur or degradation of women). She worked as a dietician and lectured on food. In 1930 Ruth and hubby Kenneth purchased a Cape-Cod style inn, The Toll House, in Massachusetts. Constructed in 1709, the house was a stop-over for travelers in Colonial times where they paid their road toll, changed horses, and dined. Under the Wakefield’s ownership, the Toll House served traditional Colonial fare, and Ruth’s homemade desserts were quite popular. One day, in 1937, she discovered she didn’t have the baker’s chocolate required for her brown sugar cookies. Instead, she chopped a bar of Nestle’s Semi-Sweet Chocolate into tiny pieces, believing that adding them to the dough and baking would melt them, but the chocolate held its shape and softened to a creamy texture. The new cookie became very popular at the inn, and Ruth’s recipe was published in newspapers throughout New England, skyrocketing the sale of Nestle’s Semi-Sweet Chocolate Bars. Thus was born the Chocolate Chip Cookie. And there you have the basics of the origin of cookies. But what you might ask, has this to do with mysteries besides the secrets of various bakers and recipes?

Cookies, I have found, are not only popular desserts and treats; they play an essential and often intriguing role in many culinary mysteries, especially the cozies.  I logged onto Goodreads and searched mystery books with the word cookie in the title. I was intrigued to find 18+ pages, 20 titles to a page, representing approximately 360 books, excluding cookbooks and children’s books. And that was only on Goodreads. Some of the titles I found brought a smile to my face. In the interests of full disclosure, I haven’t read any of them, but among my favorite titles were A Tale of Two Cookies, And Then There Were Crumbs, Misfortune Cookie, Tough Cookie, and Murder of a Smart Cookie.  

Many authors of cozies and some traditional mysteries weave the art of cooking and baking into their stories. In the Housekeeper Mystery Series, set primarily in Austin, Texas, Mrs. B., a fine cook, keeps the priests of St. Francis de Sales supplied with her home-baked Italian Lemon Drop Cookies (Anginetti), while she and the pastor, Father Melvyn, help solve crimes and find answers.  For cookie enthusiasts, I’m happy to share my favorite Lemon Drop Cookie recipe. See the link below. (reprint from 2024) 

AND NOW – Add the most wonderful cake popular at Christmas: Pannetone. Why bother? Because it’s stories or myths are filled with as much drama, and richness as the bread itself.

Story One: In fifteenth century Milan, a young baker named Toni, accidentally created a sweet, rich loaf while preparing the Christmas feast for the Duke of Milan. During the banquet preparations for Ludovico Sforza’s Christmas banquet, the chef accidentally burnt the dessert. While the desperate chef agonized over the burnt dessert, a young kitchen assistant, Toni, grabbed leftover ingredients and a sourdough starter, and combined them into a sweet, rich leavened bread.

The Duke loved the bread so much that he named it “Pane di Toni,” (Tony’s bread) which eventually evolved into “Panettone”. 

Story Two: Ughetto and Adalgisa. A love story. Ughetto, a nobleman, disguised himself as a baker’s apprentice to win the heart of Adalgisa, the baker’s daughter, but his family opposed the match. When the baker’s assistant fell ill, to be near his beloved, Ughetto disguised himself to work in the kitchen assistant’s place. To impress her father, he came up with a combination of ingredients that enriched the original recipe being used, and it was a great success. Hence, the young man and his creation were recognized the young lovers were allowed to marry.

Story Three: Instead of Ughetto, we meet Sister Ughetta, a nun who lived in a poor convent. To brighten their Christmas, Sister Ughetta came up with a new cake then traced a cross in its dough with a knife. When the cake cooked, the rounded top where the cross was cut, opened revealing the treats contained inside.

Whichever story tickles your fancy, Panettone is a much loved dessert bread among Italians. It’s given as a gift, and Christmas wouldn’t be complete without it. The only mystery here is whether or not any of the stories of its origins are true. You can buy it or try the recipe in the Bake from Scratch link.

Happy munching and happy reading.   

http://www.thenibble.com/reviews/main/cookies/cookies2/cookie-history2.asp

https://www.cbc.ca/radio/undertheinfluence/the-best-selling-cookie-in-the-world-is-a-copycat-brand-1.7080582#:~:text=Oreo%20was%20priced%20cheaper%2C%20and,Joseph%20had%20the%20bigger%20company.

The Enduring Value of Third Spaces

By Laura Oles

Why do so many of us choose to work or study at our favorite coffee shop? Even if we have a fully equipped office, we pack up our laptop and relocate, settling in with likeminded people doing the same thing.

If this sounds like you, you’ve adopted a favorite “third space.”

Urban sociologist Ray Oldenburg coined the term “third space” in his book, “The Great Good Place,” (originally published in 1989 and revised in 2023).  Popular third spaces include coffee shops, pubs, diners, libraries, parks and gyms. The third space, Dr. Oldenburg stated, were ones that allowed people to leave private and professional concerns behind to connect with others in conversation. Third spaces “host the regular, voluntary, informal and happily anticipated gatherings of individuals beyond the realms of home and work.”  

There’s some science that indicates it’s not simply the lure of a fantastic latte. A 2012 study published in the Journal of Consumer Research indicated that lower levels of ambient noise can spur creative idea generation. In a later 2019 study, researchers pointed to “stochastic resonance,” a measure of a particular background noise level that benefits our senses and can help in those moments where we are temporarily distracted or in a contemplative state. 

In short, the “coffee shop effect” has been cited in several studies. This, coupled with being surrounded by others seeking a similar environment, can further motivate us into action.  The idea of parallel work—working alongside others but not directly with them—can help us in our solitary efforts. All while feeling less alone.

Still, not all coffee shops will become beloved third spaces. A place where you will regularly spend both money and time is chosen. It is special. It draws you in and invites you to linger for a bit, often in the company of friends or colleagues.

The third space has evolved from being a place where people gather to connect with community, to one that incorporates these components and adds a welcoming setting for students and WFH employees and solopreneurs. As someone who raised three kids while working from home, I sometimes struggled to tune out tasks and chores. So, I sought my own third space and found it at Mochas & Javas. In addition to business articles and columns, I wrote much of my debut novel at the Wonder World location.  

My “MJ office” in 2016

Mochas & Javas continues to be part of my regular routine—sometimes to chat with friends and other times to stare down a deadline—and I was curious to learn more about not only this beloved local institution but the guiding principles behind the business.

Mochas and Javas was founded in 2003 by four family members—Kevin Carswell, his brother Kirby Carswell and their wives, Michelle and Kelly Carswell. The idea originated when Kevin and Michelle began brainstorming about a local venue where San Marcos residents could gather to enjoy quality food and beverages as well as “legendary customer service.” Like many fantastic ideas penned on the back of a napkin or a business card, Michelle sketched the now well-known logo on a napkin and named the business Mochas & Javas (Community Impact, 2019). Over the last twenty years, Mochas & Javas has thoughtfully expanded into five locations.

I asked Kevin if he would share his insight about Mochas & Javas as a trusted third space in the San Marcos community and his philosophy regarding building this popular Hill Country destination. He was kind enough to share his thoughts with me in the following interview:

LO: “Getting together for coffee” is a common refrain we share with friends and colleagues.  What encouraged you to take the first steps to create Mochas & Javas as a gathering space for the San Marcos community?

KC: When we began the discussion about opening our own business we discussed several types of business. But coffee made the most sense at the time, because it was in the food and beverage industry, which is my background and in 2002, the coffee industry was rapidly expanding. I had heard the term “third” space before, but not sure that I fully grasped the concept until we opened, expanded and then had time to grow MJ’s (I’ll abbreviate the full name) over several years and then see how many of our guests became daily/weekly regulars or made MJ’s their third space. Coffee does bring people together, I’ve seen many relationships built from the connection our guests made with one another while at MJ’s, it’s a great thing to see. And for myself I’ve made many friends over the years through MJ’s, lifelong friends. It’s a good feeling. 

LO: Do you find that each location has its own personality/vibe or is the community based on proximity? Or a combination?

KC:  One of the areas that I enjoy about MJ’s is that they all have their own “vibe” or connection to the community or the surrounding area that they are located. Such as WW, many locals with a mix of students and visitors. Whereas LBJ is a more concentrated number of students and professors with a nice mix of visitors, usually families coming for informal or formal visit to TX State University. Our Frisco store is very similar to our WW store, as where it’s mostly locals and business professionals with a mix of students. 

LO:  Why do you think local writers, artists, students and businesspeople are drawn to Mochas & Javas as a third space? 

KC:  Over the years many writers have used the WW store as their office. Paul Pullin for example is in his third book and has become a good friend over the years, he’s been a regular for 22 years. We’ve chosen not to place TVs at any of our stores. I believe they are a distraction, and most people today already have plenty of screen time. If our guests were staring at a screen, they may never meet someone new. We need more face-to-face conversations and MJs provide this. 

LO:  How has Mochas & Javas expanded and evolved since you opened the first location over twenty years ago? 

KC:  MJs opened the LBJ and WW stores the same year, 2003, about 6 months apart. We have always had plans to expand, sometimes slower than we first thought, but moving a bit slower is not a bad thing. Keeping our debt in check and growth at a steady pace. Five stores in 22 years is no record, but we have five stable stores with a strong following from our loyal guests. We are planning to continue with our expansion but will plan accordingly based off good solid numbers which allow us to grow without taking on more than we can manage. 

LO:  Mochas & Javas has strong ties to the Hill Country community, and I wonder if this stems from your philosophy of “always giving back.” Can you expand on this?

KC:  I grew up in San Marcos, our family moved from the Houston area in 1967/68 to San Marcos. So, I’ve seen the city change over the past 57 years. Giving back not only to the San Marcos community but all the communities that we serve great coffee to. Giving back is an important part of owning and operating our business in the communities we serve, and we are grateful that we have the success to do this. We’ve made many small donations and added some larger ones over the years. They are all worthwhile. It’s a great way to say thank you to our community and guests for the many years of support.

The best part of working at MJs, from my standpoint, is our guests and staff. The interaction with both groups of people is the most enjoyable part of our business. I never get tired of working at the register or being a barista. It’s a lot of fun. 

Learn more about Mochas & Javas here:  https://www.mochasandjavas.com

Laura Oles is the award-winning author of the Jamie Rush mystery series. Her debut mystery, Daughters of Bad Men, was an Agatha nominee, a Claymore Award finalist, and a Writers’ League of Texas Award finalist. Depths of Deceit, her second novel, was named Best Mystery by Indies Today. Her novella, Last Call, won the Silver Falchion award. Her work has appeared in crime fiction anthologies, consumer magazines and business publications. She lives in the Texas Hill Country with her family. (https://lauraoles.com

Just Look Around!

by HELEN CURRIE FOSTER

Not enough rain fell this year to allow the brilliant cerulean fields of Hill Country bluebonnets we usually expect, but the hardy lupines are busy making seedpods. “Maybe next year,” they say. Now instead we have the bright yellow coreopsis lanceolata, nodding their heads with any breeze,

the wine-cups with their indescribable color—a member of the mallow family, not quite fuchsia, not maroon, just—heart-stopping,

the milkweed flower globes beloved of monarch butter-flies, and others. Heaven includes a few prairie celestials, magically opening in early in the afternoon, then vanishing by dusk.

Also, “Sweet Mademoiselle,” planted a couple of years ago, and who has never bloomed, produced her first rose!

Meanwhile, the ever-interloping cactus hope to assuage my fury at them (remember those secretly spreading roots and the huge basal “plates” that help the Cactus Conspiracy spread?) by popping open their yellow flowers. I am not fooled. I’ll continue to battle them with shovel and hoe. And a picker-upper.

Now for some Hill Country facts.

BIG CATS?  Just in case you thought the animal that appears in my mystery Ghost Cat was, perhaps, unrealistic? Over-the-top? Mere fantasy? Couldn’t have played a part at beginning and end? Not so! https://www.statesman.com/story/news/state/2025/04/21/mountain-lion-san-marcos-trail-texas-sightings/83194256007/

See? Perfectly possible. It’s still wild out here in the Hill Country, even as suburbs press upon us. At dusk I often find myself glancing at the edge of the drop-off behind the house, wondering if I’ll see a pair of ears. You can say mountain lion, puma, cougar…they’re secretive, strong, and active in the spring.

But the big cat I once saw on Bell Springs Road west of here was likely a large bobcat. I was alone, driving home from the post office. Up ahead a golden vision, spotted, walked slowly to the edge of the asphalt. I stopped. The cat stood, gazed at me, and after a breathless (for me) interval, gracefully turned and vanished through a fence into thick cedar. A magical moment. Every time I drive that road, I hold my breath, longing for one more sighting of something looking like this:

https://images.app.goo.gl/K9VMv8bW92CpoSacA

ANCIENT BONES? I wrote about old bones in my Ghost Bones (2024)—and now have learned that our Hays County police deal with ancient bones more often than you’d think. One resident recently called to report she’d found a skull in her firepit. The skull, with its lower jaw present, was obviously fairly old, but in an unexplained death Hays County is not permitted to send a body to the Travis County Medical Examiner without including the name of the person whose skull it is. (Hays County doesn’t have its own medical examiner.) So this skull traveled instead to Texas State anthropologists who reported, after testing, that the skull apparently belonged to a long, long-ago teenager who’d gone through hard times, as was evident from the “enamel lines” (a bit like tree rings) in the teeth.

But how it wound up in that firepit? So far as I know, that’s still a mystery. We forget—until reminded by a skull in a firepit—how long humans have roamed these hills, drawn by hunger and thirst to spring water and the hunt for food.

We also forget the age and history of this landscape. Some trees have sheltered native Americans, deer, and buffalo. The Columbus Live Oak near the Colorado River in Columbus is estimated to be over 500 years old. Others may be as old as 1,000 years.

https://tfsweb.tamu.edu/websites/FamousTreesOfTexas/TreeLayout.aspx?pageid=26882https://goodcalculators.com/tree-age-calculator/

I revere the live oak in our front yard as if it were a beloved ancient relative and a symbol of stability and the power of trees. If anything were to happen to it—woe! I tried to estimate its age—using the calculator instruction to measure girth in inches at 4.5 feet, divide by pi, then multiply by a “growth factor” of 4, which gave me 127 years old. Perhaps this tree was a sapling in 1900, before either World War, before the Viet Nam war, before our current fraught politics. On a nearby hill there’s an ancient patch of even bigger live oaks. Perhaps those particular oaks depend on the odd little ribbon of wet white clay that lies about five feet underground and has been there—who knows how long. But the feeling of walking in beneath these old live oaks can confer a sense of being in the protection of one’s elders.

So, welcome to the Hill Country in spring—southeasterly winds from the Gulf, blowing the flowers back and forth; reasonably moderate temperatures; fields and trees as green as green, as far as you can see. At the bird feeder, more color! Purple house finch, yellow-throated vireo, lesser goldfinch with brilliant gold breasts, vermilion cardinals, black-crested titmouse, white-winged dove—and the shy and tiny, but utterly gorgeous, painted bunting. (Reportedly it loves millet.) They provide not just color but music, from the titmouse, the tiny but high-volume Carolina wren, plaintive doves, whistling cardinals, and, at night, chuck-will’s-widow.

Not for long, of course. In winter ice can wreak havoc on trees and people. Summer sun? Scorching. Autumn? Nothing like the colors of New England, but hey—the sumac turns red. So welcome, Spring, with your bluebonnets and live oaks, with bird music and color, and with your reminder of the power and beauty of nature!

***

Progress report: madly working on Book 10 of the Alice MacDonald Greer Mystery series, set in the Hill Country. Have ordered “Forest Bathing” by Dr. Qing Li. Would enjoy hearing what you all are reading too, and any reports of “forest bathing”!

 

Helen Currie Foster lives and writes the Alice MacDonald Greer Mystery series north of Dripping Springs, Texas, loosely supervised by three burros. She’s drawn to the compelling landscape and quirky characters of the Texas Hill Country. She remains deeply curious about our human history and how, uninvited, the past keeps crashing the party.

Follow Helen at http://www.helencurriefoster.com.

CATHOLICISM, THE MUNDANE AND THE PROFOUND.

By Francine Paino, a.k.a. F. Della Notte

Monday, April 21, 2025. “Jorge Bergoglio,” the Camerlengo tapped Jorge’s forehead gently with a silver hammer and repeated his birth name three times. The Camerlengo received no response and declared Pope Francis, the 266th successor to Peter, dead.

Of course, in today’s world, medical devices inform the state of man’s being, but the Catholic Church retains many of its rituals, and this is one. After declaring Pope Francis deceased, his ring was taken and destroyed using a special hammer to ensure it could not be stolen and its seal reused—a practical as well as ceremonial action.

The world is aware that the leader of 1.4 billion Catholics is dead, and Peter’s seat is empty until a new Pope is elected by the College of Cardinals. The world will observe the beloved rituals and ceremonies of the highest levels of clergy in the Catholic Church, and perhaps at this time, it is fitting to observe the lives of those of us who live the everyday, less exalted existences. Enter author Jon Hassler.

Catholicism, love it or hate it, is filled with traditions. Even today, after so many of the rules, ceremonies, and rites have been watered down, Hassler shows how Catholics are still impacted by their faith and how the changes have been received or rejected. He infuses his characters with insights and the deeper longings of our souls, to be respected, needed, loved, and part of a community. Being Catholic, Hassler writes with great authority about the perspectives and outlooks of this group of fictitious Catholics in the fictitious town of Staggerford, Minnesota. And, of course, non-Catholics will recognize and relate to these people. But why do we read fiction?

We read fiction to escape. Great adventures, mysteries, romance, and Sci-fi. But why read a book about a cast of characters whose lives are nothing special? Lives like our own, possibly? One can read these books and identify with different characters, their likes, dislikes, and situations. The progressive, touchy-feely nun, Sister Judy Juba, her obnoxious but elderly father. He wants a wife, but not for companionship as much as someone to care for him. Janet, Randy, and their young children. Father Finn and French, the Vietnam veteran with lingering PTSD, Who are these people? They are us!

Like sleepwalkers, we often move through the repetitive routines of life with our eyes half open or sometimes closed, as do the characters in Hassler’s books. In A Green Journey, we are introduced to his small town and its residents as they work their way through days of routine, nothing-special tasks. They’re not Hollywood stars, singers, or men and women of great wealth or political power. What this core group has in common is they are all influenced by the rules and requirements of being Catholic, and they are influenced by a steadfast, and still devout Catholic heroine, Agatha McGee.

Agatha is a crusty, disciplined disciplinarian and an ‘old maid’ who wants the best for everyone. She’d taught most of them over decades in St. Isadore’s elementary school. Agatha is also an old-fashioned Catholic who voluntarily observes rules that had been relaxed by the Second Vatican Council, like not eating meat on Friday.

While she does her best not to become despondent over the changes in the church, the end of her teaching career, and her aloneness without a husband or children, she involves herself in the lives of other residents of Staggerford, including her dearest friend, Lillian Kite, Lillian’s daughter Imogene, Father Finn, the pastor at St. Isadore, and a host of others. They all slog through life’s ups and downs with Agatha’s advice and assistance – or interference, depending on the point of view. While doing her best to help her neighbors, Agatha begins an innocent long-distance pen-pal relationship with James O’Hannon, a kindred spirit, in Ireland. She pours out her heart and the troubles and opinions of the community to him. After five years and a mutual growing affection, she can travel to Ireland to meet him. That trip holds great surprises for our heroine and James O’Hannon.

In the second book, Dear James, Agatha is back in Staggerford after her trip to Ireland and continues to respond to James’s letters but doesn’t mail them. Instead, she saves his in her desk drawer, unsure if she will ever fully reestablish their communications. After Thanksgiving, Father Finn invites her to join a pilgrimage to Rome with him and his brother, a college professor. There, she reconnects with James. As they work through what their relationship can and cannot be, at home, in Staggerford, Lillian’s spiteful daughter, Imogene, invites herself into Agatha’s house, searches it and finds James’s letters. Imogine reads them and is furious by what Agatha wrote. She takes an evil delight in spreading the news that Agatha has been sharing unflattering gossip about the townspeople. Upon her return from Rome, Agatha is greeted by a chill worthy of the deepest Minnesota freeze. How will they rise above their hostilities? Can they come together again?

Hassler was a gifted writer whose ability to infuse what we’d consider the mundane with deep insights into the greater, profound life that each of us contains is brilliant. As no two people on Earth have the same fingerprint, no two have identical soul prints. And therein, we find the truer meanings of the small, seemingly commonplace things in life.   

A New Woman is book three of the Staggerford Series. I look forward to reading about the later phases of Agatha’s 88-year life.

Until next time, Happy Reading.

The Upside of Resistance

 Productive Procrastination for Creatives

Most writers battle resistance from time to time, and it comes in many forms. Maybe you’re working on a project with a looming deadline, which is the perfect time to clean your kitchen.

Just ask Agatha Christie.

“The best time for planning a book is when you’re doing the dishes.”—Agatha Christie

I realize I’m bending her quote to serve my purposes, but who am I to argue with greatness?

© agathachristie.com

My most recent battle with resistance happened yesterday. After being away from a project too long due to other writing deadlines, I struggled to find my groove, which culminated in my spending nine hours trying to get my arms around a manuscript. My characters refused to behave, and a section of the second act sagged like a neglected hundred-year roof. The final pin dropped in the form of my losing several thousand words due to some sort of file syncing error. I’d spent all day trying to nail Jello to the wall and wondering why it refused to stick. 

I called my sister-in-law, who sagely suggested I needed to step away from my computer. Get some fresh air, go for a walk. I felt a bit better after but still defeated. I spent the rest of the evening with the gritty dust of failure stuck to my skin. I then reminded myself that this, too, is part of the process. The only way out is through. Tomorrow is another day.

I decided to start this morning with some writer support. After a two mile walk while listening to Brandon Sanderson discuss writing with Tim Ferris, I then read J.T. Ellison’s Substack on resistance. There was something about listening to other authors discuss their craft and the struggles that come with it that helped me refocus with a fresh perspective (and an attitude adjustment, which was sorely needed. I was very salty).

If you’re struggling with any sort of creative project, consider taking respite by listening to other creatives discuss how they do their thing.  Here are a few of my favorites:

The Tim Ferriss Show: Episode #794: Brandon Sanderson on Building a Fiction Empire… 

Buckle up, loves, because this episode is 3.5 hours long. It took me several walks and cleaning sessions to get through it, but I promise it’s jam packed with some fantastic advice and discussion related to both the art and business of writing. Few writers have accomplished what Brandon has while also so freely sharing his expertise with others.  

https://www.youtube.com/watch?v=5zzzjLKuFZA

Work Life with Adam Grant: Your Insecurities Aren’t What You Think They Are

Adam Grant is an organizational psychologist with a curiosity superpower that translates into countless benefits for his audience.  His WorkLife podcast is a regular listen in my feed. This episode is also how I found Taylor Tomlinson, which some might think is a strange way to discover a comedian.  Their discussion about how to handle insecurities when your job is centered largely on external feedback and validation (hello, writers!) is one that you may listen to more than once. 

https://podcasts.apple.com/us/podcast/worklife-with-adam-grant/id1346314086?i=1000523780269

J.T. Ellison Substack: The Creative Edge

If you’re a Substack fan, I highly recommend giving J.T Ellison’s newsletter a read. She gives us an inside look at her life as a bestselling author juggling multiple projects for both traditional publishers as well as her own imprint. Her advice is practical and specific, and she mixes in a generous amount of empathy. Here’s the post that pulled me out of my latest bout of writing resistance.

https://jtellison.substack.com/p/interim-step-two-facing-down-resistance

#AmWriting: Substack and Podcast

The author collective of the #AmWriting enterprise deliver some of the best stories, guidance, and interviews related to the business and craft of writing. Regardless of genre or publishing preference, they have you covered.  Their Substack is well organized and offers tons of shovels to help you dig yourself out of any writing hole you currently find yourself stuck in. 

https://amwriting.substack.com

James Clear: Atomic Habits and Newsletter

As someone who receives far too emails, James Clear’s newsletter is the rare one that I make sure to read as soon as it hits my inbox.  His 3-2-1 format (three ideas, two quotes and one question to consider) are thoughtfully considered. Every issue provides a valuable takeaway, and his recent Master Class covers the concepts he outlines in his mega-bestseller Atomic Habits.  Here’s what he shares with us about resistance:

“If you feel resistance before you begin, it’s usually procrastination and you need to get started.  If you feel resistance after you begin, it’s usually feedback and you need to make adjustments.”

Jiro Dreams of Sushi

Jiro Ono is an 85-year-old sushi chef and proprietor of Sukiyabashi Jiro, a 10-seat restaurant located in a Tokyo subway station. Some of the top critics believe he is the world’s greatest sushi chef. This documentary follows his passion for continued mastery even at what he sees as the final years of his career.  “A thoughtful and elegant mediation on work, family and the art of perfection, chronicling Jiro’s life as both an unparalleled success in the culinary world, and a loving yet complicated father.”

I discovered this documentary after my last visit to Japan and was moved by both the constant pursuit of mastery as well as the price it exacts on those closest to him.

I’d like to leave you with a quote that I revisit so often that I should have it tattooed on my forehead. 

“If I waited for perfection, I’d never write a word.”—Margaret Atwood

The world needs your stories more than ever, so I hope that if you’re battling resistance, you’ll find some support from the creative community. Storytelling, at its heart, should be something we enjoy, and if it isn’t bringing that to you right now, I hope it soon returns. And when it does, readers will be waiting for you.

–Laura Oles (https://lauraoles.com) is the award-winning author of the Jamie Rush mystery series. Her debut mystery, Daughters of Bad Men, was an Agatha nominee, a Claymore Award finalist, and a Writers’ League of Texas Award finalist. Depths of Deceit, her second novel, was named Best Mystery by Indies Today. Her novella, Last Call, won the Silver Falchion award. Her work has appeared in crime fiction anthologies, consumer magazines and business publications. She lives in the Texas Hill Country with her family.

Words, words, words . . .

 

 

By Dixie Evatt

Words, words, words . . .
~ Shakespeare

Before we had powerful computers in our pockets or on our laps, we had reference books. . . shelves and shelves of them.

One of my favorite possessions is a vintage Webster’s dictionary, published 1956 – when I was 10 years old. All 11-plus pounds of the five-inch-thick book teeter on a top shelf in my office. I can no longer safely lift it and the pages are laid out in three columns of typeface so tiny that my aging eyes strain to make out the words.

My book is a holdover from the days when library dictionaries were housed and opened on a specialized wooden lectern. I wonder, do libraries still have these throwbacks to that bygone day or have the enormous books all made their way to the shredder?

I never look at mine that I’m not reminded of the 1950s movie, Born Yesterday, starring Judy Holliday. She won an Oscar for her portrayal of the brassy girlfriend of an uncouth tycoon. Her character tries to overcome her limited education and rudimentary vocabulary by reading, among other texts, Alexis de Tocqueville’s Democracy in America. In one of the more humorous scenes, she struggles to make meaning of the archaic text and is advised to simply check the dictionary if she encounters any words she doesn’t understand. The increasingly frustrated Holliday would no more than read a sentence before she is up again, consulting a dictionary. Word by word. Trip by trip. Written today, the scene would surely lose its charm since she would likely be reading Tocqueville on a Kindle where all you must do is press and hold a finger on a word for the meaning to flash before you.

Like Holliday with a Kindle, writers don’t have the need for shelves full of reference books since language prompts are everywhere from the demons in autocorrect to the drop-down menus in word processing programs that produce synonyms.

The 19th Century French author Jules Renard is credited with saying, “What a vast amount of paper would be saved if there were a law forcing writers to use only the right word.

Yet, finding the right word isn’t always so easy even with all our modern assets. Luckily there are still some reference sources to help. Here are a few:

Evan Esar’s “20,000 Quips & Quotes: A Treasury of Witty Remarks, Comic Proverbs, Wisecracks and Epigrams.” If she’d thumbed through this one, Holliday would have learned that Tocqueville said, “The last thing a political party gives up is its vocabulary.”

“The Allyn & Bacon Handbook” by Leonard J. Rosen and Laurence Behrens. You must love any book that is willing to devote 22 pages to the uses and misuses of the comma alone.

Theodore M. Bernstein’s “Dos, Don’ts & Maybes of English Usage.” For instance, he explains why Mark Antony didn’t say “Friends, Romans, countrymen, loan me your ears.”

“Describer’s Dictionary: A Treasury of Terms & Literary Quotations,” by David Grambs and Ellen S. Levine. It indexes illustrative passages of more than 600 authors from travel writer Paul Theroux to contemporary British novelist Zadie Smith.

Eli Burnstein’s “Dictionary of Fine Distinction Book,” offering a humorous look at often misused words and phrases. For instance, couch vs. sofa.

Valerie Howard’s “1,000 Helpful Adjectives for Fiction Writers,” promises to spice up characteristics, qualities or attributes of a noun when a writer is having trouble capturing just the right word.”

Bill Bryson’s “Dictionary of Troublesome Words: A Writer’s Guide to Getting it Right” sets out to decipher the idiosyncrasies of the English language. Things such as 126 meanings of “set” when used as a verb and another 58 when used as a noun.

Brian Shawver’s “The Language of Fiction: A Writer’s Stylebook.” Need to be reminded when to use a comma or semicolon? Shawver’s there to help.

Kathy Steinemann’s “The Writer’s Lexicon: Descriptions, Overused Words, and Taboos.” Among other things, she offers writers cures for overused modifiers (I’m talking about you “very”).

John B. Bremner’s “The Columbia Dictionary for Writers: Words on Words.” Here you can learn the history of H. L. Mencken’s inspiration for coining the term “ecdysiast” to replace “striptease.”

Christine Lindberg’s “The Oxford American Writer’s Thesaurus.” Writing about bread? How about a baker’s dozen choices: dal, pita, rye, naan, tortilla, focaccia, ciabatta, challah, corn, sourdough, pumpernickel, baguette, etc.

“Associated Press Stylebook and Briefing on Media Law” has been found on the desk of every journalist for decades since it dictates uniform rules for grammar, punctuation, style for capitalization and numbers, preferred spelling, abbreviations, acronyms, and such.

“Words, words, words,” is the sarcastic response Hamlet gave when Polonius asked him what he was reading. Fortunately, authors still have no shortage of excellent reference books to help them find the right ones.

***

A former political reporter in Austin, Dixie also taught writing at Syracuse University. When she teamed up with Sue Cleveland to write fiction, they sold a screenplay to a Hollywood producer. Although the movie was never made, the seed money financed ThirtyNineStars, their publishing company. Through it they published two award-winning thrillers (Shrouded and Digging up the Dead) under the pen name, Meredith Lee. Dixie’s first solo mystery was Bloodlines & Fencelines, set in a tiny Texas town near Austin. Kirkus reviews described the book as, “A twisty whodunit that’s crafted with care and saturated with down-home Southern charm.” She is working on second mystery in the series.  www.dlsevatt.com

***

Image of dictionary by PublicDomainPictures from Pixabay

Publicity photo of William Holden and Judy Holliday for Born Yesterday via Wikipedia

Image of tablet  by Gerd Altmann from Pixabay

Equinox!

by Helen Currie Foster

An excess of animal spirits”–springtime! Really? Molly Ivins was right as usual when she wrote, “Texas–land of wretched excess!” We’ve had ridiculous lows, unseen for decades. Early daffodils and hyacinths came, shivered, and shriveled in the unholy cold winds roaring across the plains. But we’ve also had the earliest 90 degrees in decades! Wretched excess indeed!

Just two days until the vernal equinox on March 19, and spring. What makes us wander outside, searching for the first bluebonnet, the first violet? What makes us huddle outside the garden store, searching through the little plants shivering in the breeze, fingering seed packets, carrying home small pots of basil and blue salvia even though the weather’s far too untrustworthy for planting? What is this proto-agricultural spirit that makes us lug home the potting soil, hoe the garden bed? More sunlight? Cabin fever? Some early human gene? We, the Animal Kingdom, working with the Plant Kingdom?

I’m rereading Barry Cunliffe’s Europe Between the Oceans: 9000 BC-AD 1000a book I value not just for the stunning photographs of prehistoric sites and art, but for describing a history of human inventiveness. Cunliffe, Oxford Professor Emeritus of Archeology since 2007 (many books), says “massive transformation” occurred in Europe between 1300-800 BCPopulation growth required developing more crops than wheat and barley, including lentils, peas and—“the celtic bean (Vicia faba).”

Immediately I ordered a giant pack of fava bean seeds.

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Then I read the label: they’re mostly a winter crop–but this year I’m desperate. With last year’s blistering hot drought, I wound up with only one pot of cherry tomatoes on the porch and a dozen wilting jalapeno plants in the garden. Cunliffe’s reference to Vicia faba fired my imagination—envisioning myself harvesting large fuzzy green pods, containing delectable beans, and adding a little vinaigrette…olive oil (since 4000 BC) and vinegar (3000 BC). Using an ancient bean and ancient vinaigrette recipe! Possibly those beans were harvested, and the vinaigrette shaken, by some long-ago ancestor 3000 years ago, making me wonder if we have genetic preferences, genetic recipe roots? After all, we of the Animal Kingdom depend on the Plant Kingdom (oxygen, vinaigrette, and wine!).

Mysteries offer escape—a protagonist we like, an intriguing plot, a vivid setting. Like plants, favorite old mysteries offer much when we revisit. Mystery writers? They’re good to “talk to.” This morning I discovered on the shelf my dad’s 1934 Modern Library edition of Dashiell Hammett’s The Maltese Falcon, with a brief bio and the “new introduction” by Hammett.

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I didn’t know Hammett had worked as an operative for Pinkerton’s Detective Agency before he started writing! “Drifting through a miscellany of ill-paid jobs, he found a temporary solution to his economic problem by shadowing real malefactors with what might be called conspicuous success.” Then came the World War: “He won a sergeantcy and lost his health.”

Hammett can remember where he got his characters. Here’s a snippet of what he says about The Maltese Falcon:

“Dundy’s prototype I worked with in a North Carolina railroad yard; Cairo’s I picked up on a forgery charge in Pasco, Washington, in 1920; Polhous’s was a former captain of detectives…Effie’s once asked me to go into the narcotic smuggling business with her in San Diego…”

Hammett then muses about his own protagonist. “Spade had no original. He is a dream man in the sense that he is what most of the private detectives I worked with would like to have been and what quite a few of them in their cockier moments thought they approached. For your private detective does not—or did not ten years ago when he was my colleague—want to be an erudite solver of riddles in the Sherlock Holmes manner; he wants to be a hard and shifty fellow, able to take care of himself in any situation, able to get the best of anybody he comes in contact with, whether criminal, innocent by-stander or client.”

What a great description, and didn’t Humphrey Bogart nail it?

It strikes me that this new character of his upended the vision of the members of the London 1930 Detectives Club—Hammett gave the wide-eyed mystery audience a protagonist who is not a secret member of the aristocracy (Albert Campion) or a perfect gentleman (Roderick Alleyn) or a hyper-particular French veteran drinking tea and waxing his moustache (Hercule Poirot)…but a “hard and shifty fellow…able to get the best of anybody.” Welcome to the New World’s new-style mystery protagonists, the children of Hammett, Raymond Chandler, Sara Paretzky and others…including that hybrid protagonist, Mary Russell, in Laurie King’s Mary Russell and Sherlock Holmes series.

For Mary Russell and Sherlock Holmes, the scent of honey is a repeat theme (her Holmes is a beekeeper). I like her Holmes, I like her Russell, and just finished her Garment of Shadows (2012). King has chosen a fascinating and ambitious setting: the 1920’s, with Spain and France fighting for control of Morocco, each coveting its crucial strategic location at Gibraltar, while various Moroccan groups—Berber and otherwise—fight for independence. King uses first person point of view for Mary Russell, who’s suffering from acute amnesia—forgetting her childhood and even her marriage––but uses third person POV for Holmes’s chapters. Those shifts sometimes confused me. But her depth of history and geography, and her vivid descriptions of the magical city of Fez with its souk, bring the setting alive. Mary Russell herself has become quite a protagonist, with linguistic skills—including Arabic––and the imagination and drive to devise a daring escape from a horrible prison. I’d like to learn knife-throwing like Mary Russell (she keeps one in her boot) but the likelihood seems dim.

Writer/theologian Bruce Reyes-Chow mentioned how, when stuck, he’d “talk through ideas with myself, my plants…” I intend to follow his lead. On our deck sit five jasmine plants we’ve toted around since the seventies. I think they sometimes do communicate with me—“I’m dry-y-y-y!” But from now on, when I’m stuck on a plot, I’ll go consult them. Every spring, those jasmine produce tiny white flowers with an unmatchable scent. In search of even more scent, this year I’ve planted another mix of old and new. Rose de Recht is a fragrant pink heirloom damask, Fragrant Blush promises pink perfume, and Star of the Republic is tough, like her name, but delicate pink with exquisite fragrance.

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And now suddenly the redbuds, with their irresistible yet evanescent fuchsia buds, are blooming. I’ve seen our first bluebonnet,

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and the first purple prairie verbena. The live oaks know it’s almost the equinox—they’ve flung down their old leaves (aided by the fierce winds) and are preparing their catkins and baby leaves. The cedar elms have put out tiny chartreuse leaves just in the last two days.

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So it’s spring! Grab that trowel! And after all your work, you deserve to loll on the couch at night with a good mystery. I’m halfway through the tenth book in my Hill Country murder mystery series. This one raises a question I find intriguing and difficult. Can justice be served when, unauthorized to pronounce justice, we take justice into our own hands? Is that still justice? I’m discussing it with the plants. More to come….

Here are Helen, Noreen Cedeno, and Juanita Houston at the Texas Book Festival!–Heart of Texas Sisters in Crime

***

Award-winning Helen Currie Foster lives and writes the Alice MacDonald Greer Mystery series (9 volumes so far) north of Dripping Springs, Texas, loosely supervised by three burros. She’s working on Book 10. She’s drawn to the compelling landscape and quirky characters of the Texas Hill Country. She’s also deeply curious about our human history and how, uninvited, the past keeps crashing the party.

Follow her at Helen Currie Foster and at her author page on Amazon.